Old Masters Art

The Triumph of Eros over Pan Florentine School, early 1700's period, unsigned oil on canvas, framed framed: 58 x 48.5 inches canvas: 50 x 40 inches Provenance: private collection, Pa...

Figures in Landscape Dutch School, 17th century oil on wood panel, framed in antique wooden frame framed: 14.5 x 17 inches panel : 10 x 12 inches Provenance: private collection, Engl...

Figures & Animals in Classical Landscape circle of Jans Frans Van Bloemen (Orizzonte 1662 - 1749), unsigned oil on canvas, framed framed: 28.5 x 42.5 inches canvas: 19 x 34 inches P...

The Cavalry Skirmish Flemish School, 17th century circle of Pieter Wouvermans oil on canvas, framed framed: 12 x 14 inches canvas: 9.5 x 11.5 inches Provenance: private collection C...

Italian School, Late 17th Century (circa 1670–1700) Christ in the Garden of Gethsemane Oil on panel, in a carved and gilded Baroque frame A moving devotional painting from the late ...

Still Life of Game with Dogs and Spaniels in a Landscape Setting Carstian Luyckx (Flemish, 1623 – c.1675) Oil on canvas Circa 1670 Unsigned 43 ½ x 59 1/8 in.; Frame 52 7/8 x 68 7/8...

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Four Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Reference: Upcott III, page 1330 Sheet size (each): approx. 10" x 16.5" Image size (each): approx. 6.88" x 11.75" Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark. Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Portrait of the Lady with a Fan English School, second half 20th century after Diego Velazquez's (1599-1660) original painting oil painting on canvas, unframed canvas : 36 x 28 inche...

Christ Healing the Sick French School, 19th century oil on canvas, unframed canvas: 15 x 20.5 inches Provenance: private collection, Europe Condition: some craquelure throughout, mo...

Egron Lundgren (1815–1875) Monk in a Monastic Cell signed and dated Egron Lundgren Rom 1848 oil on relined canvas unframed 62 x 50 cm (24 ½ x 19 ¾ in.) framed 79 x 68 cm (31 x 26 ¾...

This stunning Dutch Old Master animal portrait oil painting is attributed to circle or follower of Paulus Potter. Painted circa 1650 it is th...

Bonaventura Peeters the Elder (1614–1652) attr., Stormy Coastal Scene with Merchant Vessels, Galliot, and Dolphins Framed by rugged cliffs and illuminated under a dark, swirling sk...

Portrait of an Architect at His Desk, 1798 Oil on canvas, relined. Signed “C A Lorentzen 1798.” The composition depicts an architect seated at his desk, surrounded by drawings and pa...

Andreani, Andrea (Italian, about 1558–1610), after Andrea Mantegna (Italian, 1431-1506) Chiaroscuro woodcut in colors printed from four blocks on laid paper in dark brown, grey, and...

This previously unpublished painting was first securely attributed to Govert Dircksz Camphuysen in 1944, following an examination at the Nationalmuseum in Stockholm during which the ...

Jean Jacques Spoede (Antwerp 1680 - Paris 1757) Triumph of Bacchus Oil on canvas 66 x 83 cm. - In frame 84 x 101 cm. In this fascinating painting, attributed to Jean Jacque...

Artist: Rembrandt Van Rijn (Dutch, 1606-1669) Title: Self Portrait, Drawing at the Window Year: 1648 Medium: Etching Paper: Verge paper Image (plate mark) size: 6.35 x 5.25 inch...

by Jacopo Caraglio (after Rosso Fiorentino) Rome: Carlo Losi, 1526. Engraving on cream laid paper, 8 1/2 x 4 3/8 inches, 215 x 110 mm), thread margins. In very good condition with a...

Travellers in Landscape Flemish Old Master, 18th century oil on on canvas, unframed canvas : 29 x 39 inches Provenance: private collection, France Condition: very good condition For...

Artist: Rembrandt Van Rijn (Dutch, 1606-1669) Title: Christ and the Woman of Samaria Year: 1634 Medium: Etching Paper: Verge paper Image (plate mark) size: 4.75 x 4.25 inches Fr...

Study of the Male Back French School, early/ mid 19th century charcoal on artist paper stuck on board, glass covering framed framed: 13 x 9 inches board : 12 x 8 inches Provenance: p...

Artist: Rembrandt Van Rijn (Dutch, 1606-1669) Title: Bust of a Man Wearing a High Cap, The Artist's Father Year: 1630 Medium: Etching Paper: Verge paper Image (plate mark) size: ...

French 18th century old master portrait of a majestic lady dressed "à la Turque" The sitter at the viewer with a kind and enigmatic smile and twinkling eyes. She looks elegant and kind, yet also has an intelligent and determined aura, reflecting the character of someone who is in charge of her own life and destiny. De Silvestre paid great attention to her spectacular outfit, which is striking in its portrayal of the sumptuous fabrics and their decorative richness. She is wearing a luxurious royal blue robe à la...

Antonio Tempesta (Florence 1555 - Rome 1630) Circle The Conversion of Saint Paul on the Road to Damascus Oil on canvas 112 x 102 cm Framed 125 x 114 cm The scene depicts the e...

Madonna and Christ Child French Old Master, 17th century circle of Simon Vouet (French 1590-164 oil on copper, unframed Copper : 9 x 7 inches Provenance: private collection, Lyon, Fr...

The Madonna and Christ Child English School, 19th century after the earlier painting by Sir Anthony van Dyck, unsigned oil on canvas, framed in fine elaborate gilt frame. Framed: 49...

Escuela española; siglo XVIII. San Joaquín, Santa Ana y la Virgen Niña. Es un Óleo sobre cobre anónimo y buena calidad pictórica. Medidas de la obra: 69 x 87 cm. Medidas del marc...

Madonna and Child English Old Master, c. 1800 oil on canvas, unframed (relined canvas) Canvas: 14.5 x 12 inches Provenance: private collection, UK Condition: very good condition De...

The Madonna, Christ Child and St. John Italian Old Master, circa 1700's period oil painting on canvas, unframed Canvas: 28.5 x 24 inches conditon: overall very good for its age, a fe...

The Mona Lisa after Leonardo da Vinci French artist, 20th century oil on canvas, unframed canvas: 24 x 18 inches provenance: private collection, Paris condition: good and sound condi...

Portrait of a Noble Lady English artist, mid 18th century circle of Thomas Gainsborough (English 1727-1788) oil on canvas, unframed canvas: 30 x 25 inches provenance: private collect...

Charles Towne (1763-1840) A stag in a landscape Signed with initials and dated 'CT 1805' lower right Oil on panel Painting size 10 1/2 x 8 1/2 in Framed size 14 x 12 in Charles Town...

Filippo Bellini (Urbino 1550 – Macerata 1603) Composition with Two Kings and Two Franciscans Pen and brown ink over black chalk, 28.1 × 25.5 cm Unsigned Condition: slightly light...

"The Victor (A Triumphant Cockerel Crowing Over His Victory...)" After Melchior de Hondecoeter (Flemish, 1636-1695) Oil on canvas Unsigned 40 1/2 x 34 1/4 (frame) inches This much copied painting is a masterfully executed portrait of a strutting and triumphant rooster painted...

The Archangel Raphael Leaving Tobias' Family is an etching by Rembrandt executed in 1641. This etching is a proof of the 3rd state (of 4) before of the diagonals on the ground at the...

King Charles I British artist, early 20th century signed with initials oil on canvas, framed framed: 36 x 29 inches canvas: 32 x 26 inches provenance: p...

Bathers by the Woodland Pool Dutch School, 17th century circle of Cornelis van Poelenburgh (1594-1667) oil on copper, framed framed: 13 x 15 i...

Ornate Classical Flowers oil painting on canvas, framed signed and dated 1947 framed: 17.5 x 12.5 inches canvas: 16 x 10.5 inches provenance: private collection condition: very good ...

The Virgin & Child Flemish School, circa 1600 circle of Cornelis van Cleve (Flemish c. 1520-1614), oil painting on canvas canvas: 37 x 30 inches provenance: private collection, Paris...

17th century English/Dutch School, from the Circle of Sir Peter Paul Rubens A very interesting and well-painted 17th-century oil on canvas of two men seated on horseback in a landsc...

Egron Sellif Lundgren (1815–1875) Sweden Interior of a Kitchen, c. 1840 oil on paper laid on cardboard, inscribed “Lundgren Nr. 15” on the reverse. unframed 27.5 x 20.5 cm (10 ¾ x ...

Bretherton, James (After Rembrandt van Rijn). Christ and the Woman of Samaria Among Ruins. London: c 1775. Etching on light cream laid paper, 4 3/4...

Artist/ School: Italian School, 19th century Title: Classical nude draped in robes with dancing dog. The work looks as though it might have been a ceiling...

Classical Still Life of Flowers French School, early 20th century oil on board, framed framed: 12 x 8.5 inches board: 11 x 8.5 inches provenance: private collection, France condition...

The Merchants Port Italian School, 18th century oil painting on canvas, framed framed: 37 x 58 inches canvas: 32 x 52 inches provenance: private collection, UK condition: very good a...

Mother & Child British artist, late 18th century after the painting by Sir Anthony van Dyke oil on canvas, unframed canvas : 20 x 18 inches provenance: private collection, Berkshire,...

Tavern Interior Dutch School, 17th century oil on metal, framed framed: 8 x 6.75 inches painting: 6 x 4.25 inches provenance: private collection condition: very good and sound condit...

This stunning 18th century Dutch Old Master Golden Age floral oil painting is attributed to Simon Pietersz Verelst. Painted circa 1700 it is a still life floral of a mixed flower arr...

The Jewish Bridge antique Dutch School, after the 1660's oil painting by Rembrandt (Rijksmuseum, Amsterdam) oil painting on canvas, framed in its antique gilt frame with ornate mould...

Late 17th Century Italian School. The Return of the Ark on the Covenant, Oil on Canvas, in a Fine 17th Century Italian Frame, canvas: 40.25" x 49.75" (102.3 x 126cm) Fine quality and rare 17th century Italian Old Master...

A rare and most attractive still life by William Jones of Bath. The sumptuous textures of the peaches, grapes and strawberries contrasting with the dark background. A really handsome...

Giovanni Battista Salvi, known as Sassoferrato (Sassoferrato 1609 - Rome 1685) workshop/circle Praying Madonna Second half of the 17th century Oil on canvas (57 x 46, with fr...

Italianate landscape garden with classical ornament, including Giambologna's Sabine women and a classical urn, view to a bay beyond Coplestone War...

This scene depicts the allegorical figure of Charity (Latin: Caritas - love, mercy), which is traditionally portrayed as a woman nursing an infant surrounded by other children, symbo...

This superb British 18th century Old Master portrait oil painting is by William Williams of Norwich. It was painted circa 1780, after he had returned to England from in Philadelphia ...

Etching and drypoint on heavy cream laid paper, 3 3/4 x 3 1/4 inches (96 x 83 mm), narrow margins. In very good condition with some minor surface soiling. [Björklund's second state ...

'Providenza' Italian School, 18th century ink and wash drawing on paper, framed within a light oak wood frame (behind glass) image size: 10.5 x 7 inches overall framed: 17 x 13 inche...

The Arcadian Landscape Italian School, 18th century oil painting on canvas, unframed canvas size: 32 x 40 inches condition: excellent condition for its age, fully restored. provenance: from a private collection in Paris, France. Large scale classical 18th century Italian Old Master...

The Card Players Flemish Old Master, 17th century based on a version (in reverse) of a painting by Cornelis de Vos (Flemish 1584-1651) oil on canvas, unframed Canvas: 39 x 62 inches ...

Etching, excellent proof of II state on IV, before the retouching of the ground and the vault on the right, margin line. Ref. Bartsch, Hollstein 94; Hind 301; New Hollstein 312; Sto...