Albert Watson Figurative Photography

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1 of 25 If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

This will be shipped direct from the artist to you or your framer. In this photograph a silhouetted horse follows a silhouetted figure closely as they trek through a field. The use of abstracted figures helps emphasize the emotional aspect of Kelly's main theme: the bond between humans and animals. Pete Kelly finds his inspiration in nature and the landscape. Specifically focusing on, "The reclamation by nature of urban settings", Kelly finds a particularly strong aesthetic and power in the beauty of the urban landscape. "I try to see beauty around me, drawing beauty from ugliness by capturing close up textures of fading paint or graffiti, or by reducing the shape of the subject to silhouette." Kelly's fascination with photography, the quality, and flexibility of the medium began at a very early age. Born in England in 1966, and as the son of a military man, Kelly spent most of his childhood growing up in West Germany. After leaving school Kelly enrolled in a photography course with the R. A. F Photographic Unit, based in Wildenrath in Germany. Although this initial training lasted only six months, it established a life long passion and dedication to photography. Already an avid traveller, Kelly initially decided to return to the UK,
to study Graphic Design at Stockport College, before moving to America in 1987. After completing an Internship at an innovative commercial photography studio in America,
Kelly began working as a Photographers Assistant. Working closely with a range of photographers allowed him to intrinsically develop his own
refined sense of aesthetic as well as develop and master photographic theory and technique. Now working as a Fine Art Photographer in his own right,
 Pete Kelly utilizes the most cutting edge equipment and techniques,
 painting with photography by compositing and layering photographs...

Children, Harlem, New York, USA 1963 by Leonard Freed is a 19" x 13" signed and numbered archival pigment print in an edition of 10. Signed by the estate, Freed's widow Brigitte Freed, on back of photograph. Available: 7/10. Provenance: Freed archive. Provenance: Freed Estate *** Artist’s Bio: Leonard Freed (1929-2006) was an American photographer from Brooklyn, New York. His "Black in White America" series made him known as a documentarian. Freed worked as a freelance photographer from 1961 onwards and as a Magnum photographer Freed traveled widely abroad and, in the US, photographing African Americans (1964-65), events in Israel (1967-68, 1973), and the New York City police department...

World Series Parade, New York City, 1954 by Leonard Freed, is an 11" x 14" gelatin silver later ("lifetime") print, signed on verso (back of print) by the photographer and stamped (magnum). The photograph was handprinted by Leonard Freed. Parade by Freed captures the joy of two majorettes en route in the streets of the city for the celebration of the New York Giants...

An 11" x 14" (Ed of 5) signed gelatin silver print of Friendship, 1994 by Roberta Fineberg is from a world of horse-crazy girls in New York City. A black-and-white photograph, friendship shared by three teenage girls who display their horseback riding bracelets. The girls wear the names of their horses engraved on the bracelets. The photograph was shot in the 1990s at the now defunct City stable, Claremont, on the Upper West Side of Manhattan. The photo is published in the book City Riders (1997) - Howell/Macmillan Publishers Provenance: RF Studio *** Artist's Bio: As a visual artist, Roberta Fineberg (RF) focuses on the themes of serendipity, inventiveness, and the development of ideas for her photography, video, installations, works on paper, and painting. Drawn to experimentation, she explores diverse mediums and concepts such as the ephemeral (Butterfly Series), stolen moments (documentary photography), play, timelessness, the enduring, and the significance of matter. RF, living in New York City, began her career as an editorial photographer while studying in Paris. In France she contributed both photography and writing to publications, landing a column (photos and text) with The Saturday Review while exhibiting photographs in public spaces. Roberta Fineberg’s freelance photography appeared in Le Monde, Jeune Afrique, Paris Match, L’Officiel Femme, Ms, Weltwoche, Vanguardia, among others with images licensed through stock agencies. Photographs were selected for cover art at W.W. Norton, St. Martin’s Press, Harcourt, Bookspan, Simon & Schuster, etc. Print Regional Design Annual New York (2003) awarded her for book jacket photography for If Wishes Were Horses. In 1997 Macmillan published City Riders: A Story of Riding and Friendship her first book of black-and-white photographs and a story about three teenage girls in the 1990s who rode horses at the now-defunct Claremont Riding Academy and oldest stable in New York City. In 2023, RF created an interactive installation, works on paper on the female body, in a public space. In July 2022, Fineberg’s Double Helix was included in a Sotheby’s auction in New York City and exhibited in the preview show Contemporary Discoveries. Selected exhibitions include Time Gallery New York (2022), Phyllis Harriman Gallery New York studio shows (2020, 2022), CADAF online art...

Wall Street, 1955-56 is a 19" x 13" limited edition print (8 of Ed 9) by photographer Leonard Freed. The work is signed verso (back of photo) by Brigitte Freed (wife of the photograp...

Fire Hydrant, Harlem, 1963 by Leonard Freed is a 19" x 13" limited edition photograph. The portrait is signed verso (back of photo) by the estate and Brig...

City Prison, 1965 by American photographer Leonard Freed is a vintage gelatin silver, signed verso (back of photo) by the photographer. It is an iconic image from the photographer's ...

A black-and-white image shot on film by Roberta Fineberg becomes an abstract chiaroscuro portrait of a woman in elegant clothing -- a semi-sophis...

The photograph captures and translates the American South of the 1960s. Southern State, 1964 by Leonard Freed, is an 11” x 14” gelatin silver photograph from the photographer's Black...

Bruce Springsteen Photograph: Bruce at The Bottom Line NYC, 1975 by Fernando Natalici: A rare, historic photo of Bruce Springsteen at the tender age of 25 captured at The Bottom Line New York, 1975, by celebrated underground photographer, Fernando Natalici. Bruce and The East Street Band's 1975 shows at The Bottom Line were cited by Rolling Stone in 2004 as among the “50 Moments That Changed the History of Rock & Roll". Medium: Digital C print. Sharp black colors; nice overall print quality. Dimensions: 11 x 14 inches (may contain a small white border at the edges). Hand signed on the verso from a limited edition of 45. Excellent condition. Looks fantastic in a white frame. Obtained directly from artist. Lot 180 is a primary dealer rep of Fernando Natalici. Further Background: As Rolling Stone wrote... In August 1975, Bruce Springsteen and the E Street Band were booked to play ten shows at the tiny New York club the Bottom Line, near Washington Square Park in Greenwich Village. Springsteen was weeks away from releasing his third album, Born to Run, and his label, Columbia, invited more than 1,000 industry insiders to see what fans of the E Street Band's live shows had long known. As guitarist Steven Van...

"Flame" Photography Edition of 25 32" x 32" inch by Yevgeniy Repiashenko Flame Photography Edition of 25 32 x 32 inch Year photo was taken: 2018 This picture is a part of Spirit ...