Roman Malakov Ruby Necklace

Renowned for its boutique — a New York City Diamond District mainstay — as well as for its handcrafted, world-class engagement rings, the Roman Malakov jewelry company actually began an ocean away from Midtown Manhattan.

At the end of World War II in 1945, the eldest of the three Malakov brothers began studying with some of the leading watchmakers in Europe, eventually becoming a master watchmaker himself. He soon joined forces with his younger brothers, sourcing and dealing rare watches and gems, and eventually shifting focus to the latter. Soon, the family would master the art of the “Russian cut,” an art form they brought to their diamond cutting stateside, establishing their Diamond District location in the mid-20th century. As a wholesaler, manufacturer and retailer, the company oversees each step of the jewelry-making process for vibrant pieces of exceptional quality.

In the United States, the company continued its hands-on approach to sourcing, with the family and later, its employees working directly with mines around the world, from Lesotho to Siberia, for stones that are hand-inspected and certified as natural and conflict-free. This process results in a wide variety of stones — from pink sapphires to yellow diamonds in a range of cuts, with white diamonds joining these vibrant stones on almost every piece. Blue sapphires from Kashmir and rare Tanzanian rubies, for instance, are encircled with diamonds for lustrous halo rings.

Roman Malakov is well-known for its engagement rings and wedding bands, but it also produces bracelets, necklaces, earrings and cocktail rings in a rainbow of colors and styles ranging from traditional to Art Deco. Always, though, the centerpieces are the stones, which the company also sells loose, each a luminous gem embodying both natural beauty and fine craftsmanship.

And with three generations of diamond expertise, Roman Malakov is also the perfect resource for learning about how to clean a diamond ring.

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Contemporary jewelry is inextricably linked with the moment in which it is created, frequently reflecting current social, cultural and political issues such as environmental consciousness, identity and sustainability. It’s informed by fashion trends, from the chokers of the 1990s to the large chain necklaces of the early 2000s.

Jewelry is one of the oldest forms of adornment. Lockets made of silver or gold have been treasured gifts for hundreds of years, for example, and charm bracelets, which have existed since prehistoric times, didn’t become especially popular until the 19th-century reign of Queen Victoria. For many centuries, fine jewelry was used primarily to express wealth or status through lavish materials. Then, in the 1960s, a concept known as the “critique of preciousness” emerged, with jewelers creating pieces that did not get their value from gemstones or precious metals. Instead, it was the jeweler’s artistic vision that was prized and elevated.

This shift still informs Contemporary jewelry being made by artists today. Whether they are using cheap, found materials and working with provocative geometric shapes or seeking out the rarest stones, they are imbuing their work with meaning through their skills, techniques and ideas. Innovative designers such as Elsa Peretti, who popularized sculptural sterling-silver jewelry for Tiffany & Co., and David Yurman, who twisted metal into the simple yet striking Cable bracelet, have also influenced the direction of Contemporary jewelry’s forms and aesthetics.

Meanwhile, technological advancements like metal alloys and laser engraving have led to new possibilities in jewelry design. Now, edgy makers and brands as well as minimalist designers are pushing Contemporary jewelry forward into the 21st century.

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Gold is the feel-good metal, the serotonin of jewelry. Wear vintage and antique gold necklaces, watches, gold bracelets or gold rings and you feel happy, you feel dressed, you feel, well, yourself. 

Gold, especially yellow gold, with its rich patina and ancient pedigree going back thousands of years, is the steady standby, the well-mannered metal of choice. Any discussion of this lustrous metal comes down to a basic truth: Gold is elementary, my dear. Gold jewelry that couples the mystique of the metal with superb design and craftsmanship achieves the status of an enduring classic. Many luxury houses have given us some of our most treasured and lasting examples of gold jewelry over the years.

Since its founding, in 1837, Tiffany & Co. has built its reputation on its company jewelry as well as its coterie of boutique designers, which has included Jean Schlumberger, Donald Claflin, Angela Cummings and Elsa Peretti. There are numerous gold Tiffany classics worth citing. Some are accented with gemstones, but all stand out for their design and the workmanship displayed.

For the woman who prefers a minimalist look, the Tiffany & Co. twist bangle (thin, slightly ovoid) is stylishly simple. For Cummings devotees, signature pieces feature hard stone inlay, such as her pairs of gold ear clips inlaid with black jade (a play on the classic Chanel black and tan), or bangles whose design recalls ocean waves, with undulating lines of lapis lazuli and mother-of-pearl. And just about any design by the great Jean Schlumberger is by definition a classic.

Even had he eschewed stones and diamonds, Southern-born David Webb would be hailed for the vast arsenal of heavy gold jewelry he designed. Gold, usually hammered or textured in some manner, defines great David Webb jewelry. The self-taught jeweler made very au courant pieces while drawing inspiration from ancient and out-of-the-way sources — East meets West in the commanding gold necklaces made by Webb in the early 1970s. The same could be said for his endlessly varied gold cuffs.

In Europe, many houses have given us gold jewelry that sets the highest standard for excellence, pieces that were highly sought after when they were made and continue to be so. 

Numerous designs from Cartier are homages to gold. There are the classic Trinity rings, necklaces and bracelets — trifectas of yellow, white and rose gold. As a testament to the power of love, consider the endurance of the Cartier Love bracelet.

Aldo Cipullo, Cartier’s top in-house designer from the late 1960s into the early ’70s, made history in 1969 with the Love bracelet. Cipullo frequently said that the Love bracelet was born of a sleepless night contemplating a love affair gone wrong and his realization that “the only remnants he possessed of the romance were memories.” He distilled the urge to keep a loved one close into a slim 18-karat gold bangle. 

BVLGARI and its coin jewelry, gemme nummarie, hit the jackpot when the line launched in the 1960s. The line has been perennially popular. BVLGARI coin jewelry features ancient Greek and Roman coins embedded in striking gold mounts, usually hung on thick link necklaces of varying lengths. In the 1970s, BVLGARI introduced the Tubogas line, most often made in yellow gold. The Tubogas watches are classics, and then there is the Serpenti, the house's outstanding snake-themed watches and bracelets.

A collection called Monete that incorporated the gold coins is one of several iconic BVLGARI lines that debuted in the 1970s and ’80s, catering to a new generation of empowered women. Just as designers like Halston and Yves Saint Laurent were popularizing fuss-free ready-to-wear fashion for women on the go, BVLGARI offered jewels to be lived in. 

Since Van Cleef & Arpels opened its Place Vendôme doors in 1906, collection after collection of jewelry classics have enchanted the public. As predominantly expressed in a honeycomb of gold, there is the Ludo watch and accessories, circa the 1920s, and the golden Zip necklace, 1951, whose ingenious transformation of the traditional zipper was originally proposed by the Duchess of Windsor. Van Cleef's Alhambra, with its Moroccan motif, was introduced in 1968 and from the start its popularity pivoted on royalty and celebrity status. It remains one of VCA’s most popular and collected styles.

Mention must be made of Buccellati, whose name is synonymous with gold so finely spun that it suggests tapestry. The house’s many gold bracelets, typically embellished with a few or many diamonds, signified taste and distinction and are always in favor on the secondary market. Other important mid-20th-century houses known for their gold-themed jewelry include Hermès and Ilias Lalaounis.

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This deep red gem is the color of heat and passion — vintage and antique ruby jewelry is perfect for those born in the middle of summer.

Rubies are one of the few gemstones that can give diamonds a run for their money. Just consider the Van Cleef & Arpels “scarf” necklace the Duke of Windsor presented to the Duchess on her 40th birthday, in 1936 — set with diamonds and dripping with rubies, a testament to the deep-red gemstone’s power — or the slippers encrusted with 4,600 rubies that Harry Winston made to commemorate The Wizard of Oz’s golden anniversary. July babies have permission to adorn themselves with this beautiful red stone even when it’s not their birthday.

Rubies are considered precious stones — along with diamonds, sapphires and emeralds — and have a hardness of 9.0 on the Mohs Scale, surpassed only by Moissanite and diamonds. They are composed of corundum, a colorless mineral that is also the basic material of sapphires. In the July birthstone, the red of the gemstone — and the various hues seen in sapphires — are produced by the presence of trace elements. In the case of a ruby, this element is chromium. Rubies range in color from vermilion to a violet red. They are also pleochroic, which means that a stone’s hue can vary depending on the direction of viewing. The most sought-after color is pigeon’s blood: pure red with a hint of blue.

Rubies that are hosted in dolomite marble are the most prized: Because the marble is low in iron, so are the rubies, resulting in a more intense color. Rubies found in basalt, which has a higher iron content, are generally darker and less intense.

When shopping for antique and vintage ruby jewelry, remember that the 4Cs of selecting the perfect diamond — color, clarity, cut and carat — also apply to rubies.

According to the Gemological Institute of America, the color of the July birthstone should be a vibrant to slightly purplish red, and the stone should be clear and inclusion-free. Accordingly, the cut should show off its color and clarity. As for the last criterion, fine rubies more than a carat in weight are rare. Often, large rubies are more expensive than diamonds of comparable weights.

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