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Rudi Sgarbi"Campbell's Tomato Soup" After Andy Warhol Tomato Soup Stencil on Archival Paper2017
2017
About the Item
A work on archival paper depicting the iconic Campbell's Tomato Soup by Andy Warhol. Signed bottom right corner. Rudi Sgarbi was born in 1975 in Rio de Janeiro, Brazil. He is a versatile artist in search for a language that overcomes technical frontiers. His creative production is a libel in favor of democratization of Fine Arts and leads us to believe that every work of art can indeed be in perfect harmony with the environment in which it is placed. His referrals are the most diverse possible. From classical artists he inherits the meticulous and complex labor of those who study biases of all artistic possibilities; from contemporary ones, the courage to expose and to recreate himself, and the attempt to achieve a multifaceted work that bears his signature. Noting the influences of the past and the every day, Rudi Sgarbi is always looking for new materials and new techniques of implementation. This search recreates and gives new meaning to his own versatility, making him not restricted to just one style or a certain material, enabling his own process to be a symbolic/artistic interaction, where intuition is always in the first place.
Art measures 11.5 x 8.25 inches
PROVENANCE: Lilac Gallery Collection. This original artwork includes a Certificate of Authenticity issued by the Gallery. This piece is a limited edition 1/1.
- Creator:Rudi Sgarbi (1975, Brazilian)
- Creation Year:2017
- Dimensions:Height: 11.5 in (29.21 cm)Width: 8.25 in (20.96 cm)Depth: 0.1 in (2.54 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:Seller: 0038281stDibs: LU9829440722
Rudi Sgarbi
Rudi Sgarbi was born in 1975 in Rio de Janeiro, Brazil. He is a versatile artist in search of a language that overcomes technical frontiers. His creative production is a libel in favor of the democratization of Fine Arts and leads us to believe that every work of art can indeed be in perfect harmony with the environment in which it is placed. Sgarbi’s referrals are the most diverse possible. From classical artists, he inherits the meticulous and complex labor of those who study biases of all artistic possibilities; from contemporary ones, the courage to expose and to recreate himself, and the attempt to achieve a multifaceted work that bears his signature. Noting the influences of the past and the every day, Sgarbi is always looking for new materials and new techniques of implementation. This search recreates and gives new meaning to his versatility, making him not restricted to just one style or a certain material, enabling his process to be a symbolic/artistic interaction, where intuition is always in the first place.
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