Alberto Burri Art

"Harbor Rainbow" with rippling water reflections of the blue boat floating in the sea is a quintessential example of Tom Swimm's enhanced realism. This colorful hand pulled 90 color ...

David Rankin, American (b. 1946) Rocky Hillside, (1990) Oil on paper Hand signed lower right, signed and titled verso. 30 x 22 1/2 inches David Rankin is a New York-based, British-born Australian post-war and contemporary artist known for his expressionistic abstract paintings. His work can be categorized by his use of quick, loose brushstrokes, reminiscent of scribbles on a page. Rankin works predominantly in oil painting and acrylic on canvas, but also works with paper, prints, sculptures and ceramics. Rankin has held over 100 one-person exhibitions in cities across the world, including New York, London, Paris, Beijing, Mexico, Vienna, Berlin and Cologne, as well as all over Australia. Represented in many of the world’s leading public and private collections and museums, David Rankin’s work is featured in Australia’s leading institutions, including the National Gallery of Australia, Art Gallery of New South Wales, National Gallery of Victoria and Queensland Art Gallery. David Rankin was born in Plymouth, Devon, England in 1946 then emigrated to Australia with his family in 1948. He spent his childhood in the 1950s in the semi-rural Port Hacking region South of Sydney and his teenage years in country New South Wales, from Hay, Wagga Wagga and Albury in the South to Bourke and Brewarrina in the North. Rankin is self-taught, developing his techniques and ideas in the outback towns of his youth. He was inspired by the greats from Leonardo da Vinci to Paul Klee as well as being influenced by the history of Buddhism and Asian art. In his travels before he arrived in Sydney in 1967 he developed a concept of what he wanted to achieve as an Australian artist. His dream was to express the anima, the life spirit or the essence of God in all nature. As an Australian artist he believed could bring the elements of Western Art together with an understanding and love for the cultures of Asia and the Australian Aborigine. He also felt that as Australia was closer to Asia than Europe it made sense to think about the art of Indian, Chinese and Japanese artists, and that one could not be an authentic articulate Australian artist without a love and respect for the artistic and spiritual expressions of the various Aboriginal artists, peoples and cultures. His work combined elements of Abstract Expressionist painting with Jewish and Aboriginal influences. In 1979 his first wife, Jennifer Mary Roberts (née Haynes) died. Rankin subsequently met his current wife Lily Brett, whose own life was etched by tragedy with her parents being survivors of the Holocaust. She too migrated to Australia as a child after the Second World War in 1948. The artist recounts that his empathy for Lily and the pity for his first wife's death fused into what he calls "the dark blessing of my life." The darkness was transformed into images. The author Dore Ashton writes that the events of 1979 and the fire which ravished his studio in 1997 and burnt his art works and many personal possessions, had a profound impact on his work. Having personal life experiences as his subject matter, Rankin's paintings contemplate these things. For example, his Jerusalem series followed a trip to Jerusalem in 1988, which then led to his Golgotha works. His travels to the Australian, American and Mexican deserts became the subject matter for many of his canvases, such as Ridge – Mungo, Golden Prophecy – San Antonio, Grey Sonora Landscape and then led to his Witness Series. From the fire in his studio he then painted Buddha and Flames. He illustrated two books by Lily Brett on the holocaust and explored the theme further in his huge work The Drowned and The Saved from a book by Primo Levi of the same name. Through Brett he encountered Jewish mythology and painted judaica imagery, Black...

Mark TOBEY (1890-1976) Blue Composition, 1976 Original color screenprint Signed with the artist's stamp Numbered / 77 copies On Auvergne vellum 64.5 x 50.5 cm INFORMATION: Authenti...

Blur – Think Tank (Sampler) Parlophone – THINK 3 Vinyl, 12", 33 ⅓ RPM Released in 2003. Hand Stamped with Banksy Petrolhead image. "Other Side" has record...

Mark Tobey, American (1890 - 1976) - Transformation, Year: circa 1970, Medium: Screenprint on Richard de Bas, signed, numbered and titled in pencil, Edition: AP, Image Size: 15.75 ...

Alan Shields Alice in Grayland, 1979 Mixed media collage: Etching, aquatint, screen print with stitching and collage on hand made paper Hand signed, dated, titled and numbered 1/13 by Alan Shields on the front Unique variant This very unique and imaginative mixed media paper collage with stitching and fabric is floated and framed in a museum quality white wood frame with UV plexiglass. It is hand signed, dated, titled and numbered from the limited edition of 13 - but each is a unique variant. Frame included: Measurements: Frame: 27.75 x 22.5 x 2 inches Artwork: 23.5 x 18 inches Catalogue Raisonne: K. Tyler Tyler Graphics: Catalogue Raisonné, 1974-1985, New York: Abbeville Press, 1987. p. 289. Alan Shields came of age artistically in the late 1960s in New York. Expanding the boundaries of Minimalism, he became known as a master of aesthetic invention through his wide-ranging exploration of materials and techniques. His mixed media works often contain combinations of traditional silkscreen processes combined with found materials. New York Times critic Roberta Smith wrote in her 2005 obituary for the artist: "Mr. Shields's work combined expanses of gorgeous stained color, reminiscent of Helen Frankenthaler's canvases, with the humbler crafts and a Gypsy sense of portability." Critic Robert Hughes has described Shields as a brilliant bricoleur who could, and often did, make art out of just about anything. He became an innovative printmaker, experimenting with handmade paper and turning out editions in which each print was unique. After his passing, Shields was awarded a Judith Rothschild Foundation grant given to recently deceased abstract artists whose work is of the highest quality but merits further recognition. About Alan Shields: Alan Shields (b. 1944, Herington, KS; d. 2005, Shelter Island, NY) created unique, imaginative, and theatrical structures using unconventional materials and vibrant color. His three-dimensional paintings convey a playful, deconstructive impulse through the incorporation of un-stretched hand-dyed canvas, rope, yarn, beads, and wood. Shields moved to New York City in 1968, where he showed with Paula Cooper...

Dirty Funker Future 12" vinyl, Grey cover with red radar and black rat Spirit Recordings – DF007 Sleeve art credit: Banksy Released in 2008 Original sticker with “Limited edition ar...

MILTON GLASER Untitled Abstract Landscape, 1965 Monotype with Mixed Media 11 × 13 inches Signed and dated 1965 on the lower right recto Unique Frame included: held in original vinta...

Mark TOBEY (1890-1976) Burning Devouring Love, 1976 Original color screenprint Signed with the artist's stamp Numbered / 77 copies On Auvergne vellum 64.5 x 50.5 cm INFORMATION: Au...

Very cool and collectible book, Banksy’s Banging Your Head Against a Brick Wall. Released in 2001. This is Banksy's first book. He released 3 books in this mini black book format in ...

Constellation Silkscreen in colors, 1969 Signed, dated, titled and numbered in pencil Edition: 100 (56/100) Condition: Excellent Image Size: 17 x 17 inches Sheet size: 20 x 20 inch...

A book by Andy Warhol. Signed and sketched by the artist on the first page of the book. Signed on the bottom of the first page. The Philosophy of Andy Warhol (From A to B & Back Aga...