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Garrard And Co Brooch

Antique Edwardian Yellow Gold & Silver Diamond and Enamel Garrard Brooch
By Garrard & Co. Ltd.
Located in Staines-Upon-Thames, GB
to Garrard. The oval brooch has a central oval panel of cobalt blue, guilloche enamel, the luxurious
Category

Early 20th Century British Edwardian Brooches

Materials

Diamond, 18k Gold, 9k Gold, Yellow Gold, Silver, Enamel

6.07 Carat Emerald and 4.05 Carat Diamond Yellow Gold and Platinum Brooch
By Garrard & Co. Ltd.
Located in Jesmond, Newcastle Upon Tyne
yellow gold and platinum Art Deco style brooch made by Garrards & Co Ltd; part of our diverse antique
Category

Vintage 1930s Unknown Brooches

Materials

Diamond, Emerald, 18k Gold, Yellow Gold, Platinum

1996 Garrard Diamond Brooch and Earrings Set, Original Box, 18k
By Garrard & Co. Ltd.
Located in New York, NY
A set of Garrard earrings and a brooch. English Hallmarks dating to 1996. The diamonds are pear
Category

20th Century Lever-Back Earrings

Materials

Diamond

Recent Sales

GARRARD & CO. A Pearl Diamond and Enamel Heron Brooch.
By Garrard & Co. Ltd.
Located in London, GB
cabochon ruby eye, circa 1890, together with a fitted case by R & S Garrard & Co. 4cm high.
Category

Antique Late 19th Century British Art Nouveau Brooches

Materials

Diamond, Natural Pearl

GARRARD Diamond Ruby Enamel and Gold Brooch
By Garrard & Co. Ltd.
Located in Cincinnati, OH
A stylish gold, ruby, enamel and diamond clip brooch by Garrard. The 3 x 2 1/4" 18k yellow gold
Category

French Brooches

Materials

Diamond

Garrard Diamond and Sapphire Brooch, circa 1950
By Garrard & Co. Ltd.
Located in London, GB
A stunning 9k white gold brooch by Garrard circa 1950. The brooch features two interlocking scrolls
Category

Vintage 1950s Brooches

Materials

Diamond, Blue Sapphire, 9k Gold, White Gold

Vintage Garrard Diamond and Sapphire Brooch, circa 1950
By Garrard & Co. Ltd.
Located in London, GB
A stunning 9k white gold brooch by Garrard circa 1950. The brooch features two interlocking scrolls
Category

Vintage 1950s Brooches

Materials

Diamond, Blue Sapphire, 9k Gold, White Gold

Antique 1920s 1.83 Carat Diamond and Platinum Brooch by Garrard
By Garrard & Co. Ltd.
Located in Jesmond, Newcastle Upon Tyne
A stunning antique 1.83 carat diamond and platinum brooch by Garrard; part of our diverse antique
Category

Vintage 1920s British Art Deco Brooches

Materials

Diamond, Platinum

Garrard 18 Karat Yellow Gold Enamel and Diamond Vintage Penguin Brooch
By Garrard & Co. Ltd.
Located in Bishop's Stortford, Hertfordshire
This Vintage Brooch by Garrard features Black Enamel and 36 round brilliant cut Diamonds of 0.50ct
Category

1990s British Brooches

Materials

White Diamond, 18k Gold, Yellow Gold

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Garrard & Co. Ltd. for sale on 1stDibs

The first official Crown Jeweler for the British royal family, Garrard & Co. Limited has crafted iconic and historically celebrated rings, watches, necklaces and other jewelry for centuries. 

Master silversmith George Wickes founded Garrard in 1735 and quickly gained a regal platform with patronage from Frederick, Prince of Wales. The company underwent a range of name changes and shifts in leadership over the years, with Robert Garrard becoming a partner in 1792. He assumed sole control of the firm a decade later and eventually passed the company down to his sons — James, Sebastian and Robert Garrard II — where it would remain in the Garrard family until 1946 with the death of Robert’s great-grandson. 

Garrard Co. Ltd registered its current name in 1909 and, despite a temporary merger and relocation with Asprey, the firm still operates out of its original location on Albermarle St. in London. It was acquired by American private equity firm Yucaipa Companies in 2006.

Garrard created silver, tableware and decorative objects for the royal family as well as the Crown Jewels for a range of coronations beginning with King Edward VII’s in 1902. The esteemed luxury house created Queen Victoria's Small Diamond Crown, which featured colorless stones and was suitable to be worn while she mourned the passing of her last husband, Prince Albert. Later, for the coronation of Queen Elizabeth II in 1953, Garrard provided a pair of gold armlets. The company’s 1893 Girls of Great Britain and Ireland tiara adorns Queen Elizabeth II on British banknotes.

Among Garrard’s best known works is undoubtedly Princess Diana’s engagement ring — a 12-carat blue sapphire surrounded by 14 diamonds, set in 18-karat white gold. Unlike most royal engagement rings, the one Princess Diana chose wasn’t a one-of-a-kind piece commissioned from the Crown Jeweler, but rather a catalog offering for anyone who could swing the $60,000 price tag. As a result, this was a matter of controversy within the royal family. It is now Kate Middleton’s ring.

Garrard is committed to ethical sourcing and sustainable practices. Today, its all-female design team — led by creative director Sara Prentice — continues to merge ageless techniques with modern technology to uphold the firm’s legacy in the creation of precious handcrafted engagement rings, brooches and other adornments. 

While Garrard and the royal family parted ways in 2007, the house still produces pieces that captivate new generations of jewelry wearers all over the world, just as it has for hundreds of years.

Find antique Garrard & Co. Ltd jewelry on 1stDibs.

Why Gold Shines in Jewelry Craftsmanship

Gold is the feel-good metal, the serotonin of jewelry. Wear vintage and antique gold necklaces, watches, gold bracelets or gold rings and you feel happy, you feel dressed, you feel, well, yourself. 

Gold, especially yellow gold, with its rich patina and ancient pedigree going back thousands of years, is the steady standby, the well-mannered metal of choice. Any discussion of this lustrous metal comes down to a basic truth: Gold is elementary, my dear. Gold jewelry that couples the mystique of the metal with superb design and craftsmanship achieves the status of an enduring classic. Many luxury houses have given us some of our most treasured and lasting examples of gold jewelry over the years.

Since its founding, in 1837, Tiffany & Co. has built its reputation on its company jewelry as well as its coterie of boutique designers, which has included Jean Schlumberger, Donald Claflin, Angela Cummings and Elsa Peretti. There are numerous gold Tiffany classics worth citing. Some are accented with gemstones, but all stand out for their design and the workmanship displayed.

For the woman who prefers a minimalist look, the Tiffany & Co. twist bangle (thin, slightly ovoid) is stylishly simple. For Cummings devotees, signature pieces feature hard stone inlay, such as her pairs of gold ear clips inlaid with black jade (a play on the classic Chanel black and tan), or bangles whose design recalls ocean waves, with undulating lines of lapis lazuli and mother-of-pearl. And just about any design by the great Jean Schlumberger is by definition a classic.

Even had he eschewed stones and diamonds, Southern-born David Webb would be hailed for the vast arsenal of heavy gold jewelry he designed. Gold, usually hammered or textured in some manner, defines great David Webb jewelry. The self-taught jeweler made very au courant pieces while drawing inspiration from ancient and out-of-the-way sources — East meets West in the commanding gold necklaces made by Webb in the early 1970s. The same could be said for his endlessly varied gold cuffs.

In Europe, many houses have given us gold jewelry that sets the highest standard for excellence, pieces that were highly sought after when they were made and continue to be so. 

Numerous designs from Cartier are homages to gold. There are the classic Trinity rings, necklaces and bracelets — trifectas of yellow, white and rose gold. As a testament to the power of love, consider the endurance of the Cartier Love bracelet.

Aldo Cipullo, Cartier’s top in-house designer from the late 1960s into the early ’70s, made history in 1969 with the Love bracelet. Cipullo frequently said that the Love bracelet was born of a sleepless night contemplating a love affair gone wrong and his realization that “the only remnants he possessed of the romance were memories.” He distilled the urge to keep a loved one close into a slim 18-karat gold bangle. 

BVLGARI and its coin jewelry, gemme nummarie, hit the jackpot when the line launched in the 1960s. The line has been perennially popular. BVLGARI coin jewelry features ancient Greek and Roman coins embedded in striking gold mounts, usually hung on thick link necklaces of varying lengths. In the 1970s, BVLGARI introduced the Tubogas line, most often made in yellow gold. The Tubogas watches are classics, and then there is the Serpenti, the house's outstanding snake-themed watches and bracelets.

A collection called Monete that incorporated the gold coins is one of several iconic BVLGARI lines that debuted in the 1970s and ’80s, catering to a new generation of empowered women. Just as designers like Halston and Yves Saint Laurent were popularizing fuss-free ready-to-wear fashion for women on the go, BVLGARI offered jewels to be lived in

Since Van Cleef & Arpels opened its Place Vendôme doors in 1906, collection after collection of jewelry classics have enchanted the public. As predominantly expressed in a honeycomb of gold, there is the Ludo watch and accessories, circa the 1920s, and the golden Zip necklace, 1951, whose ingenious transformation of the traditional zipper was originally proposed by the Duchess of Windsor. Van Cleef's Alhambra, with its Moroccan motif, was introduced in 1968 and from the start its popularity pivoted on royalty and celebrity status. It remains one of VCA’s most popular and collected styles.

Mention must be made of Buccellati, whose name is synonymous with gold so finely spun that it suggests tapestry. The house’s many gold bracelets, typically embellished with a few or many diamonds, signified taste and distinction and are always in favor on the secondary market. Other important mid-20th-century houses known for their gold-themed jewelry include Hermès and Ilias Lalaounis.

Find a stunning collection of vintage and antique gold jewelry on 1stDibs.

The Legacy of Diamond in Jewelry Design

Antique diamond rings, diamond tiaras and dazzling vintage diamond earrings are on the wish lists of every lover of fine jewelry. And diamonds and diamond jewelry are primarily associated with storybook engagements and red-carpet grand entrances — indeed, this ultra-cherished gemstone has a dramatic history on its hands.

From “A Diamond Is Forever” to “Diamonds Are a Girl’s Best Friend,” pop culture has ingrained in our minds that diamonds are the most desired, the most lasting and the most valuable gemstone. But what makes the diamond so special? Each stone — whether it’s rubies, sapphires or another stone — is unique and important in its own right. April babies might claim diamonds for themselves, but just about everyone wants this kind of sparkle in their lives!

There are several factors that set diamonds apart from other stones, and these points are important to our gem education.

Diamonds are minerals. They are made up of almost entirely of carbon (carbon comprises 99.95 percent; the remainder consists of various trace elements). Diamonds are the hardest gemstones, ranking number 10 on the Mohs Hardness Scale. Even its name, diamond, is rooted in the Greek adamas, or unconquerable. The only object that can scratch a diamond is another diamond. Diamonds are formed deep within the earth at very high temperatures (1,652–2,372 degrees Fahrenheit at depths between 90 and 120 miles beneath the earth’s surface) and are carried up by volcanic activity. Diamonds are quite rare, according to the Gemological Institute of America, and only 30 percent of all the diamonds mined in the world are gem quality.

In the 1950s, the Gemological Institute of America developed the 4Cs grading system to classify diamonds: clarity, color, cut and carat weight. Not all diamonds are created equal (there are diamonds, and then there are diamonds). The value of the diamond depends on the clarity (flawless diamonds are very rare but a diamond's value decreases if there are many blemishes or inclusions), color (the less color the higher the grade), cut (how the diamond’s facets catch the light, certain cuts of diamonds show off the stone better than others) and carat weight (the bigger, the better).

When you start shopping for a diamond engagement ring, always prioritize the cut, which plays the largest role in the diamond's beauty (taking the time to clean your diamond ring at least every six months or so plays a role in maintaining said beauty). And on 1stDibs, a range of buying guides can be found for those in the market for antique engagement ringsvintage engagement rings or Art Deco engagement rings

Shop antique and vintage diamond rings, diamond necklaces and other extraordinary diamond jewelry on 1stDibs.