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Daniel ArshamPaper Relics2020
2020
About the Item
Daniel Arsham employs elements of architecture, performance, and sculpture to manipulate and distort understandings of structures and space. He is known for a uchronic aesthetic that revolves around his concept of fictional archaeology. Working in sculpture, architecture, drawing, and film, he creates and crystallizes ambiguous in-between spaces or situations, and further stages what he refers to as future relics of the present.
Set of three cast-pigmented cotton prints with embedded quartz crystals in artist-designed LED light box frames.
Signed and dated
71.8 x 54.6 x 13.3 cm (each)
28 1/4 x 21 1/2 x 5 1/4 in (each)
Edition of 20
Each artwork is in an artist-designed box frame that has built-in LED lights. This can be powered by batteries or can be plugged into a socket.
The work is wired up for USA wall sockets. This work looks splendid whether the lights or on or not as seen in the listing photographs.
- Creator:Daniel Arsham (1980, American)
- Creation Year:2020
- Dimensions:Height: 28.27 in (71.8 cm)Width: 21.5 in (54.6 cm)Depth: 5.24 in (13.3 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU2154211335582
Daniel Arsham
Daniel Arsham lives and works in New York. Arsham has been exhibited worldwide, including at the Moco Museum, Amsterdam; the How Museum, Shanghai; High Museum of Art, Atlanta, GA and the Contemporary Art Center, Cincinnati, OH. His works are included in the permanent collections of the Pérez Art Museum, Miami, FL; the Walker Art Center in Minneapolis, MN and the Centre Pompidou, Paris. His artistic practice includes several high profile collaborations with choreographer Merce Cunningham, Producer Pharrell Williams and Designer Hedi Slimane and companies such as Dior and Rimowa. Arsham is the co-founder of Snarkitecture, a New York-based collaborative design practice established in 2007 to investigate the boundaries between disciplines of art, architecture and design. A component of Arsham’s iconic and immediately recognizable practice is the conception of his works as fossilized “future” relics that distort the viewer’s perception of space and time.
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