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Vanity Fair Jockey

"Mr Abington" Vanity Fair Jockey
Located in New York, NY
Color lithograph from Vanity Fair of Mr. Abington. London, circa 1890.
Category

1890s Portrait Prints

Materials

Paper

Samuel Loates, jockey, Vanity Fair horse racing portrait chromolithograph, 1896
By Sir Leslie Ward
Located in Melbourne, Victoria
'Sam Loates' Vanity Fair portrait of Samuel "Sam" Loates (1865 - 1932) was a British Thoroughbred
Category

Late 19th Century Victorian Portrait Prints

Materials

Lithograph

William Higgs, jockey, Vanity Fair horse racing portrait chromolithograph, 1906
By Sir Leslie Ward
Located in Melbourne, Victoria
'Top of the List' Vanity Fair portrait of William Higgs (1880-1958). Higgs was a Irish jockey who
Category

Early 20th Century Victorian Portrait Prints

Materials

Lithograph

Frank Wootton, jockey, Vanity Fair horse racing portrait chromolithograph, 1909
By Sir Leslie Ward
Located in Melbourne, Victoria
'Frank Wootton' Hentschel-Colourtype, 1909 Vanity Fair portrait of Frank Wootton. (1893 -1940
Category

Early 20th Century Victorian Portrait Prints

Materials

Lithograph

William Griggs, jockey, Vanity Fair horse racing portrait chromolithograph, 1906
By Sir Leslie Ward
Located in Melbourne, Victoria
'He rides for Lord Durham' Vanity Fair portrait of William Griggs. He won the 1000 Guineas on
Category

Early 20th Century Victorian Portrait Prints

Materials

Lithograph

"Jockey" by 'Spy' aka Sir Leslie Ward
By Sir Leslie Ward
Located in Bristol, CT
Classic Vanity Fair 19thC jockey portrait by 'Spy' aka Sir Leslie Ward Image Sz: 11 1/2"H x 7 1/4
Category

19th Century Prints and Multiples

Materials

Lithograph

James Woodburn 1890 by Sir Leslie Ward
By Sir Leslie Ward
Located in Bristol, CT
Classic Vanity Fair colour plate of jockey, James Woodburn in coral racing silks by "Spy" aka Sir
Category

19th Century Prints and Multiples

Materials

Paper

Recent Sales

'the Jockey Club', Vanity Fair equestrian portrait chromolithograph, 1903
By Sir Leslie Ward
Located in Melbourne, Victoria
'the Jockey Club'. Vanity Fair portrait of Mr Frederick Barne on horseback. 380mm by 265mm
Category

Late 19th Century Victorian Portrait Prints

Materials

Lithograph

George Barrett, jockey, Vanity Fair horse racing portrait chromolithograph, 1887
By Sir Leslie Ward
Located in Melbourne, Victoria
'George Barrett' Vanity Fair portrait of George Barrett (1863-1898) who was a leading English
Category

Early 20th Century Victorian Portrait Prints

Materials

Lithograph

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Vanity Fair Jockey For Sale on 1stDibs

You are likely to find exactly the vanity fair jockey you’re looking for on 1stDibs, as there is a broad range for sale. Finding the perfect vanity fair jockey may mean sifting through those created during different time periods — you can find an early version that dates to the 19th Century and a newer variation that were made as recently as the 20th Century. Adding a vanity fair jockey to a room that is mostly decorated in warm neutral tones can yield a welcome change — find a piece on 1stDibs that incorporates elements of beige, brown, gray, white and more. There have been many interesting vanity fair jockey examples over the years, but those made by Sir Leslie Ward and William Gropper are often thought to be among the most thought-provoking. Artworks like these of any era or style can make for thoughtful decor in any space, but a selection from our variety of those made in lithograph, canvas and fabric can add an especially memorable touch. A large vanity fair jockey can prove too dominant for some spaces — a smaller vanity fair jockey, measuring 15 high and 10 wide, may better suit your needs.

How Much is a Vanity Fair Jockey?

The price for a vanity fair jockey in our collection starts at $150 and tops out at $16,000 with the average selling for $450.

Finding the Right Prints And Multiples for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.