Kasumi Pearl

Michael Kneebone’s exquisite jewelry creations are handmade works of art; no two pieces are alike. The master goldsmith has been creating captivating adornments for more than 50 years. His dangle earrings, beaded necklaces and cocktail rings have a contemporary style yet use traditional materials like pearls and colored gemstones.

Kneebone’s love for jewelry began when as a young man in Deerfield, Illinois, in 1970, he took a jewelry class. It inspired him to earn a degree in jewelry design from Northern Illinois University. Following an apprenticeship with designer Harriet Dreisiger, Kneebone began selling his creations through Saks Fifth Avenue. 

In 1994, Kneebone started his own company, Michael K. Jewels, and opened a store in Naples, Florida. He later set up shop on the famous Canyon Road in Santa Fe, New Mexico, but decided that the winters were too cold. Kneebone moved the store to El Paseo in Palm Desert, California, but kept the name Canyon Road Collection.

In California, Michael Kneebone jewelry found its home. His pieces were perfectly suited to the fashion-forward Coachella Valley tastes. “Interest in colored gemstones has increased dramatically,” Kneebone said in 2019, “and so too has interest in colored pearls.” His work reflects these trends by showcasing stunning gemstones, including amethyst, sapphire and pearls, in a plethora of shapes, sizes and hues. As seen in his eclectic bracelets, Kneebone is not afraid to experiment with unique materials such as coral and stingray shagreen.

Kneebone’s jewelry grew in popularity among prominent women in the Coachella Valley community over the years, with many wearing it to black tie events and non-profit fundraisers, further raising the jeweler’s esteem. His jewelry has also made appearances at fashion luncheons at local upscale restaurants. In 2014, it was featured in the grand finale of the Fashion Show and Luncheon at the Joslyn Center in Palm Desert.

Kneebone continues to make handcrafted jewelry in his home studio, focusing on elegant yet versatile pieces for today’s casual lifestyles.

On 1stDibs, find Michael Kneebone earrings, necklaces, rings and more.

Contemporary jewelry is inextricably linked with the moment in which it is created, frequently reflecting current social, cultural and political issues such as environmental consciousness, identity and sustainability. It’s informed by fashion trends, from the chokers of the 1990s to the large chain necklaces of the early 2000s.

Jewelry is one of the oldest forms of adornment. Lockets made of silver or gold have been treasured gifts for hundreds of years, for example, and charm bracelets, which have existed since prehistoric times, didn’t become especially popular until the 19th-century reign of Queen Victoria. For many centuries, fine jewelry was used primarily to express wealth or status through lavish materials. Then, in the 1960s, a concept known as the “critique of preciousness” emerged, with jewelers creating pieces that did not get their value from gemstones or precious metals. Instead, it was the jeweler’s artistic vision that was prized and elevated.

This shift still informs Contemporary jewelry being made by artists today. Whether they are using cheap, found materials and working with provocative geometric shapes or seeking out the rarest stones, they are imbuing their work with meaning through their skills, techniques and ideas. Innovative designers such as Elsa Peretti, who popularized sculptural sterling-silver jewelry for Tiffany & Co., and David Yurman, who twisted metal into the simple yet striking Cable bracelet, have also influenced the direction of Contemporary jewelry’s forms and aesthetics.

Meanwhile, technological advancements like metal alloys and laser engraving have led to new possibilities in jewelry design. Now, edgy makers and brands as well as minimalist designers are pushing Contemporary jewelry forward into the 21st century.

Find a collection of Contemporary rings, earrings, necklaces and other jewelry on 1stDibs.

Gold is the feel-good metal, the serotonin of jewelry. Wear vintage and antique gold necklaces, watches, gold bracelets or gold rings and you feel happy, you feel dressed, you feel, well, yourself. 

Gold, especially yellow gold, with its rich patina and ancient pedigree going back thousands of years, is the steady standby, the well-mannered metal of choice. Any discussion of this lustrous metal comes down to a basic truth: Gold is elementary, my dear. Gold jewelry that couples the mystique of the metal with superb design and craftsmanship achieves the status of an enduring classic. Many luxury houses have given us some of our most treasured and lasting examples of gold jewelry over the years.

Since its founding, in 1837, Tiffany & Co. has built its reputation on its company jewelry as well as its coterie of boutique designers, which has included Jean Schlumberger, Donald Claflin, Angela Cummings and Elsa Peretti. There are numerous gold Tiffany classics worth citing. Some are accented with gemstones, but all stand out for their design and the workmanship displayed.

For the woman who prefers a minimalist look, the Tiffany & Co. twist bangle (thin, slightly ovoid) is stylishly simple. For Cummings devotees, signature pieces feature hard stone inlay, such as her pairs of gold ear clips inlaid with black jade (a play on the classic Chanel black and tan), or bangles whose design recalls ocean waves, with undulating lines of lapis lazuli and mother-of-pearl. And just about any design by the great Jean Schlumberger is by definition a classic.

Even had he eschewed stones and diamonds, Southern-born David Webb would be hailed for the vast arsenal of heavy gold jewelry he designed. Gold, usually hammered or textured in some manner, defines great David Webb jewelry. The self-taught jeweler made very au courant pieces while drawing inspiration from ancient and out-of-the-way sources — East meets West in the commanding gold necklaces made by Webb in the early 1970s. The same could be said for his endlessly varied gold cuffs.

In Europe, many houses have given us gold jewelry that sets the highest standard for excellence, pieces that were highly sought after when they were made and continue to be so. 

Numerous designs from Cartier are homages to gold. There are the classic Trinity rings, necklaces and bracelets — trifectas of yellow, white and rose gold. As a testament to the power of love, consider the endurance of the Cartier Love bracelet.

Aldo Cipullo, Cartier’s top in-house designer from the late 1960s into the early ’70s, made history in 1969 with the Love bracelet. Cipullo frequently said that the Love bracelet was born of a sleepless night contemplating a love affair gone wrong and his realization that “the only remnants he possessed of the romance were memories.” He distilled the urge to keep a loved one close into a slim 18-karat gold bangle. 

BVLGARI and its coin jewelry, gemme nummarie, hit the jackpot when the line launched in the 1960s. The line has been perennially popular. BVLGARI coin jewelry features ancient Greek and Roman coins embedded in striking gold mounts, usually hung on thick link necklaces of varying lengths. In the 1970s, BVLGARI introduced the Tubogas line, most often made in yellow gold. The Tubogas watches are classics, and then there is the Serpenti, the house's outstanding snake-themed watches and bracelets.

A collection called Monete that incorporated the gold coins is one of several iconic BVLGARI lines that debuted in the 1970s and ’80s, catering to a new generation of empowered women. Just as designers like Halston and Yves Saint Laurent were popularizing fuss-free ready-to-wear fashion for women on the go, BVLGARI offered jewels to be lived in. 

Since Van Cleef & Arpels opened its Place Vendôme doors in 1906, collection after collection of jewelry classics have enchanted the public. As predominantly expressed in a honeycomb of gold, there is the Ludo watch and accessories, circa the 1920s, and the golden Zip necklace, 1951, whose ingenious transformation of the traditional zipper was originally proposed by the Duchess of Windsor. Van Cleef's Alhambra, with its Moroccan motif, was introduced in 1968 and from the start its popularity pivoted on royalty and celebrity status. It remains one of VCA’s most popular and collected styles.

Mention must be made of Buccellati, whose name is synonymous with gold so finely spun that it suggests tapestry. The house’s many gold bracelets, typically embellished with a few or many diamonds, signified taste and distinction and are always in favor on the secondary market. Other important mid-20th-century houses known for their gold-themed jewelry include Hermès and Ilias Lalaounis.

Find a stunning collection of vintage and antique gold jewelry on 1stDibs.

The pearl has been synonymous with ladylike elegance since the Tudor period — learn what to look for when shopping for vintage and antique pearl jewelry as well as how to tell the origin of a pearl with our handy primer.

Every woman at some point in her life desires a simple strand of pearls. They are elegant, timeless, versatile — just ask Coco Chanel or Jacqueline Kennedy — and valuable. In 1917, Pierre Cartier famously traded a double-strand of natural pearls for a Fifth Avenue mansion, the Cartier brand’s flagship store ever since. And if you were born in the beginning of summer, pearl is the June birthstone.

It is possible to tell where a pearl originated from its appearance. Akoyas are usually round and white — the classic pearl, if you will. South Sea pearls are normally larger and vary in color; orangey yellow ones are not uncommon. Tahitian pearls are mostly black but can also be gray or brown, and between the Akoya and the South Sea varieties in size. Freshwater pearls, or Orientals, run the gamut in terms of color and size, but in shape, they tend to resemble Rice Krispies. Another important distinction is a round pearl versus a baroque pearl. A round pearl is self-explanatory, but there are two types of baroque pearls: symmetrical and asymmetrical. In general, the symmetrical variation commands a higher valuation. Within a strand of pearls, uniformity is prized — the more the individual pearls resemble one another, the more valuable the strand.

According to the Gemological Institute of America (GIA), the earliest recorded mention of a pearl was in 2206 BC by a Chinese historian. Centuries later, Christopher Columbus made it a point to visit pearl fisheries during his 15th-century exploration of the Caribbean. Since the late-19th century, the Japanese have been at the forefront of cultivating pearls, when jeweler Kokichi Mikimoto successfully cultured the world’s first pearl in 1893.

On 1stDibs, find vintage and antique pearl necklaces, pearl earrings and other accessories.