(after) Keith Haring Furniture

Pattern Porcelain Mug by Scholten & Baijings 001 Matcha Porcelain with Grid textile graphic. Matte exterior with gloss interior. Made in Japan by 1616 /...

Beautiful lithograph promoting the 1988 American Music Festival, celebrating the 40th anniversary of the New York City Ballet. The piece is printed on heavy art stock paper and is al...

1980s Alpha-3 Mug designed by Kato Kogei for the Fujimori Collection. Made in Japan, this Memphis M mug is part of the Omega set.

Original Exhibition Catalog – Dibujos 1928-1942 by Julio González, Galeria Dreiseitel, 1974 Artist: Julio González Exhibition: Dibujos 1928-1942 – Galeria Dreiseitel, Köln Year: 1...

Great image of dogs Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Cpt. brown with original hand color. Publi...

Ben Shahn Jester Exhibition Poster from the 1960's. Framed in possibly an original frame from the period.

A limited edition Black and Burgundy silk tie created from a commissioned design by Keith Haring for Playboy Magazine in 1986. Without issues, the colors are burgundy and black, both...

Cigarette brand Lucky Strike commissioned Keith Haring to design a series of posters & advertisements for them in 1987. In turn, Haring submitted 10 p...

Thonet 19th Century Bentwood Furniture - UCLA Art Galleries - September 18 - October 15, 1961 w/ a foreward by Henry Dreyfuss. Artistically photographed illustrations / text / list o...

Framed, signed poster by Alvin Loving (1935-2005). Below is an excerpt from an online source. Detroit-born Loving earned an MFA from the University of Michigan in 1965. He began hard edge painting of cubes and hexagons in 1967. After his first one-person exhibition at Gertrude Kasle gallery in Detroit in 1969, Loving launched his New York career. Gertrude Kasle provided Loving with letters of introduction to Harold Hart of Martha Jackson Gallery and Steven Wilde and Bert Walker, curators at the Whitney Museum of American Art, where he was given a critically acclaimed, one-person exhibition in 1969. Loving was the first of a group of African-American artists whose work was shown at the Whitney during the 1970s, including Frank Bowling, Frederick Eversley, Melvin Edwards...

Sotheby's Catalog, An Important Russian Imperial Jewel. Geneva 17 November 2005. 1st Ed hardcover. "An impressive and highly important diamond ornament from the collection of the Russian Imperial Family, Russia, second half of the 18th century. This diamond necklace with bowknot clasp is not only a remarkable jewel in itself, but its Russian royal provenance puts it in a class of its own. It evokes the blinding splendour of Catherine II, Empress of Russia: the magnificence of her court, her parks, her palaces, her art collections, and monuments. The most striking and colourful figure on the stage of European political life, for thirty four years she ruled a mighty empire which stretched from Siberia to Poland and left it stronger, larger and richer than when she came to the throne in 1762. After her death in 1796, her friend the Prince de Ligne, who had named her Catherine the Great, declared that this title- which has never been lost- resumed all her genius, courage, sense of justice, and force of character. Using her court as a stage, she played the part of an autocratic but enlightened ruler to perfection, imposing in her public appearances, kind and charming in private. The French ambassador, the Comte de Ségur who noticed how “her majestic head and brow, proud look and dignified deportment made her seem taller than she was”, was also impressed by her feminine grace “ her aquiline nose, well shaped mouth, Saxe blue eyes beneath dark lashes, gentle glance and seductive smile”. In spite of her success, she once confided to the Prince de Ligne that she could have served Russia better if she had been born a man. Ever the courtier, he assured her that being a woman was a positive advantage. “Believe me, you are so much more impressive in your beautiful embroidered orange red velvet dolman or tunic than a man decked out in boots and shoulder sash can ever be. In addition the five huge diamonds blazing out from your hair are far more effective than a man’s hat which is either ridiculously small or ridiculously big”. He was right. Her diamond jewellery proclaimed her power and her rank as Empress and appealed to the Russian taste for sumptuous goods. It impressed the Rev. William Coxe, visiting St. Petersburg in 1778: “the glory and the splendor of the clothing of the court and abundance of precious stones leave the opulence of other European courts far behind” and his opinion was shared by the acute Madame de Stael...

Original Keith Haring signed poster. Italia 1983. Framed. Obtained from the estate of the original owner.