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Daniel ArshamFuture Relic no.3 (Clock)2015
2015
About the Item
Daniel Arsham
Future Relic no.3 (Clock), 2015
Plaster and broken glass
comes with the original box
some minor wear to the box.
14 × 12.7 × 6.4 cm
Edition of 400
Daniel Arsham is a contemporary artist known for his captivating explorations of time, archaeology, and decay. One of his most notable series, "Future Relics," delves into the concept of timelessness by creating sculptures of everyday objects as if they were artefacts from a distant future. Through a meticulous process involving casting and manipulation of materials such as volcanic ash, Arsham transforms familiar items like cameras, phones, and sneakers into weathered relics, blurring the boundaries between past, present, and future. By presenting these objects as future artefacts, Arsham prompts viewers to contemplate the fleeting nature of contemporary culture and the enduring impact of human civilization. Through "Future Relics" and his other works, Arsham invites us to reconsider our relationship with time and the objects that define our existence.
- Creator:Daniel Arsham (1980, American)
- Creation Year:2015
- Dimensions:Height: 5.52 in (14 cm)Width: 5.01 in (12.7 cm)Depth: 2.52 in (6.4 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU2154214219492
Daniel Arsham
Daniel Arsham lives and works in New York. Arsham has been exhibited worldwide, including at the Moco Museum, Amsterdam; the How Museum, Shanghai; High Museum of Art, Atlanta, GA and the Contemporary Art Center, Cincinnati, OH. His works are included in the permanent collections of the Pérez Art Museum, Miami, FL; the Walker Art Center in Minneapolis, MN and the Centre Pompidou, Paris. His artistic practice includes several high profile collaborations with choreographer Merce Cunningham, Producer Pharrell Williams and Designer Hedi Slimane and companies such as Dior and Rimowa. Arsham is the co-founder of Snarkitecture, a New York-based collaborative design practice established in 2007 to investigate the boundaries between disciplines of art, architecture and design. A component of Arsham’s iconic and immediately recognizable practice is the conception of his works as fossilized “future” relics that distort the viewer’s perception of space and time.
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