Edward Fraughton

Spirit of Man

1969

Created C. 1943, award presented in 1965 to Gertrude Seperack for her design work in the fashion induustry. The bronze portion measures 14 x 8.5 inches. The Coty American Fashion Cri...

A Stunning sculpture by Richard Macdonald titled "Suspension Flamenco" Finely detailed and has captivating movement. The work is patinated bronze on a mottled marble base. Signed and...

Demetre Haralamb Chiparus (also known as Dumitru Chiparus) (16 September 1886 in Dorohoi, Romania - 22 January 1947 in Paris, France) was a Romanian Art Deco* era sculptor who lived and worked in Paris. He was born in Romania, the son of Haralamb and Saveta. In 1909 he went to Italy, where he attended the classes of Italian sculptor Raffaello Romanelli. In 1912 he traveled to Paris to attend the Ecole des Beaux Arts* to pursue his art at the classes of Antonin Mercie and Jean Boucher. Demetre Chiparus died in 1947 and was buried in Bagneux cemetery, just south of Paris. The first sculptures of Chiparus were created in the realistic style and were exhibited at the Salon of 1914. He employed the combination of bronze and ivory, called chryselephantine*, to great effect. Most of his renowned works were made between 1914 and 1933. The first series of sculptures manufactured by Chiparus were the series of the children. The mature style of Chiparus took shape beginning in the 1920s. His sculptures are remarkable for their bright and outstanding decorative effect. Dancers of the Russian Ballet, French theatre, and early motion pictures were among his more notable subjects and were typified by a long, slender, stylized appearance. His work was influenced by an interest in Egypt, after Pharaoh Tutankhamen's tomb was excavated. He worked primarily with the Edmond Etling and Cie Foundry in Paris administrated by Julien Dreyfus. Les Neveux de J. Lehmann was the second foundry which constantly worked with Chiparus and produced the sculptures of his models. Chiparus rarely exhibited at the Salon. In 1923 he showed his Javelin Thrower, and in 1928 exhibited his Ta-Keo dancer. During the period of Nazi persecution and the World War II, the foundries discontinued production of work by Chiparus. The economic situation of that time was not favorable to the development of decorative arts and circumstances for many sculptors worsened. Since the early 1940s almost no works of Chiparus were sold, but he continued sculpting for his own pleasure, depicting animals in the Art Deco style. At the 1942 Paris Salon, the plaster sculptures Polar Bear and American Bison were exhibited, and in 1943 he showed a marble Polar Bear and plaster Pelican. Sculptures of Dimitri Chiparus represent the classical manifestation of Art Deco style in decorative bronze ivory sculpture. Traditionally, four factors of influence over the creative activity of the artist can be distinguished: Serge Diaghilev's Ballets Russes, ancient Egyptian art, and French theatre. Early motion pictures were among his more notable subjects and were typified by figures with a long, slender, stylized appearance. Some of his sculptures were directly inspired by Russian dancers. Quite often, Chiparus used the photos of Russian and French dancers, stars and models from fashion magazines of his time. After the tomb of Tutankhamun was discovered in 1922, the art of ancient Egypt...

PIERRE LE FAGUAYS "WATER CARRIER" BRONZE AND ALABASTER, SIGNED ELECTRIFIED FRANCE, C.1925 15.5 INCHES A French sculptor of lithe female f...

This piece was inspired by Caroline's own family, both past and present. She grew up with a younger brother, and had two children boy and girl herself. Caroline Russell...

Loodrecht Perpendicular Black Bronze Sculpture Lady Balance The statues of Erwin Meijer are subtle with a recognizable, personal handwriting. ...

Arabian Horse Bronze Sculpture Black Contemporary In Stock Theo Mackaay (1950) Mackaay works with recognizable shape:: women, men and animals, with a pointer at the primal form. Archetypal motives like warriors, women, horses, archers, lovecouples, created with his own signature. An example of this work is the wellknown ‘Gouden Kalf’, the big prize of the ‘Nederlands Film Festival’, designed in 1980 by Mackaay, commissioned by Jos Stelling, filmdirector and initiator of the festival. There has been big developments in his work after the calf, but the basic forms are still to be found in his work. The renewal in his work has been a internal fight, between the two sides of his brain. The wild artist animal and the changed, peaceful, contemplative sculptor. The last one won! Not only did he change as a human being, his work changed with him. Big, tough, expressionist bronzes and stone statues whith the woman and animal as favourite subject, changed in touching, intimate bronze sculptures. In the early work of Mackaay, the masters of the past were more visible, like Marino Marini and Ossip Zadkine. Now it seems, the artist is letting go of the past and found his own form language, after all the highs and lows in his life. His wandering through France, Italy and China brought him to Malaga in Spain, his current residence. Maybe it is the Mediterranean Sea or the Spanish sun...

Twee Mandarijneenden Two Mandarin Ducks Bronze Sculpture Contemporary Evert den Hartog (born in Groot-Ammers, The Netherlands in 1949) followed his education to be a sculptor at the ...