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Carl Bacher

Carl Bacher Victorian Egyptian Revival Carnelian Enamel and Diamond Pharaoh Pin
By Carl Bacher
Located in Narberth, PA
scarab beetle, sphinxes, pharaohs, and hieroglyphics. Austrian born, Carl Bacher was the son of Joseph
Category

Antique 1880s Austrian Victorian Brooches

Materials

Carnelian, Diamond, 14k Gold

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Carl Bacher Coloured Diamond Pearl Brooch, 19th Century
By Carl Bacher
Located in Idar-Oberstein, DE
A fine diamond and pearl brooch by Carl Bacher, 19th Century. The brooch is set with antique
Category

Antique 19th Century Austrian Brooches

Materials

Diamond, Pearl

Austrian Carl Bacher Egyptian Revival Enamel Lapis Diamond Gold Necklace
By Carl Bacher
Located in Cape May, NJ
Carl Bacher of Vienna set with 3 old mine cut diamonds, lapis, a genuine natural pearl and
Category

Antique 1870s Austrian Egyptian Revival Chain Necklaces

Materials

Diamond, Lapis Lazuli, Natural Pearl, 14k Gold

Carl Bacher Egyptian Revival Enamel Ruby Diamond Gold Brooch
By Carl Bacher
Located in Idar-Oberstein, DE
A fine Egyptian Revival Brooch by Carl Bacher from circa 1880s, depicting in the center a carved
Category

Antique Late 19th Century Austrian Egyptian Revival Brooches

Materials

Diamond, Ruby, 14k Gold, 18k Gold

Carl Bacher 1870 Austrian Enameled Egyptian Revival Earrings In 18Kt Gold & Gems
By Carl Bacher
Located in Miami, FL
Egyptian revival earrings designed by Carl Bacher. Exceptional pair of drop earrings, created in
Category

Antique Late 19th Century Austrian Egyptian Revival Drop Earrings

Materials

Ruby, White Diamond, Diamond, Amethyst, Enamel, Yellow Gold, 18k Gold, Gold

Carl Bacher Etruscan Gold Ram's Head Bangle Bracelet
By Carl Bacher
Located in Lambertville, NJ
An 18k yellow gold bracelet with intricate Etruscan design. Crafted by Carl Bacher, the bracelet
Category

Early 20th Century Austrian Bangles

Materials

18k Gold

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Fancy Vivid Yellow Diamond Dragonfly Brooch
By Fred Leighton
Located in New Orleans, LA
Enveloped in a sea of 60.26 carats of fancy vivid yellow diamonds is this tour de force of jewelry craftsmanship from the collaboration of jewelry legends Fred Leighton and Carvin Fr...
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20th Century American Contemporary Brooches

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Yellow Diamond, Ruby, 18k Gold, Yellow Gold

Plique-a-Jour Enamel Sapphire Diamond Butterfly Brooch Art Nouveau 18 Karat Gold
Located in New York, NY
This is a wonderful and rare Museum Quality Art Nouveau Brooch in the form of a Butterfly or Moth. The magnificent Butterfly has exquisite Plique-a-jour enamel wings, a fine blue Sa...
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Antique Late 19th Century Unknown Art Nouveau Pendant Necklaces

Materials

Diamond, Sapphire, Gold, Enamel, 18k Gold, Yellow Gold

Art Nouveau Pearl Plique-A-Jour Enamel 14 Karat Gold Gargoyle Stickpin
Located in Philadelphia, PA
Highly rendered to depict a fearsome gargoyle face with a towering headdress Glossed with translucent cream to white pliquè-a-jour enamel Clutching a round 3.0 mm button pearl; cre...
Category

Antique Early 1900s Art Nouveau Brooches

Materials

Pearl, Gold, 14k Gold, Yellow Gold, Enamel

Art Nouveau 1890 Plique a Jour Pendant Brooch in 18kt Gold Diamonds Pearls Ruby
Located in Miami, FL
Art Nouveau Plique à jour pendant brooch. A exceptional piece, created during the Art Nouveau period, back in the 1890. Surely It was crafted in Austria or Germany with the difficul...
Category

Antique 1890s Austrian Art Nouveau Pendant Necklaces

Materials

Ruby, Natural Pearl, Pearl, White Diamond, Diamond, Enamel, Yellow Gold,...

Art Nouveau, 18K Gold Conch Pearl Plique-a-jour Enamel Flower Brooch
Located in New York, NY
Consisting of a swirling foliate motif with five conch pearl buds and green plique-á-jour enamel leaves. Measurement: 3.8 x 2.5 cm. Stamp: "750" Weight: 7.5 grams.
Category

Early 20th Century Art Nouveau Brooches

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Pearl, 18k Gold, Enamel

Louis Comfort Tiffany Black Opal and Plique a Jour Brooch
By Louis Comfort Tiffany
Located in Riverdale, NY
Tiffany Arts and Crafts Era Black Opal and Plique a Jour Brooch circa 1910's by Louis Comfort Tiffany with Julia Munson in 18k gold. Large peacock Black Opal round measuring .75" x 5...
Category

Antique Early 1900s American Art Nouveau Brooches

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Opal, 18k Gold

19th Century Carlo Guiliano Enamel Butterfly
By Carlo Giuliano
Located in Riverdale, NY
Rare 19th Century Carlo Guiliano Enamel Butterfly mounted later in the 19th Century as a hat pin. These butterfly brooches display the fine craftsmanship that Giuliano is so famous ...
Category

Antique 1880s Italian Revival Brooches

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18k Gold, Enamel, 14k Gold

Ancient Greek Rock Crystal Gold Swivel Signet Ring
Located in Chicago, IL
Greek, Archaic period, circa 500 B.C. An ancient gold swivel – signet ring with a finely carved rock crystal scarab (Scarabaeus beetle). In ancient jewelry, the scarab was a sy...
Category

Antique 15th Century and Earlier Signet Rings

Materials

Rock Crystal

Art Nouveau 18K Gold Enamel Pearl Diamond Brooch
Located in New York, NY
Art Nouveau brooch with diamonds total approx. 0.25ct, cultured pearls, 18K yellow gold, settings silver. Flowers and leaves with colored enamel, 4 flower tendrils, circa 1900, with ...
Category

Early 20th Century Art Nouveau Brooches

Materials

Pearl, Diamond, 18k Gold, Enamel

1920s Art Deco Cartier Coral Diamond Onyx Rock Crystal Platinum Brooch
By Cartier
Located in London, GB
An delightful Cartier Art Deco brooch, the brooch comprising an openwork rectangular plaque with two central coral bars with rock crystal sides, with fan-shaped diamond and onyx term...
Category

Early 20th Century British Art Deco Brooches

Materials

Coral, Diamond, Onyx, Rock Crystal, Platinum

John Brogden Shell Cameo Brooch and Earrings, English, circa 1870
By John Brogden
Located in London, GB
Antique shell cameo brooch and earrings by John Brogden, English, circa 1870. A yellow gold suite of jewellery, the brooch composed of a horizontally situated oval Bull’s Mouth shell...
Category

Antique 1870s English Victorian Brooches

Materials

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Victorian Egyptian Revival Enameled Pharaoh Pendant Necklace
Located in Narberth, PA
During the 19th century, the discoveries of ancient archaeological finds influenced what is referred to as "archaeological revival jewelry," or "Egyptian revival jewelry." The initia...
Category

Antique 1880s Victorian Pendant Necklaces

Materials

Diamond, 14k Gold, Yellow Gold

Renaissance Revival Enamel & Pearl Lion Pendant
Located in New York, NY
Renaissance Revival Enamel & Pearl Lion Pendant An 18k gold and multicolor enamel lion suspending baroque pearls Length: 4"
Category

Antique Mid-19th Century Spanish Renaissance Revival Brooches

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Antique Egyptian-Revival 18 Karat Gold Winged Sun Brooch with Scarab
Located in New York, NY
English Egyptian-Revival 18K gold brooch with scarab, ca 1870. Winged sun with fluted and stepped form. Entwined and scaly serpent forms round and open center, which supports a rotat...
Category

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Materials

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French Victorian Egyptian Revival Diamond Agate 18 Karat Gold Scarab Stickpin
Located in Philadelphia, PA
Stickpin centers agate carved to depict a scarab - translucent orangey brown with medium dark saturation Measuring 9.5 x 12.0 mm - backed by opaque white agate and bezel set With g...
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Lapiz Lazuli, Blue Sapphire, Ruby, Emerald Pendant Set in 18 Karat Gold Settings
Located in Bangkok, TH
Lapiz Lazuli 63.83 carats, Lapiz Lazuli 20.03 carats, Blue Sapphire 0.20 carat, Cabochon Blue Sapphire 1.37 carats, Ruby 0.35 carat, Cabochon Ruby 2.13 carats and Emerald 0.18 carat ...
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2010s Thai Art Nouveau Pendant Necklaces

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Why Gold Shines in Jewelry Craftsmanship

Gold is the feel-good metal, the serotonin of jewelry. Wear vintage and antique gold necklaces, watches, gold bracelets or gold rings and you feel happy, you feel dressed, you feel, well, yourself. 

Gold, especially yellow gold, with its rich patina and ancient pedigree going back thousands of years, is the steady standby, the well-mannered metal of choice. Any discussion of this lustrous metal comes down to a basic truth: Gold is elementary, my dear. Gold jewelry that couples the mystique of the metal with superb design and craftsmanship achieves the status of an enduring classic. Many luxury houses have given us some of our most treasured and lasting examples of gold jewelry over the years.

Since its founding, in 1837, Tiffany & Co. has built its reputation on its company jewelry as well as its coterie of boutique designers, which has included Jean Schlumberger, Donald Claflin, Angela Cummings and Elsa Peretti. There are numerous gold Tiffany classics worth citing. Some are accented with gemstones, but all stand out for their design and the workmanship displayed.

For the woman who prefers a minimalist look, the Tiffany & Co. twist bangle (thin, slightly ovoid) is stylishly simple. For Cummings devotees, signature pieces feature hard stone inlay, such as her pairs of gold ear clips inlaid with black jade (a play on the classic Chanel black and tan), or bangles whose design recalls ocean waves, with undulating lines of lapis lazuli and mother-of-pearl. And just about any design by the great Jean Schlumberger is by definition a classic.

Even had he eschewed stones and diamonds, Southern-born David Webb would be hailed for the vast arsenal of heavy gold jewelry he designed. Gold, usually hammered or textured in some manner, defines great David Webb jewelry. The self-taught jeweler made very au courant pieces while drawing inspiration from ancient and out-of-the-way sources — East meets West in the commanding gold necklaces made by Webb in the early 1970s. The same could be said for his endlessly varied gold cuffs.

In Europe, many houses have given us gold jewelry that sets the highest standard for excellence, pieces that were highly sought after when they were made and continue to be so. 

Numerous designs from Cartier are homages to gold. There are the classic Trinity rings, necklaces and bracelets — trifectas of yellow, white and rose gold. As a testament to the power of love, consider the endurance of the Cartier Love bracelet.

Aldo Cipullo, Cartier’s top in-house designer from the late 1960s into the early ’70s, made history in 1969 with the Love bracelet. Cipullo frequently said that the Love bracelet was born of a sleepless night contemplating a love affair gone wrong and his realization that “the only remnants he possessed of the romance were memories.” He distilled the urge to keep a loved one close into a slim 18-karat gold bangle. 

BVLGARI and its coin jewelry, gemme nummarie, hit the jackpot when the line launched in the 1960s. The line has been perennially popular. BVLGARI coin jewelry features ancient Greek and Roman coins embedded in striking gold mounts, usually hung on thick link necklaces of varying lengths. In the 1970s, BVLGARI introduced the Tubogas line, most often made in yellow gold. The Tubogas watches are classics, and then there is the Serpenti, the house's outstanding snake-themed watches and bracelets.

A collection called Monete that incorporated the gold coins is one of several iconic BVLGARI lines that debuted in the 1970s and ’80s, catering to a new generation of empowered women. Just as designers like Halston and Yves Saint Laurent were popularizing fuss-free ready-to-wear fashion for women on the go, BVLGARI offered jewels to be lived in

Since Van Cleef & Arpels opened its Place Vendôme doors in 1906, collection after collection of jewelry classics have enchanted the public. As predominantly expressed in a honeycomb of gold, there is the Ludo watch and accessories, circa the 1920s, and the golden Zip necklace, 1951, whose ingenious transformation of the traditional zipper was originally proposed by the Duchess of Windsor. Van Cleef's Alhambra, with its Moroccan motif, was introduced in 1968 and from the start its popularity pivoted on royalty and celebrity status. It remains one of VCA’s most popular and collected styles.

Mention must be made of Buccellati, whose name is synonymous with gold so finely spun that it suggests tapestry. The house’s many gold bracelets, typically embellished with a few or many diamonds, signified taste and distinction and are always in favor on the secondary market. Other important mid-20th-century houses known for their gold-themed jewelry include Hermès and Ilias Lalaounis.

Find a stunning collection of vintage and antique gold jewelry on 1stDibs.

The Legacy of Diamond in Jewelry Design

Antique diamond rings, diamond tiaras and dazzling vintage diamond earrings are on the wish lists of every lover of fine jewelry. And diamonds and diamond jewelry are primarily associated with storybook engagements and red-carpet grand entrances — indeed, this ultra-cherished gemstone has a dramatic history on its hands.

From “A Diamond Is Forever” to “Diamonds Are a Girl’s Best Friend,” pop culture has ingrained in our minds that diamonds are the most desired, the most lasting and the most valuable gemstone. But what makes the diamond so special? Each stone — whether it’s rubies, sapphires or another stone — is unique and important in its own right. April babies might claim diamonds for themselves, but just about everyone wants this kind of sparkle in their lives!

There are several factors that set diamonds apart from other stones, and these points are important to our gem education.

Diamonds are minerals. They are made up of almost entirely of carbon (carbon comprises 99.95 percent; the remainder consists of various trace elements). Diamonds are the hardest gemstones, ranking number 10 on the Mohs Hardness Scale. Even its name, diamond, is rooted in the Greek adamas, or unconquerable. The only object that can scratch a diamond is another diamond. Diamonds are formed deep within the earth at very high temperatures (1,652–2,372 degrees Fahrenheit at depths between 90 and 120 miles beneath the earth’s surface) and are carried up by volcanic activity. Diamonds are quite rare, according to the Gemological Institute of America, and only 30 percent of all the diamonds mined in the world are gem quality.

In the 1950s, the Gemological Institute of America developed the 4Cs grading system to classify diamonds: clarity, color, cut and carat weight. Not all diamonds are created equal (there are diamonds, and then there are diamonds). The value of the diamond depends on the clarity (flawless diamonds are very rare but a diamond's value decreases if there are many blemishes or inclusions), color (the less color the higher the grade), cut (how the diamond’s facets catch the light, certain cuts of diamonds show off the stone better than others) and carat weight (the bigger, the better).

When you start shopping for a diamond engagement ring, always prioritize the cut, which plays the largest role in the diamond's beauty (taking the time to clean your diamond ring at least every six months or so plays a role in maintaining said beauty). And on 1stDibs, a range of buying guides can be found for those in the market for antique engagement ringsvintage engagement rings or Art Deco engagement rings

Shop antique and vintage diamond rings, diamond necklaces and other extraordinary diamond jewelry on 1stDibs.