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Emilio Amero

Emilio Amero Original Lithograph, 1950, Harmonica Blues
By Emilio Amero
Located in Phoenix, AZ
Original lithograph by Mexican artist Emilio Amero (1901 -1976) created 1950. Titled: “Harmonica
Category

Mid-20th Century More Prints

Materials

Paper

Emilio Amero Original Aquatint Etching, 1969 - The Fetish
By Emilio Amero
Located in Phoenix, AZ
Original aquatint by Mexican artist Emilio Amero (1901-1976) created 1969. Titled: “The Fetish
Category

1960s Figurative Prints

Materials

Aquatint

Emilio Amero Original Lithograph, 1950, Woman with Shell
By Emilio Amero
Located in Phoenix, AZ
Original lithograph by Mexican artist Emilio Amero (1901-1976) created 1950. Titled: “Mujer
Category

Mid-20th Century Portrait Prints

Materials

Paper

Playboys (2 American male refugees from the Gatsby era preen on Mexican beach)
By Caroline Durieux
Located in New Orleans, LA
lithography from Emilio Amero and later worked with Diego Rivera and the other Mexican masters. Her
Category

1930s American Modern Portrait Prints

Materials

Lithograph

Vintage Pierrot et Perroquet Clown Original Oil Figurative
Located in Soquel, CA
the United States as well as foreign countries, learning from artists such as Amedee Ozenfant, Emilio
Category

1970s Post-Modern Figurative Paintings

Materials

Masonite, Oil

Morning
By Caroline Durieux
Located in New Orleans, LA
Emilio Amero and later worked with Diego Rivera and the other Mexican masters. Her lithographs of the
Category

1950s American Modern Figurative Prints

Materials

Lithograph, Photographic Paper

Commencement
By Caroline Durieux
Located in New Orleans, LA
Durieux to try lithography. While living in Mexico, she learned lithography from Emilio Amero and later
Category

1940s American Modern Landscape Prints

Materials

Lithograph

Survivor
By Caroline Durieux
Located in New Orleans, LA
lithography. While living in Mexico, she learned lithography from Emilio Amero and later worked with Diego
Category

1940s American Modern Figurative Prints

Materials

Lithograph

Survivor
Survivor
H 11.25 in W 8.88 in

Recent Sales

Revelations
By Caroline Durieux
Located in New Orleans, LA
, she learned lithography from Emilio Amero and later worked with Diego Rivera and the other Mexican
Category

1940s American Modern Figurative Prints

Materials

Lithograph

Plantation Garden
By Caroline Durieux
Located in New Orleans, LA
Durieux to try lithography. While living in Mexico, she learned lithography from Emilio Amero and later
Category

1940s American Modern Landscape Prints

Materials

Lithograph

Where?
By Emilio Amero
Located in New Orleans, LA
. Emilio Amero was a member of the first group of muralists commissioned during Post-Revolutionary Mexico
Category

1950s American Modern Figurative Prints

Materials

Lithograph

Where?
Where?
H 12.32 in W 10.19 in
Peace
By Caroline Durieux
Located in New Orleans, LA
Durieux to try lithography. While living in Mexico, she learned lithography from Emilio Amero and later
Category

1970s American Modern Figurative Prints

Materials

Photographic Paper, Lithograph

Peace
Peace
H 9.94 in W 18.75 in
Crawling Hills
By Caroline Durieux
Located in New Orleans, LA
lithography from Emilio Amero and later worked with Diego Rivera and the other Mexican masters. Her
Category

1940s American Modern Abstract Prints

Materials

Color

In Memoriam (Loving portrait of the artist's nanny near turn of 20th Century)
By Caroline Durieux
Located in New Orleans, LA
, she learned lithography from Emilio Amero and later worked with Diego Rivera and the other Mexican
Category

1940s American Modern Figurative Prints

Materials

Lithograph, Photographic Paper

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Finding the Right Prints-works-on-paper for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.