18th Century and Earlier Abstract Sculptures
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Period: 18th Century and Earlier
Lingbi - One Hole Scholar's Rock, China, Late Qing Dynasty
Located in Palm Desert, CA
"Lingbi - One Hole Scholar's Rock"' is a sculpture, stone on wood base from the Late Qing Dynasty, China.
Category
Tribal 18th Century and Earlier Abstract Sculptures
Materials
Stone
"Pre-Columbian Chinesco Bowl, " Glazed Ceramic circa 300 B.C.
Located in Milwaukee, WI
This Chinesco bowl was from a pre-Columbian society from around 300 BCE. It features abstract, geometric designs in red and black. The diameter is 8".
Category
Abstract Geometric 18th Century and Earlier Abstract Sculptures
Materials
Ceramic, Glaze
Misunderstanding
Located in New York, NY
Provenance: Sables de Fontainbleau, Seine-et-Marne, France
“Gogottes” are natural creations formed out of sands deposited in Northern France during the Oligocene Period, approximately 30 million years ago. Much later, in a process that has only recently become understood, groundwater rich in silica flowed through the sands...
Category
Naturalistic 18th Century and Earlier Abstract Sculptures
Materials
Sandstone
ANCIENT MARBLE RELIEF ACHANTUS LEAVES "PULVINO" ROMAN EMPIRE 2ND CENTURY AD
Located in Milan, IT
PROVENANCE
Private J.E. Collection, Bavaria, 1960s
Category
18th Century and Earlier Abstract Sculptures
Materials
Marble
Polychrome Carved Mexican Sculpture -- Child Jesus
Located in Troy, NY
This is a hand-carved wood polychromed sculpture of the Infant Jesus. A baroque figure probably from the 18th century, this religious figure was obtained in Mexico. It appears to hav...
Category
Baroque 18th Century and Earlier Abstract Sculptures
Materials
Wood, Paint
First Journey
Located in New York, NY
Provenance: Sables de Fontainbleau, Seine-et-Marne, France
“Gogottes” are natural creations formed out of sands deposited in Northern France during the Oligocene Period, approximately 30 million years ago. Much later, in a process that has only recently become understood, groundwater rich in silica flowed through the sands...
Category
Naturalistic 18th Century and Earlier Abstract Sculptures
Materials
Sandstone
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Fabricated Americana
Located in Kansas City, MO
Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has been supporting local Kansas City Artists for the past 40 years. The Kansas City Artists Coalition (KCAC), is a non-profit, artist-centered, artist-run alternative space, supporting artists at every level in their career through exhibitions, continuing education and artist studios.
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Materials : Stoneware, Glaze, Wire
Date : 2019
Dimensions : 23x30x5
Description : 2 panels of wired ceramic tiles
Rachel Hubbard Kline's work explores the wistfulness of personal connections to historical domestic objects and material culture. Kline seeks symbiosis in the relationship of surfaces to forms and addresses the hierarchy of importance between the form itself and the image or decoration. Objects both functional and decorative, factor into the banality and routineness of daily life. As the current political and social climate continues to shift, She seeks to compare past and present means of the production of goods and labor. Surface design inspired by vintage textile prints...
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Uxmal, unique bronze sculpture by Greek-American sculptor and Harvard professor
Located in New York, NY
Dimitri Hadzi
Uxmal, 1991
Cast bronze on custom made granite base
17 × 30 1/2 × 14 inches
The title UXMAL, refers to the ancient Mayan city of Uxmal, which is known for its "Pyramid of the Magician"
Provenance:
Acquired by the original owner from the prestigious Gremillion Gallery in Houston, Texas (accompanied by a copy of the original receipt)
Measurements:
Base:
26.5 by 11 by 1.75 inches
Work longest
30.5 inches
Widest 14 inches
Highest. 17 inches
More about Dimitri Hadzi"
Derived from the figure and mythic narratives, Hadzi’s sculpture references antiquity and classical artifacts – abstracted anatomical forms, columnar and other architectural elements, helmets, weaponry and body armor function as visual metaphors for ancient cultures. “I was interested in mythology, and I was interested in movement,” Hadzi remarked on his years in Rome, “I was attempting through formal methods to exaggerate sexual tension or apprehension. Suddenly I was myself in an atmosphere of freedom.” [1] Powerfully rendered in bronze his sculptures convey raw emotion, brute strength and mass, tempered with a delicate rush of whimsy, vivacity and sensuality.
Born in New York City on March 21, 1921, Hadzi graduated from Cooper Union in 1950 and received a Fulbright Fellowship in the same year. After studying sculpture in Greece, he moved to Rome under the GI Bill where he lived for twenty-five years. Hadzi returned to the U.S. where he taught at Harvard University for fourteen years. He continued to create sculpture until his death in 2006.
Hadzi is included in the permanent collections of the Museum of Modern Art; the Whitney Museum of American Art; the Museum of Fine Arts, Boston; the Hirshhorn Museum and Sculpture Garden; The Phillips Collection and the Guggenheim Museum. Receiving over twenty sculpture commissions, Hadzi’s work appears in public squares, concert halls, federal and private plazas, and universities throughout the world.
---------------
[1] Elsen, Albert. “On Artistic Freedom: An Interview,” Dimitri Hadzi, (New York: Hudson Hills Press, 1996), 30.
Additional Biography:
Dimitri Hadzi (1921 – 2006) is among the most distinguished modernist sculptors, creator of works in bronze and stone that are powerfully abstract and expressionist in character. His contribution to the international language of sculpture continues to influence and inspire through permanent installations and collections, and exhibitions worldwide.
Born to Greek-American immigrant parents in New York City, he had a talent for drawing at an early age and won a prize for his young ability. But, it wasn't until after serving in the Air-force in the South Pacific during WWII that he turned his sights fully to painting and sculpture, going on to study both at Cooper Union. Eventually, he would become a mainstay of the Cambridge, MA art community. He was a Guggenheim Fellow (1957), the winner of the Venice Biennale Award (1962), and the Rome Prize (1974).
His most notable sculptures are: Copley Place Waterfall (Boston, MA), Owen Glass Co. (Toledo, OH), as well as Thermopolis, adjacent to Boston’s City Hall Plaza, and the former Omphalos in Harvard Square (Cambridge, MA).
Hadzi is included in the permanent collections of the Museum of Modern Art; National Gallery of Art; Whitney Museum of American Art; Museum of Fine Art, Boston; Hirshhorn Museum and Sculpture Garden; The Phillips Collection and the Guggenheim Museum.
Additionally, Hadzi was also a prolific painter, and printmaker. He also taught at Harvard University for over a decade. Famously, David Hockney attended one of Hadzi’s classes at the Carpenter Center at Harvard, where Hadzi served as director. The two of them spent time together painting and discussing techniques. Hockney gifted Hadzi one of his paintings.
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Located in Long Island City, NY
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7 Golden Gingko Leaves - Gilded Brass sculpture on white marble base
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Located in DE
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Eroded Tumbling Blocks
Located in Kansas City, MO
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Title : Eroded Tumbling Blocks...
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"Rock on Fire" 2020
Located in New York, NY
David Paul Kay "Rock on Fire" 2020
12x16x10 inches. Mixed media on a rock. Includes the marble stand.
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Venetian Sculpture 17th Century Wood Italian Old master Soldier Roma War Gold
Located in Riva del Garda, IT
Venetian Baroque sculptor of the 17th century
Full-length wooden sculpture of a Roman soldier
Wood (walnut?) Carved, polychrome and gilded
Dimensions: Total height: 118 cm. - Width: 49 cm.
This valuable seventeenth-century wooden sculpture, which strikes for its sumptuous beauty, highlighted by the full-length construction as well as by the all-round finishing, is a work whose stylistic models allow us to attribute the work to a baroque carver active in the Venetian area in the Six hundred.
The figure, which is realistically described especially in the splendid rendering of the clothes, cadenced in the drapery and in the sinuous movement of the body, stylistically refers to the rich and successful production of northern Italian sculptures, Venetian in particular, between the sixteenth and seventeenth centuries.
It is a sculpture depicting a Roman soldier, perhaps a centurion, placed on a decorated pedestal, on which a crown is carved into which two palms of martyrdom are intertwined. This iconographic detail could make us interpret the figure as part of a more articulated religious composition, probably one of the numerous centurions that enriched a Calvary or a Via Crucis.
The excellent state of conservation finally allows you to fully appreciate the quality of the carving.
ADDITIONAL INFORMATION:
The sculpture in question is sold with a certificate of authenticity and a descriptive iconographic card.
We take care and organize the transport of the purchased works, both for Italy and abroad, through professional and insured carriers.
It is also possible to see the painting in the Riva del Garda...
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Old Masters 18th Century and Earlier Abstract Sculptures
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Invocation
Located in New York, NY
Provenance: Sables de Fontainbleau, Seine-et-Marne, France
“Gogottes” are natural creations formed out of sands deposited in Northern France during the Oligocene Period, approximately 30 million years ago. Much later, in a process that has only recently become understood, groundwater rich in silica flowed through the sands...
Category
Naturalistic 18th Century and Earlier Abstract Sculptures
Materials
Sandstone
H 23.38 in W 19.75 in D 7.25 in
Persistence
Located in New York, NY
Provenance: Sables de Fontainbleau, Seine-et-Marne, France
“Gogottes” are natural creations formed out of sands deposited in Northern France during the Oligocene Period, approximately 30 million years ago. Much later, in a process that has only recently become understood, groundwater rich in silica flowed through the sands...
Category
Naturalistic 18th Century and Earlier Abstract Sculptures
Materials
Sandstone
H 12.25 in W 19.38 in D 6 in
A late Hellenistic Ionic Marble Capital Greek Empire 2nd Century AD
Located in Milan, IT
PROVENANCE
J.E. Private Collection, Bavaria, 1960s
Category
18th Century and Earlier Abstract Sculptures
Materials
Travertine
H 8.67 in W 15.36 in D 15.36 in
Fragmentary Marble Corinthian Capital Roman Empire 2nd Century AD
Located in Milan, IT
PROVENANCE
Bernhard Wicki Private Collection, acquired before 1977
Category
18th Century and Earlier Abstract Sculptures
Materials
Marble
H 11.82 in W 15.75 in D 9.85 in
Pre-Columbian, West Mexico, Nayarit woman figural sculpture
Located in Wilton Manors, FL
Pre-Columbian, West Mexico, Nayarit, Ixtlan del Rio type, ca. 100 BCE to 200 CE. A handbuilt bichrome terracotta female kneeling figure - her torso nude with pronounced breasts and f...
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18th Century and Earlier Abstract Sculptures
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H 8 in W 5.5 in D 7 in
Pre-Columbian, West Mexico, Nayarit woman figural sculpture
Located in Wilton Manors, FL
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18th Century and Earlier Abstract Sculptures
Materials
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H 9.25 in W 7 in D 4.75 in
Chimu c.1100 Peruvian terra-cotta portrait face vase vessel Peru
Located in Wilton Manors, FL
Beautiful pre-Columbian Chimu vessel. Terracotta, a.d. 1100-1400, Peru. One very minor chip under rim of vessel opening. Otherwise outstanding condition.
Category
18th Century and Earlier Abstract Sculptures
Materials
Terracotta
H 8.75 in W 5.88 in D 5.5 in
Chimu Inca Peruvian pre-Columbian exotic bird pottery figural mask element
Located in Wilton Manors, FL
Stunning exotic bird figural element with platform. Chimu Inca, Peru, c.1500. Polished blackware, measures h.5 3/8 x l. 6.25 x w. 2.75 inches. A few chips on rim and on lower left ch...
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18th Century and Earlier Abstract Sculptures
Materials
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H 5.38 in W 2.75 in D 6.25 in
Cong Prismatic Cylinder with Six Sides (48180)
Located in Phoenix, AZ
pale green and brown jade, Qijia Culture (2200 - 1700 BCE)
16 x 7.5 x 7.5 inches with stand
As early as 7,000 years ago, the Chinese used jade to fashion symbolic weapons, body or...
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18th Century and Earlier Abstract Sculptures
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