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Egon Schiele And Max Jaffe

R. Layni, Zeichnungen folio, "The Artist's Wife, Seated" Collotype plate VI
Located in Chicago, IL
, Vienna, 1917, printed by Max Jaffe in an edition of 400 under the supervision of Egon Schiele. The plates
Category

1910s Vienna Secession Portrait Prints

Materials

Paper

R. Layni, Zeichnungen folio, "Reclining Nude w/Green Stockings" Collotype PL XI
Located in Chicago, IL
, Vienna, 1917, printed by Max Jaffe in an edition of 400 under the supervision of Egon Schiele. The plates
Category

1910s Vienna Secession Nude Prints

Materials

Paper

R. Layni, Zeichnungen folio, "Kneeling Female Semi-Nude" Collotype plate XII
Located in Chicago, IL
, Vienna, 1917, printed by Max Jaffe in an edition of 400 under the supervision of Egon Schiele. The plates
Category

1910s Vienna Secession Figurative Prints

Materials

Paper

R. Layni, Zeichnungen folio, "Torso" Collotype plate IV
Located in Chicago, IL
, Vienna, 1917, printed by Max Jaffe in an edition of 400 under the supervision of Egon Schiele. The plates
Category

1910s Vienna Secession Figurative Prints

Materials

Paper

R. Layni, Zeichnungen folio, "Male Nude in Red Loincloth" Collotype plate II
Located in Chicago, IL
Lanyi, Vienna, 1917, printed by Max Jaffe in an edition of 400 under the supervision of Egon Schiele
Category

1910s Vienna Secession Figurative Prints

Materials

Paper

R. Layni, Zeichnungen folio, "Seated Woman with Bent Knee" Collotype plate I
Located in Chicago, IL
Lanyi, Vienna, 1917, printed by Max Jaffe in an edition of 400 under the supervision of Egon Schiele
Category

1910s Vienna Secession Figurative Prints

Materials

Paper

R. Layni, Zeichnungen folio, "Two Girls, Lying Entwined" Collotype plate VIII
Located in Chicago, IL
, Vienna, 1917, printed by Max Jaffe in an edition of 400 under the supervision of Egon Schiele. The plates
Category

1910s Vienna Secession Nude Prints

Materials

Paper

R. Layni, Zeichnungen folio, "One-Year-Volunteer Private" Collotype plate V
Located in Chicago, IL
, Vienna, 1917, printed by Max Jaffe in an edition of 400 under the supervision of Egon Schiele. The plates
Category

1910s Vienna Secession Portrait Prints

Materials

Paper

R. Layni, Zeichnungen folio, "Russian Soldier" Collotype plate VII
Located in Chicago, IL
, Vienna, 1917, printed by Max Jaffe in an edition of 400 under the supervision of Egon Schiele. The plates
Category

1910s Vienna Secession Figurative Prints

Materials

Paper

R. Layni, Zeichnungen folio, "Woman with Greyhound" Collotype plate III
Located in Chicago, IL
, Vienna, 1917, printed by Max Jaffe in an edition of 400 under the supervision of Egon Schiele. The plates
Category

1910s Vienna Secession Portrait Prints

Materials

Paper

R. Layni, Zeichnungen folio, "Portrait of a Child" Collotype plate X
Located in Chicago, IL
, Vienna, 1917, printed by Max Jaffe in an edition of 400 under the supervision of Egon Schiele. The plates
Category

1910s Vienna Secession Figurative Prints

Materials

Paper

R. Layni, Zeichnungen folio, "Nude With Raised Arm" Collotype plate IX
Located in Chicago, IL
, Vienna, 1917, printed by Max Jaffe in an edition of 400 under the supervision of Egon Schiele. The plates
Category

1910s Vienna Secession Nude Prints

Materials

Paper

E. Strache, Handzeichnungen folio, "Female Model, Seated" Collotype plate
By (after) Egon Schiele
Located in Chicago, IL
After Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL
Category

1920s Vienna Secession Figurative Prints

Materials

Paper

E. Strache, Handzeichnungen folio, "Crouching Female Nude" Collotype plate V
By (after) Egon Schiele
Located in Chicago, IL
Schiele and included an original drawing by Schiele. The art images were printed by Kunstanstalt Max Jaffe
Category

1920s Vienna Secession Figurative Prints

Materials

Paper

E. Strache, Handzeichnungen folio, "Nursing Mother with Child" Collotype plate
By (after) Egon Schiele
Located in Chicago, IL
after Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL
Category

1920s Vienna Secession Figurative Prints

Materials

Paper

E. Strache, Handzeichnungen folio, "Kneeling Female, Semi-Nude" Collotype plate
By (after) Egon Schiele
Located in Chicago, IL
after Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL
Category

1920s Vienna Secession Figurative Prints

Materials

Paper

E. Strache, Handzeichnungen folio, "Artist's Sister-in-Law" Collotype plate
By (after) Egon Schiele
Located in Chicago, IL
After Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL
Category

1920s Vienna Secession Figurative Prints

Materials

Paper

E. Strache, Handzeichnungen folio, "Self-Portrait" Collotype plate
By (after) Egon Schiele
Located in Chicago, IL
after Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL
Category

1920s Vienna Secession Portrait Prints

Materials

Paper

E. Strache, Handzeichnungen folio, "Portrait Study (Head of a Girl)" Collotype
By (after) Egon Schiele
Located in Chicago, IL
after Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL
Category

1920s Vienna Secession Portrait Prints

Materials

Paper

E. Strache, Handzeichnungen folio, "Female Nude, Walking" Collotype plate
By (after) Egon Schiele
Located in Chicago, IL
after Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL
Category

1920s Vienna Secession Figurative Prints

Materials

Paper

E. Strache, Handzeichnungen folio, "Reclining Girl, Half-Figure" Collotype plate
By (after) Egon Schiele
Located in Chicago, IL
after Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL
Category

1920s Vienna Secession Figurative Prints

Materials

Paper

E. Strache, Handzeichnungen folio, "Reclining Female Nude Glancing Up" Collotype
By (after) Egon Schiele
Located in Chicago, IL
after Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL
Category

1920s Vienna Secession Figurative Prints

Materials

Paper

E. Strache, Handzeichnungen folio, "Kneeling Female Nude" Collotype plate
By (after) Egon Schiele
Located in Chicago, IL
after Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL
Category

1920s Vienna Secession Figurative Prints

Materials

Paper

E. Strache, Handzeichnungen folio, "Female Nude, Back View" Collotype plate
By (after) Egon Schiele
Located in Chicago, IL
after Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL
Category

1920s Vienna Secession Figurative Prints

Materials

Paper

E. Strache, Handzeichnungen, "Seated Female Nude w/Orange Drapery" Collotype
By (after) Egon Schiele
Located in Chicago, IL
art, Egon Schiele is esteemed for his masterful draftsmanship and precocious insight into the human
Category

1920s Vienna Secession Figurative Prints

Materials

Paper

Recent Sales

Female Nude, Walking after Egon Schiele, 1920 Collotype plate
By (after) Egon Schiele
Located in Culver City, CA
watercolors and drawings by Egon Schiele. Female Nude, Walking after Egon Schiele Handzeichnung (Sketch
Category

1920s Vienna Secession Prints and Multiples

Materials

Lithograph

E. Strache, Handzeichnungen, "Seated Female Nude w/Orange Drapery" Collotype
By (after) Egon Schiele
Located in Chicago, IL
art, Egon Schiele is esteemed for his masterful draftsmanship and precocious insight into the human
Category

1920s Vienna Secession Figurative Prints

E. Strache, Handzeichnungen, "Seated Female Nude w/Orange Drapery" Collotype
By (after) Egon Schiele
Located in Chicago, IL
art, Egon Schiele is esteemed for his masterful draftsmanship and precocious insight into the human
Category

1920s Vienna Secession Figurative Prints

E. Strache, Handzeichnungen folio, "Kneeling Female, Semi-Nude" Collotype plate
Located in Chicago, IL
after Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL
Category

1920s Vienna Secession Figurative Prints

R. Layni, Zeichnungen folio, "One-Year-Volunteer Private" Collotype plate V
By Egon Schiele and Max Jaffé
Located in Chicago, IL
Richard Lanyi, Vienna, 1917, printed by Max Jaffe in an edition of 400 under the supervision of Egon
Category

1910s Vienna Secession Portrait Prints

R. Layni, Zeichnungen folio, "Seated Woman with Bent Knee" Collotype plate I
By Egon Schiele and Max Jaffé
Located in Chicago, IL
Richard Lanyi, Vienna, 1917, printed by Max Jaffe in an edition of 400 under the supervision of Egon
Category

1910s Vienna Secession Figurative Prints

R. Layni, Zeichnungen folio, "Woman with Greyhound" Collotype plate III
By Egon Schiele and Max Jaffé
Located in Chicago, IL
Richard Lanyi, Vienna, 1917, printed by Max Jaffe in an edition of 400 under the supervision of Egon
Category

1910s Vienna Secession Portrait Prints

R. Layni, Zeichnungen folio, "Portrait of a Child" Collotype plate V
By Egon Schiele and Max Jaffé
Located in Chicago, IL
, Vienna, 1917, printed by Max Jaffe in an edition of 400 under the supervision of Egon Schiele. The plates
Category

1910s Vienna Secession Figurative Prints

R. Layni, Zeichnungen folio, "Russian Soldier" Collotype plate VII
By Egon Schiele and Max Jaffé
Located in Chicago, IL
, Vienna, 1917, printed by Max Jaffe in an edition of 400 under the supervision of Egon Schiele. The plates
Category

1910s Vienna Secession Figurative Prints

R. Layni, Zeichnungen folio, "Kneeling Female Semi-Nude" Collotype plate XII
By Egon Schiele and Max Jaffé
Located in Chicago, IL
, Vienna, 1917, printed by Max Jaffe in an edition of 400 under the supervision of Egon Schiele. The plates
Category

1910s Vienna Secession Figurative Prints

R. Layni, Zeichnungen folio, "Woman with Greyhound" Collotype plate III
By Egon Schiele and Max Jaffé
Located in Chicago, IL
, Vienna, 1917, printed by Max Jaffe in an edition of 400 under the supervision of Egon Schiele. The plates
Category

1910s Vienna Secession Portrait Prints

Materials

Paper

R. Layni, Zeichnungen folio, "The Artist's Wife, Seated" Collotype plate VI
Located in Chicago, IL
, Vienna, 1917, printed by Max Jaffe in an edition of 400 under the supervision of Egon Schiele. The plates
Category

1910s Vienna Secession Portrait Prints

Materials

Paper

R. Layni, Zeichnungen folio, "Russian Soldier" Collotype plate VII
By Egon Schiele
Located in Chicago, IL
Richard Lanyi, Vienna, 1917, printed by Max Jaffe in an edition of 400 under the supervision of Egon
Category

1910s Vienna Secession Portrait Prints

R. Layni, Zeichnungen folio, "Kneeling Female Semi-Nude" Collotype plate XII
By Egon Schiele
Located in Chicago, IL
Richard Lanyi, Vienna, 1917, printed by Max Jaffe in an edition of 400 under the supervision of Egon
Category

1910s Vienna Secession Figurative Prints

E. Strache, Handzeichnungen folio, "Reclining Female Nude" Collotype plate
By (after) Egon Schiele
Located in Chicago, IL
after Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL
Category

1920s Vienna Secession Figurative Prints

Materials

Paper

E. Strache, Handzeichnungen folio, "Nursing Mother with Child" Collotype plate
By (after) Egon Schiele
Located in Chicago, IL
after Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL
Category

1920s Vienna Secession Figurative Prints

Materials

Paper

E. Strache, Handzeichnungen folio, "Reclining Female Nude" Collotype plate
By (after) Egon Schiele
Located in Chicago, IL
after Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL
Category

1920s Vienna Secession Figurative Prints

Materials

Paper

E. Strache, Handzeichnungen folio, "Female Model, Seated" Collotype plate
By (after) Egon Schiele
Located in Chicago, IL
After Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL
Category

1920s Vienna Secession Figurative Prints

Materials

Paper

E. Strache, Handzeichnungen folio, "Crouching Female Nude" Collotype plate V
By (after) Egon Schiele
Located in Chicago, IL
Schiele and included an original drawing by Schiele. The art images were printed by Kunstanstalt Max Jaffe
Category

1920s Vienna Secession Figurative Prints

Materials

Paper

E. Strache, Handzeichnungen folio, "Standing Female Nude" Collotype plate
By (after) Egon Schiele
Located in Chicago, IL
after Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL
Category

1920s Vienna Secession Figurative Prints

Materials

Paper

E. Strache, Handzeichnungen folio, "Reclining Female Nude" Collotype plate
By (after) Egon Schiele
Located in Chicago, IL
after Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL
Category

1920s Vienna Secession Figurative Prints

Materials

Paper

E. Strache, Handzeichnungen folio, "Nursing Mother with Child" Collotype plate
By (after) Egon Schiele
Located in Chicago, IL
after Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL
Category

1920s Vienna Secession Figurative Prints

R. Layni, Zeichnungen folio, "Male Nude in Red Loincloth" Collotype plate II
Located in Chicago, IL
Richard Lanyi, Vienna, 1917, printed by Max Jaffe in an edition of 400 under the supervision of Egon
Category

1910s Vienna Secession Figurative Prints

Reclining Nude with Green Stockings From Zeichnungen By Egon Schiele
By Egon Schiele
Located in New York, NY
Zeichnungen 1917 Vienna, Richard Lányi, Editor-Publisher Max Jaffe, Printer Plate VI of 12
Category

Early 20th Century American Expressionist Prints

Portrait Sketch (Blue, Red and White Tinted) Porträtskizze
By (after) Gustav Klimt
Located in Toronto, CA
posthumously, one year after Klimt’s death, by the Kunstanstalt Max Jaffé, a Viennese specialist in fine art
Category

1910s Contemporary Portrait Prints

Materials

Lithograph

Reclining Girl, Half-Figure (Sketch Folio) after Egon Schiele, 1920 Collotype
By (after) Egon Schiele
Located in Culver City, CA
watercolors and drawings by Egon Schiele. Reclining Girl, Half-Figure after Egon Schiele Handzeichnung
Category

1920s Vienna Secession Prints and Multiples

Materials

Lithograph

People Also Browsed

Masturbating Woman Surrounded by Black
By (after) Egon Schiele
Located in Chicago, IL
Published anonymously c. 1920, Vienna, in an edition of 100, after the original gouache, watercolor and pencil on paper, signed and dated in the plate by the artist in middle right: ...
Category

1920s Vienna Secession Figurative Prints

Materials

Paper

H.O. Miethke Das Werk folio "The Kiss" collotype print
By Gustav Klimt & K.K. Hof-und Staatsdruckerei
Located in Chicago, IL
The Kiss, no. 1 from the fifth installment of Das Werk Gustav Klimts Undoubtedly Klimt’s best known and most reproduced images, this printed version of The Kiss is the only one with...
Category

Early 1900s Vienna Secession Figurative Prints

Materials

Handmade Paper

Mother and Child - Collotype Print After Egon Schiele - 1920
By (after) Egon Schiele
Located in Roma, IT
Mother and Child is a fine black and white collotype from the series “Handzeichnungen” (1920), a fine art portfolio by Egon Schiele. Monogram on plate “S '10” on the lower right mar...
Category

1920s Expressionist Nude Prints

Materials

Other Medium

Room 408 - Collector Portfolio # 1 out 7 - 12 Fine Art Prints Nude photography
By Eric Ceccarini
Located in Brussels, BE
His series "Room" or "My carnival" evokes the fantasy of the mistress, fetishist eroticism, 5 to 7, free fantasy. Eric produces erotic art without ever biting into porn-chic always b...
Category

2010s Contemporary Nude Photography

Materials

Archival Pigment, Rag Paper

Sema portfolio, 1912, "Male Nude I" Lithograph print 21/215
By Egon Schiele
Located in Chicago, IL
MALE NUDE (SELF-PORTRAIT) I by Egon Schiele, 1912, a brush and ink lithograph on vellum paper made for the Munich-based artists’ association, Sema 15 Originalsteinzeichnungen portfol...
Category

1910s Vienna Secession Figurative Prints

Materials

Lithograph

DIE TRAUME BESCHAUTE (OBSERVED IN A DREAM)
By (after) Egon Schiele
Located in Chicago, IL
Published anonymously c. 1920, Vienna, in an edition of 100, after the original watercolor and pencil on paper, titled in the plate at the top: “DIE TRAUM/BESCHAUTE” and signed and d...
Category

1920s Vienna Secession Figurative Prints

Materials

Paper

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Egon Schiele And Max Jaffe For Sale on 1stDibs

Surely you’ll find the exact egon schiele and max jaffe you’re seeking on 1stDibs — we’ve got a vast assortment for sale. Making the right choice when shopping for a egon schiele and max jaffe may mean carefully reviewing examples of this item dating from different eras — you can find an early iteration of this piece from the 20th Century and a newer version made as recently as the 20th Century. Adding a egon schiele and max jaffe to a room that is mostly decorated in warm neutral tones can yield a welcome change — find a piece on 1stDibs that incorporates elements of beige, white, brown and more. Finding an appealing egon schiele and max jaffe — no matter the origin — is easy, but Egon Schiele and Max Jaffé each produced popular versions that are worth a look. Frequently made by artists working in paper, these artworks are unique and have attracted attention over the years.

How Much is a Egon Schiele And Max Jaffe?

The price for a egon schiele and max jaffe in our collection starts at $2,500 and tops out at $33,000 with the average selling for $5,500.

A Close Look at Expressionist Art

While “expressionist” is used to describe any art that avoids naturalism and instead employs a bold use of flattened forms and intense brushwork, Expressionist art formally describes early-20th-century work from Europe that drew on Symbolism and confronted issues such as urbanization and capitalism. Expressionist artists experimented in paintings and prints with skewed perspectives, abstraction and unconventional, bright colors to portray how isolating and anxious the world felt rather than how it appeared. 

Between 1905 and 1920, Austrian and German artists, in particular, were inspired by Postimpressionists such as Paul Gauguin and Vincent van Gogh in their efforts to strive for a new authenticity in their work. In its geometric patterns and decorative details, Expressionist art was also marked by eclectic sources like German and Russian folk art as well as tribal art from Africa and Oceania, which the movement’s practitioners witnessed at museums and world’s fairs.

Groups of artists came together to share and promote the themes now associated with Expressionism, such as Die Brücke (The Bridge) in Dresden, which included Erich Heckel, Ernst Ludwig Kirchner and Karl Schmidt-Rottluff and investigated alienation and the dissolution of society in vivid color. In Munich, Der Blaue Reiter (The Blue Rider), a group led by Wassily Kandinsky and Franz Marc, instilled Expressionism with a search for spiritual truths. In his iconic painting The Scream, prolific Norwegian painter Edvard Munch conveyed emotional turmoil through his depiction of environmental elements, such as the threatening sky.

Expressionism shifted around the outbreak of World War I, with artists using more elements of the grotesque in reaction to the escalation of unrest and violence. Printmaking was especially popular, as it allowed artists to widely disseminate works that grappled with social and political issues amid this time of upheaval. Although the art movement ended with the rise of Nazi Germany, where Expressionist creators were labeled “degenerate,” the radical ideas of these artists would influence Neo-Expressionism that emerged in the late 1970s with painters like Jean-Michel Basquiat and Francesco Clemente.

​​Find a collection of authentic Expressionist paintings, sculptures, prints and more art on 1stDibs.

Finding the Right Prints-works-on-paper for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.