Abstract Sculptures

This beautiful Laser cut sculpture is part of Ilanit`s Calligraphy series. It is made of laser cut metal covered with automotive paint and comes re...

This beautiful Laser cut sculpture is part of Ilanit`s Calligraphy series. It is made of laser cut aluminium covered with automotive paint. As all of Ilanit`s works, this work is ba...

Abstracted, Judaica Maple Sculpture based upon Jewish Star Eric Pesso is recognized for his mind-bending carved creations, created from single trunks of neighborhood trees. In 2012...

"Butterfly Effect No. 1" by Norman Mooney Edition of 10 + 2AP Apple plywood In 1994 Mooney moved from Ireland to New York City and has been exhibiting locally and internationally fo...

"The Arts Council of Great Britain asked Richard Hamilton to organise a Duchamp retrospective at the Tate Gallery in 1966. The almost complete works of Marcel Duchamp opened on 18 Ju...

Seymour Fogel Untitled Oil on illustration board construction 10 x 7 1/2 inches Provenance: Estate of the artist Charles and Faith McCracken Larry and Trish Heichel Private Collection Seymour Fogel was born in New York City on August 24, 1911. He studied at the Art Students League and at the National Academy of Design under George Bridgeman and Leon Kroll. When his formal studies were concluded in the early 1930s he served as an assistant to Diego Rivera who was then at work on his controversial Rockefeller Center mural. It was from Rivera that he learned the art of mural painting. Fogel was awarded several mural commissions during the 1930s by both the Works Progress Administration (WPA) and the Treasury Section of Fine Arts, among them his earliest murals at the Abraham Lincoln High School in Brooklyn, New York in 1936, a mural in the WPA Building at the 1939-1940 New York World's Fair, a highly controversial mural at the U.S. Post Office in Safford, Arizona (due to his focus on Apache culture) in 1941 and two murals in what was then the Social Security Building in Washington, D.C., also in 1941. Fogel's artistic circle at this time included Phillip Guston, Ben Shahn, Franz Kline, Rockwell Kent and Willem de Kooning. In 1946 Fogel accepted a teaching position at the University of Texas at Austin and became one of the founding artists of the Texas Modernist Movement. At this time he began to devote himself solely to abstract, non-representational art and executed what many consider to be the very first abstract mural in the State of Texas at the American National Bank in Austin in 1953. He pioneered the use of Ethyl Silicate as a mural medium. Other murals and public works of art done during this time (the late 1940s and 1950s) include the Baptist Student Center at the University of Texas (1949), the Petroleum Club in Houston (1951) and the First Christian Church, also in Houston (1956), whose innovative use of stained glass panels incorporated into the mural won Fogel a Silver Medal from the Architectural League of New York in 1958. Fogel relocated to the Connecticut-New York area in 1959. He continued the Abstract Expressionism he had begun exploring in Texas, and began experimenting with various texturing media for his paintings, the most enduring of which was sand. In 1966 he was awarded a mural at the U.S. Federal Building in Fort Worth, Texas. The work, entitled "The Challenge of Space", was a milestone in his artistic career and ushered in what has been termed the Transcendental/Atavistic period of his art, a style he pursued up to his death in 1984. Painted and raw wood sculpture...

"Lyra Series 27" by Bill Barrett Cast bronze Bill Barrett is considered a central figure in the second generation of American metal sculptors and is internationally known for his ab...

Yayoi Kusama Red & Black Pumpkin 2019: An iconic, vibrantly colored pop art piece - this rare, sought-after red Kusama pumpkin sculpture features the universal polka dot patterns and...

Linda Schmidt’s fabric sculptures intertwine public and private, luxury and common. There is a sense of egalitarianism present in both the way Schmidt so...

David Hare Dancer, circa 1955 Bronze with integral stand 68 high x 17 wide x 13 1/2 deep inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.” Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp. In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career. After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt. As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen. In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941. World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors. At the suggestion of Jacqueline Lamba...

Investigating the major themes of our time, artist designer Aurelie Hoegy is recognized as one of the new makers in contemporary design. The French artist and designer graduated from...

Nancy Graves New York State Governor's Arts Award, 1988 Bronze, polychrome patina and baked enamel on base with Award plaque 10 1/4 × 7 × 10 1/4 inches Hand signed and dated with inc...

"Tree House" by Hans van de Bovenkamp Unique welded bronze Renowned for his monumental sculpture created primarily for open-air public locales, Hans Van de Bovenkamp has been descri...

Keith Haring Mickey Mouse Bearbrick: Set of two (400% & 100%): A unique, timeless collectible trademarked & licensed by the Estate of Keith Haring. The partnered collectible reveals Keith Haring's Mickey Mouse artwork...

Carole Eisner's indoor sculptures, averaging two to four feet tall, are made from a welded collage of drops and cut-out steel pieces from the same series of scrap she found in a Conn...

Linda Schmidt’s fabric sculptures intertwine public and private, luxury and common. There is a sense of egalitarianism present in both the way Schmidt so...

"Sisyphean Circle Beijing Series XXXII" by John Van Alstine Slate, pigmented steel The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone and met...

Linda Schmidt’s fabric sculptures intertwine public and private, luxury and common. There is a sense of egalitarianism present in both the way Schmidt sources and arranges her fabric...

Milled wood, encaustic and acrylic. Joe Sultan started sculpting later in life after building a home in the Hudson Valley in 2012. He trained, worked as an architect and led his own...

Artist: Jean Richardson, American (1940 - ) Title: Gemini Year: 1989 Medium: Bronze Sculpture Edition: 10 Size: 18 x 19 x 12 in. (45.72 x 48.26 x 30.48 cm) Base: 3 x 12 x 12 inches

"Ethos" by Kevin Barrett Bronze outdoor sculpture Kevin Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wall reliefs. Metal, Bronze, Indoo...

Artist: Jean Richardson, American (1940 - ) Title: Genesis Year: 1989 Medium: Bronze Sculpture, signature and numbering inscribed Edition: 50 Size: 16 x 15.5 x 12 inches Base: 1.5 x...

19 x 19 x 18 in October 2021 This piece was carved after reading 50 shades of Gray. Artist statement: My passion for sculpting is expressed in my creation of the virtual records of contemporary culture. I capture everyday objects in carved stone, using a technique I invented more than 20 years ago. At the start I mull over the food, article of clothing or particular brand I wish to replicate as historical evidence for future generations. I feel driven to duplication by carving stone of similar color – or purchasing one of neutral tones and staining it to that which I desire. I ask myself, ‘Will a bottle of Heinz ketchup...

"Guided Spirit" by Kevin Barrett Painted steel on a stainless steel base This sculpture measures 76"h and rests on a 28" steel pedestal for a total heigh...

"Sojourner" by Bill Barrett Fabricated bronze Bill Barrett is considered a central figure in the second generation of American metal sculptors and is internationally known for his a...

"Back from the Yellow Brick Road" by Richard Pitts Powder-coated aluminum Richard Pitts works in many media, from steel to wood to bronze to aluminum, not to mention his paintings. ...

Linda Schmidt’s fabric sculptures intertwine public and private, luxury and common. There is a sense of egalitarianism present in both the way Schmidt so...

"Muse #3" by Hans van de Bovenkamp Stainless steel Renowned for his monumental sculpture created primarily for open-air public locales, Hans Van de Bovenkamp has been described as a...

Acrylic paint and aluminum leaf on acrylic glass. 22" diameter. This is a time that has forced us to redefine. Redefine how we live, how we interact, how we see, what we value. Th...

"It's Never Really Black and White" by Joan Giordano Mixed media, archival newspapers, corrugated cardboard Museum shown and collected artist Joan Giordano is known for her unique h...

Acrylic paint and aluminum leaf on acrylic glass. 36" diameter. This is a time that has forced us to redefine. Redefine how we live, how we interact, how we see, what we value. Th...

Acrylic paint and aluminum leaf on acrylic glass. 22" diameter. This is a time that has forced us to redefine. Redefine how we live, how we interact, how we see, what we value. Th...

Christine Romanell’s bold geometric wall sculpture bursts with vibrant color and dynamic movement, showcasing her signature use of sacred geometry. This three-dimensional constructio...

Untitled Acrylic on paper 2021 Unframed size at 53 ½ x 45 ½ in. Current framed in white wood shadow box. Lyndi Sales is an artist based in Cape Town, Sout...

"Zerques" by Carole Eisner Rolled and welded steel I-beams Carole Eisner has worked with scrap and recycled metal for 40 years creating elegant, abstract forms welded in steel. The ...

Guy-Philippe Bruhammer (French, 1967 - ) - Thunder, Year: 2022, Medium: Resin, Crystal Quartz on Wooden Panel, Size: 27.2 x 19.2 in. (69.09 x 48.77 cm), Frame Size: 34.4 x 26.4 i...

Guy-Philippe Bruhammer (French, 1967 - ) - Dream in Blue, Year: 2022, Medium: Resin, Crystal Quartz, Agate slice, Pigment Color, Gold Spangle on Wooden panel, Size: 10.8 x 8.8 in....

Alexander Liberman STOI V, 1986 Wood with paper and paint 97 1/2 × 28 × 37 inches This work is hand signed twice by Alexander Liberman: Signed on the side as well as the underside an...

"Ascendant Isten" Minimalist Abstract Wooden Sculpture by Michael Enn Sirvet Hanging indoor/outdoor sculpture in cherry wood Ascendant Isten--Sanskrit for '1'-- is made of 252 hand-...

This beautiful Laser cut sculpture is part of Ilanit`s Calligraphy series. It is made of laser cut aluminium covered with automotive paint. As all...

"Bouquet" by Bill Barrett Fabricated cor-ten steel Bill Barrett is considered a central figure in the second generation of American metal sculptors and is internationally known for ...

"Regatta" by Kevin Barrett Large abstract wall sculpture in welded aluminum Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wall reliefs. ...

"Dark Star #1" by Norman Mooney Edition of 10 + 2AP Blackened bronze In 1994 Mooney moved from Ireland to New York City and has been exhibiting locally and ...

Sheila Hicks Tapisseries du Vent, 1973 Signed on the reverse Synthetic raffia weaving with Lucite rods 56" high x 34ʺ wide x 6ʺ deep Sheila Hicks was born in Hastings, Nebraska, an...

Sidney Gordin Untitled, 1958 Incised with initials Welded Steel 15 x 10 1/2 x 6 inches Provenance: Eric Firestone Gallery, New York On October 24, 1918, Sidney Gordin was born in Chelyabinsk, Russia. He spent his early years in Shanghai, China. At the age of four, he moved with his family to New York. Gordin’s nephew, Eliot Nemzer recalls that when Gordin was a child he attended “a dinner party with his parents. Someone showed him a book of pictures that when thumbed through quickly made the image appear to move. This person then gave him a wad of blank papers and something to write with. Sid created a similar type of moving image with his materials. All the adults at the party became quite excited [and] praised his efforts. Sid told me he thought this was a pivotal experience in guiding him towards his vocation.” During his formative years at Brooklyn Technical High School, he briefly contemplated the idea of becoming an architect; yet, by the time he enrolled at Cooper Union, he was determined to become a professional artist. There, he studied under Morris Kantor (1896-1974) and Leo Katz...

"Circle Four Piece" by Elizabeth Gregory-Gruen Free hand cut 2-ply museum board, framed Cut Work - Elizabeth Gregory-Gruen's abstract, paper sculptu...

Peter Reginato Abstract Bronze Sculpture, ca. 1987 Bronze Signed on the underside 4 × 6 1/2 × 5 1/2 inches This bronze sculpture is by the American abstract sculptor Peter Reginato. ...

Judy Chicago Logo Pin and Pendant, 1993 Enameled pin with pendant loop in original presentation box 2 1/2 × 2 1/2 × 1/5 inches Judy Chicago's incised name and date on the verso Comes...

"Sundown" by Kevin Barrett Hand Fabricated Bronze Barrett is noted for creating contemporary metal sculpture and sculpture wall pieces for indoor and outdoor display. Wall Art, Wall Relief...

This beautiful laser cut sculpture is part of Ilanit`s Calligraphy series. It is made of laser cut aluminium and covered with automotive paint. Th...

This beautiful laser cut sculpture is part of Ilanit`s Calligraphy series. It is made of laser cut aluminium and covered with automotive paint. Th...

"Saxum Velum (stone sail)" by John Van Alstine Granite and bronze The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone and metal, while explori...

"Round Mountain Landscape" by John Van Alstine Granite and steel The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone and metal, while explorin...

Painted maple abstract form

This beautiful contemporary high textured abstract painting is great for a classic and contemporary setting. The variation of colors and rich texture would greatly bring a space to life. Tim Nikiforuk...

This beautiful Laser cut sculpture is part of Ilanit`s Calligraphy series. It is made of laser cut aluminium covered with automotive paint. As all...

This beautiful Laser cut sculpture is part of Ilanit`s Calligraphy series. It is made of laser cut aluminium covered with automotive paint. As all of Ilanit`s works, this work is ba...

Erin Vincent is a Toronto based-artist whose work draws on a variety of repetitive and labor intensive processes and materials. Things and common objects have always fascinated Vinc...