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Emma LevineHot Oak, Emma Levine, floral print, original work, colourful, landscape,2016
2016
About the Item
Original work by Emma Levine, ‘Hot Oak.’
A bright, colourful hot pink silk background with a laser cut paper oak tree attached with pins.
53cm x 53cm – Framed
Silk, paper, entomology pins
Creation Year: 2016
When speaking about her practice, Emma stated: "I followed working in London for several textile print studios with 4 years designing textiles and embroidery for a fashion house in Paris, regularly travelling to India for inspiration and to develop the print collection. Colour, texture and light all inspire, delight and inform me. I look for the journey of my materials particularly paper- it’s source, it’s evolution to a finished piece and it’s eventual destination. It’s a silent language usually revealing itself beyond completion. I like to feel a fragility and a quiet change between colour and texture. I want light to filter and cast shadows over each work gently forming new life, movement and dimension. I watch for the space in each piece, how the eye travels around the image, how light on the pins pushes the layers forward. I listen to what each piece asks for. "
- Creator:Emma Levine (British)
- Creation Year:2016
- Dimensions:Height: 20.87 in (53 cm)Width: 20.87 in (53 cm)Depth: 2.76 in (7 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Deddington, GB
- Reference Number:1stDibs: LU632311527052
Emma Levine
Emma followed working in London for several textile print studios with 4 years designing textiles and embroidery for a fashion house in Paris, regularly travelling to India for inspiration and to develop the print collection. Emma delicately cuts images, especially trees, from a medium like felt or paper and pins them minutely to their chosen background, raised ethereally from the surface, forming beautiful shadows and layers. ‘’Colour, texture and light all inspire, delight and inform me. I look for the journey of my materials particularly paper- its source, it’s evolution to a finished piece and its eventual destination. It’s a silent language usually revealing itself beyond completion. I like to feel fragility and a quiet change between colour and texture. I want light to filter and cast shadows over each work gently forming new life, movement and dimension. I watch for the space in each piece, how the eye travels around the image, how light on the pins pushes the layers forward. I listen to what each piece asks for.’
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- ShippingRetrieving quote...Shipping from: Deddington, United Kingdom
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