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Alex HodgeSix Sculptures From the Historic Jar Series. Porcelain with hand-painted detail2019
2019
About the Item
The three series that make up her thesis show all center around the woman as an art historical trope who becomes a contemporary archetype of tenderness and tenacity with her own narrative. The tradition of the woman as muse or object is questioned and turned upside down as she gives her women the position of subject, i.e., the position of power. The jars, which uphold pairs of women, are the ultimate overturn of male dominance as she removes and replaces all male characters from famous artworks with women. The couples care for one another and are so consumed in their connection that the viewer is ignored. They do not exist for the viewer’s fantasy because their desires are already fulfilled. Through these three bodies of work, she creates archival objects which combine to build a narrative of women’s power, based on the Love Ethic, as discussed by bell hooks in her book, All About Love. Furthermore, notions of power are investigated in tandem with Mary Follett’s writings on power, which delineate Western conception as power-over, and the feminist ideal as power-with.
Alex Hodge is an artist-ceramist primarily interested in creating work that juxtaposes the canon of Western art with the lived experiences of contemporary women. As a queer woman growing up in the rural south, she became familiar with the feeling of being on the periphery, spending her youth wandering the woods, collecting material for small sculptures and creating stories for herself.
Set of Six Pieces: Spirit of the Dead is Watching, The Ecstasy of St. Teresa, Olympia, The Fruits of Our Labor, Who Washes the Feet of Mary Magdalene, and Pieta 2018
Porcelain and gold Set of 6
Overall dimensions: 18 H x 34.5 W x 9 D in.
Individual dimensions:
Spirit of the dead is watching: 7 H x 9 D in.
The Ecstasy of St. Teresa: 18 H x 4.5 D in.
Olympia, 2019: 15 H x 5 W x 5 D in.
The Fruits of Our Labor: 14.5 H x 5 W x 4.5 D in.
Who Washes the feet of Mary Magdalene: 16.5 H x 5 W x 5.5 D in.
Pieta: 13.5 H x 6 W x 5.5 D in.
Six pieces can be sold separately
Unique
Porcelain Jars
Alex Hodge grew up on a blueberry farm in South Georgia where she learned the value of cultivating the earth. Currently based in Miami, Florida, Hodge focuses on prioritizing women’s narratives in all aspects of her work. Her poetic porcelain objects examine and reimagine the history of art in a way that values women, not only in body, but in wholeness, power, and love. By combining sculptural and drawn elements, such as carved and painted patterns, her works create a dialogue between space and line, form and surface for a dynamic viewing experience. Often limiting her color palette to black and white, she uses the carving technique called sgraffito to incise her pieces with drawings, her own text, and pattern. Focusing on the narrative qualities of art-making, Hodge weaves stories into the clay which are both personal and universal. Through the decorative and symbolic details, she hints at narratives without completing them to invite the viewer to participate in creating meaning. The women she invents exist in the present but are of the imagined future in which we all have room to flourish, tell our stories, give and receive love, and express the beauty and pain of the human condition. Fundamentally, her artworks are a celebration of the tenacity and vulnerability of women and clay, an interplay of history and hope.
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View AllTwo sculptures. The In Light of Her Series. Porcelain, with hand-painted details
Located in Miami Beach, FL
The three series that make up her thesis show all center around the woman as an art historical trope who becomes a contemporary archetype of tenderness and tenacity with her own narrative. The tradition of the woman as muse or object is questioned and turned upside down as she gives her women the position of subject, i.e., the position of power. The jars, which uphold pairs of women, are the ultimate overturn of male dominance as she removes and replaces all male characters from famous artworks with women. The couples care for one another and are so consumed in their connection that the viewer is ignored. They do not exist for the viewer’s fantasy because their desires are already fulfilled. Through these three bodies of work, she creates archival objects which combine to build a narrative of women’s power, based on the Love Ethic, as discussed by bell hooks in her book, All About Love. Furthermore, notions of power are investigated in tandem with Mary Follett’s writings on power, which delineate Western conception as power-over, and the feminist ideal as power-with.
Alex Hodge...
Category
2010s Figurative Sculptures
Materials
Gold
The Spirit of the Dead is Watching. Porcelain sculpture with hand-painted
Located in Miami Beach, FL
"The three series that make up her thesis show all center around the woman as an art historical trope who becomes a contemporary archetype of tenderness and tenacity with her own narrative. The tradition of the woman as muse or object is questioned and turned upside down as she gives her women the position of subject, i.e., the position of power. The jars, which uphold pairs of women, are the ultimate overturn of male dominance as she removes and replaces all male characters from famous artworks with women...
Category
2010s Other Art Style Figurative Sculptures
Materials
Gold
Who Washes the Feet of Mary Magdalene. Sculpture made in Porcelain, hand-painted
Located in Miami Beach, FL
This piece recalls the art historical depictions of Mary Magdalene. Though she is often contextualized as the one who washed Jesus’s feet, Hodge centers her as the subject and asks “Who takes care of her?”. She answers with the scene of another woman washing her feet, which speaks to the ways that women’s care for one another is often unseen.
The three series that make up her thesis show all center around the woman as an art historical trope who becomes a contemporary archetype of tenderness and tenacity with her own narrative. The tradition of the woman as muse or object is questioned and turned upside down as she gives her women the position of subject, i.e., the position of power. The jars, which uphold pairs of women, are the ultimate overturn of male dominance as she removes and replaces all male characters from famous artworks with women...
Category
2010s Other Art Style Figurative Sculptures
Materials
Gold
Pieta. Porcelain Sculpture with hand-painted details
Located in Miami Beach, FL
“This piece is part of the Historic Jar Collection and represents a new perspective on the Pieta. Throughout history, the Pieta is a form of narrative that represents Mary holding Jesus after his crucifixion. By replacing Jesus and loving Mary’s traditional appearance, the two women's images become the apex of women caring for other women.”
The three series that make up her thesis show all center around the woman as an art historical trope who becomes a contemporary archetype of tenderness and tenacity with her own narrative. The tradition of the woman as muse or object is questioned and turned upside down as she gives her women the position of subject, i.e., the position of power. The jars, which uphold pairs of women, are the ultimate overturn of male dominance as she removes and replaces all male characters from famous artworks with women...
Category
2010s Other Art Style Figurative Sculptures
Materials
Gold
The Ecstasy of St. Teresa. Porcelain Sculpture, with hand-painted detail
Located in Miami Beach, FL
“This piece is a part of the Historic Jar Collection and references Bernini’s marble sculpture of the same name. While Bernini created an erotic scene to be housed in the Cornaro Cha...
Category
2010s Other Art Style Figurative Sculptures
Materials
Gold
Olympia.Porcelain Sculpture with hand-painted details
Located in Miami Beach, FL
This piece recalls Manet’s painting of the same name. While Manet sought to confront the viewer with Olympia’s gaze, as she was a known sex worker, Hodge’s ...
Category
2010s Other Art Style Figurative Sculptures
Materials
Gold
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