Sylvia Schwartz

Sylvia Schwartz, 'A Field of Grass', 2014, Plaster, Minimalist

2014

My work bridges the divide between sculpture and painting and drawing. Paintings are geometric masses of color in oil paint and wood dowels, on shaped canvas. Often grouped in d...

Over the past few years, Jesse Hickman has been making minimal abstract paintings on wood with few constraints. He calls this series Notes, thinking of these pieces as drawn sketches...

Norma Marquez Orozco explores concepts of impermanence, perception, form and balance through physical movement of the work itself in a lucid, game-like context, like puzzles. All the elements are made of paper, molded into three-dimensional forms. The repetitive geometric shapes are assembled inside boxes built out of translucent paper. The arrangement is random and unfixed to allow movement and unpredictable composition. The harmonies and tensions in the work arise from different exchanges between the colors, the patterns, and the geometric and organic shapes, as well as the sense that change is constantly occurring as the elements shift and move. When one looks at these compositions, you see them for the first time, every time, because what is creating and completing the artwork is always changing; such as light, weather and forms merge and interact. As a result of these dynamic relationships, the work extends beyond her personal hand, sustaining an appearance and composition entirely of its own. Norma Márquez Orozco was
 born
 in
 Chicago,
Illinois,
 and
 raised
 in
 Guadalajara,
 Jalisco,
 Mexico. Her work can be seen as an investigation into the way relationships emerge and evolve when elements like color, form, shape, lines, angle and pattern are blended, shifted and layered. She currently lives and works in New York City. Marquez Orozco
 has
 curated
 exhibitions throughout
 New
 York
 and
 has hosted
 lectures
 and
 artist
 talks
 for
 the
 public. In
 2001
 she founded
 Floor4Art, an
 alternative
 space
 in
 West
 Harlem
 that
 houses
 artist’s
 studios
 and
 exhibition
 space
 aimed
 at
 producing,
 promoting
 and
 connecting
 artists.
 Exhibition venues include: ODETTA, Brooklyn, NY, Longwood Art Gallery, Queens Museum, The (S)Files 007/ El Barrio...

Norma Marquez Orozco explores concepts of impermanence, perception, form and balance through physical movement of the work itself in a lucid, game-like context, like puzzles. All the elements are made of paper, molded into three-dimensional forms. The repetitive geometric shapes are assembled inside boxes built out of translucent paper. The arrangement is random and unfixed to allow movement and unpredictable composition. The harmonies and tensions in the work arise from different exchanges between the colors, the patterns, and the geometric and organic shapes, as well as the sense that change is constantly occurring as the elements shift and move. When one looks at these compositions, you see them for the first time, every time, because what is creating and completing the artwork is always changing; such as light, weather and forms merge and interact. As a result of these dynamic relationships, the work extends beyond her personal hand, sustaining an appearance and composition entirely of its own. Norma Márquez Orozco was
 born
 in
 Chicago,
Illinois,
 and
 raised
 in
 Guadalajara,
 Jalisco,
 Mexico. Her work can be seen as an investigation into the way relationships emerge and evolve when elements like color, form, shape, lines, angle and pattern are blended, shifted and layered. She currently lives and works in New York City. Marquez Orozco
 has
 curated
 exhibitions throughout
 New
 York
 and
 has hosted
 lectures
 and
 artist
 talks
 for
 the
 public. In
 2001
 she founded
 Floor4Art, an
 alternative
 space
 in
 West
 Harlem
 that
 houses
 artist’s
 studios
 and
 exhibition
 space
 aimed
 at
 producing,
 promoting
 and
 connecting
 artists.
 Exhibition venues include: ODETTA, Brooklyn, NY, Longwood Art Gallery, Queens Museum, The (S)Files 007/ El Barrio...

18 x 24 x 8 inches styrofoam and venetian plaster Black and white three dimensional floating high contrast wall sculpture with clean lines Dai Ban presents new series of minimalis...

William Crovello Hakuin, 1984 Mirrored, reflective brass sculptue on plinth De-accessioned from the GE Corporate Art Collection Signed and dated Crovello '84 Measurements: 13 x 13-3/4 x 2-1/4 inches (33.0 x 34.9 x 5.7 cm) (work) 1 x 17-1/2 x 10-1/2 inches (2.5 x 44.5 x 26.7 cm) (plinth) This work is named after a legendary, Japanese Zen Buddhist Hakuin Ekaku, a major historical figure William Crovello Biography (written by Marshall Price, Nasher Museum Curator and former curator of the National Academy Museum): Best known for his large public sculpture. New York City native William Crovello initially studied painting at the Rhode Island School of Design from 1947 to 1951. He entered the air force in 1952 and was stationed in Japan from 1954 to 1955. Following his military duty, Crovello, seeking his expressive muse, returned to Japan in 1957 for four years and became enchanted with the rich tradition of classical calligraphy. The artist absorbed both the deep philosophy and technical execution of the ancient script by immersing himself in calligraphic study. After returning to New York in 1961, the artist moved to Spain in 1968 and shifted from painting to sculpture, creating forms whose presence activated three-dimensional space. His stone and metal works draw directly from the smooth strokes of the Japanese brush, echoing the graceful brevity and elegant fluidity of an ancient tradition. Following the movement of the calligraphic stroke, Crovello created numerous public sculptures, such as the painted steel Cubed Curve installed in 1972 outside of the Time-Life Building in New York City, and the Swedish...

Artist: Matteo Thun, Italian (1952 - ) Title: Le Damigelle in Craquelet Year: circa 2008 Medium: Porcelain Size: 15 x 7 x 7 inches Produced by Orlando Andrian and Claudio Gambalonga...

acrylic on linen 12 x 12 x 3 inches Jan Maarten Voskuil stretches his paintings into the third dimension. His crafted, partly curved wooden constructions are based on simple geom...