Rosenthal Porcelain

"Rearing Horse", Rosenthal Porcelain, Model #1047-I, Bahnhof-Selb, by Meisel

1966

This charming figurine from Meissen Porcelain is of a cat with a captured mouse in his mouth, seated on its haunches, its left forepaw raised to strike the mouse dangling from its mo...

These four ceramic plaques on wood are an exquisite set piece from the Italian artist Umberto Del Negro. Its title "Prove" is Italian for "Evidence". One interpretation is that it re...

SALE ONE WEEK ONLY “Santa Cruz de las Huertas Jalisco” is a whimsical, charming and colorfully ceramic rendition painted blue and red of a local bus that traversed the town where the artist Candelario Medrano...

All my life I have worked on three levels of consciousness: Portraits, Social Injustice & Metaphysics. In my work I strive to heal, uplift and inspire viewers and collectors to find ...

Melanie Sherman Made-To-Order Tile (Hand-Painted, Gold Luster, Platinum Luster, Vintage Imagery) (Decal Example) Porcelain, Glaze, Decal Year: 2025 Size: 7.75 x 15.75 x 0.125 inches...

Behind this soft form, a colossal monster, whose shape is not specified. Leviathan, well known in pre-biblical sources, engages in a primordial battle between the Creator and the marine forces. For a certain Thomas Hobbes...

A figurative sculpture of porcelain.

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his travels. In his ongoing series of memory jugs, Thompson adorns stoneware vessels with a kaleidoscope of ceramic shards, found objects, and pocket-sized trinkets he collected over the course of his life. Also known as forget-me-not jugs or spirit jars, memory jugs are African American folk art objects that honor a loved one who has recently passed. Small tokens and mementos of the deceased are gathered and affixed to the exterior of a jug or vase, an abundance of memories that celebrates a life lived to the fullest. Michael Thompson applies this tradition to his own practice, creating tactile assemblages of this and that. Formed in the manner of collage, each jug honors the lost memories of generations past and his own memories of personally discovering each item. With varied sources for materials including Kyoto, Turkey, and Mexico, a great number of the found shards are 18th and 19th century ceramics...