Georges Charpentier

Portrait of A Woman, Modern Bronze sculpture with gold patina

circa 1980

Artist: Sophia Vari, Greek (1940 - ) Title: Gree's Head Year: 1985 Medium: Bronze Sculpture, Signature and number inscribed with foundry stamp Edition: 1/6 Size: 7.25 x 7 x 6 in....

A bronze sculpture by Winni Bruggemann from 1983. A sonambient floor piece done in the style of Harry Bertoia. Interactive metal strands sway when touched creating an resounding, dee...

Artist: Leonardo Nierman Title: Untitled (Sculpture B) Year: circa 1968 Medium: Bronze Sculpture, raised on Wood Base, signature and number inscribed Edition: III/VI Size: 32 x 9.25 ...

Artist: Leonardo Nierman Title: Untitled (Sculpture A) Year: circa 1968 Medium: Bronze Sculpture, raised on Wood Base, signed Size: 41.25 x 14 x 15 inches (including base)

Artist Brad Rude was born in Montana and has lived in Walla Walla, Washington most of his life. His journeys through his grandfather's folk art studio left...

Ernest Tino Trova "Black Falling Man with Form" 1996 Bronze Ed. 1/3 Signed, Dated and Numbered Verso approx. 16 x 8.5 x 16 inches Known for his Falling Man series in abstract figura...

Luciano Minguzzi (Italian, 1911-2004) Piccolo Guerriero (Little Warrior) c. 1950s Bronze Monogrammed and Numbered 1/5 Height From Base to Top: approx. 12" High Bronze: 6 3/4 inches x 4W x 3D Luciano Minguzzi was born in Bologna in 1911 and died in Milan in 2004. In 1943 he took part in the Fourth Quadrennial of Rome. In 1950 he was awarded the grand prize for sculpture at the XXV Venice Biennale, and attended again in 1952. His works can be found at Museum of the Fabbrica del Duomo, in the Museum of Modern Art in the Vatican and in the Galleries of Modern Art in Rome, Milan, Bologna, Florence, Trieste, Verona, Carrara, Padova, as well as abroad and overseas. Additional Biography (translated from Italian): Luciano Minguzzi ( Bologna , 24 May 1911 - Milan , 30 May 2004 ) was a sculptor and medalist Italian . Image of the exhibition Luciano Minguzzi: sculptures and gouaches 1950-1970 in the Romanesque cloister of the Cathedral of Prato ( Museo dell'Opera del Duomo ), 24 April - 24 May 1971. Photo by Paolo Monti . Index: He made his first experiences under the wise guidance of his father, also a sculptor , continuing his studies at the Academy of Fine Arts in Bologna following the engraving courses held by Giorgio Morandi , those of sculpture under the guidance of Ercole Drei , attending at ' university the lessons Roberto Longhi. Thanks to a scholarship, he stayed in Paris and London , starting to exhibit in 1933 and already at the Roman Quadrennial of 1943 he obtained his first prize, which was followed by others including the Angelicum of 1946 and the first place ex aequo at the Biennale del 1950. Immediately after the war he created the monument to the Partisan and the Partisan for his hometown , located near Porta Lame , in the area where an epic battle between Nazi-Fascists and partisans took place in 1944 .
The work, composed of two figures of young people - one of which armed - caught in a moment of great naturalness, was forged with cast bronze from the equestrian statue of Benito Mussolini (by Giuseppe Graziosi ) which was located inside the current "Renato Dall'Ara" Stadium, in turn made with some cannons stolen from the Austrians during the Bolognese Risorgimento uprisings of 1848. Still on the theme linked to war , but with a changed style with more dramatic and expressionist tones , in the fifties he created a series of sculptures inspired by the theme of the men of the Lager and the unknown and anonymous victims, obtaining in 1953 the third prize in the competition for the "Monument to the Unknown Political Prisoner " announced by the Tate Gallery ( London ). In 1950 he won the competition for the "Quinta Porta" of the Milan Cathedral , completed in 1965 . In 1962 he participated, together with the most important international sculptors of the time, in the exhibition Sculptures in the city organized by Giovanni Carandente as part of the V Festival dei Due Mondi in Spoleto . He presented a 1958 iron and bronze sculpture entitled Pas-de-quatre. In 1970 he was given the task of building the "Door of good and evil" of the basilica of St. Peter in the Vatican , on which he worked with vigor and passion for seven years. In 2012, on the occasion of the centenary of the artist's birth, a posthumous anthological exhibition was set up in Bologna at the Fondazione del Monte [1] . He also worked as a medalist: his example is the silver 500 lire coin...

This small exquisite "Bronze Sculpture I" is in excellent condition and a perfect example of Eugene Caples craftsmanship. Although it is mainly abstract, there are bits that look figurative either an arm or a leg attempting to emerge from a fold or attempting to hold a pose such as in yoga. It cries out to be touched and held, looked at and caressed. The beautiful patina on the surface gives voice to the many hands that have done these things. Eugene Caples is a designer and craftsman who worked in Kansas City in the 1960s and later through the early 21st century. He attended the Kansas City Art Institute, earning his Bachelors of Fine Arts in Industrial Design in 1959. In 1963 he was accepted to Cranbrook Academy of Art, Bloomfield Hills, Michigan. The Cranbrook Academy of Art was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists are alumni of Cranbrook and include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), and Paul Evans (Created Brutalist-inspired sculpted metal furnishings.) Gene worked...