Zeal Harris

"Grounded" mixed media on yupo

2019

Zeal Harris is known for creating seductive, caricaturesque, political, urban-vernacular, story paintings, with a blunt mix of high-brow/low-brow elements. Her micro-narratives offer socio-political commentary about a range of larger issues that often have to do with the layered experiences of race, class, gender, and sexuality. Almost always, the work is based on contemporary real life stories or events in daily life. She is a Los Angeles based visual artist who graduated from UCLA School of Film & Television and later with a MFA in Studio Art from Otis College of Art & Design. She has been in recent exhibitions at the Port Au Prince...

Zeal Harris is known for creating seductive, caricaturesque, political, urban-vernacular, story paintings, with a blunt mix of high-brow/low-brow elements. Her micro-narratives offer...

Zeal Harris is known for creating seductive, caricaturesque, political, urban-vernacular, story paintings, with a blunt mix of high-brow/low-brow elements. Her micro-narratives offer socio-political commentary about a range of larger issues that often have to do with the layered experiences of race, class, gender, and sexuality. Almost always, the work is based on contemporary real life stories or events in daily life. She is a Los Angeles based visual artist who graduated from UCLA School of Film & Television and later with a MFA in Studio Art from Otis College of Art & Design. She has been in recent exhibitions at the Port Au Prince Haiti Ghetto Biennale, the California African-American Museum, and the Caribbean Cultural Center of the African Diaspora in New York. "The Rapper With The Pink Hair...

Zeal Harris is known for creating seductive, caricaturesque, political, urban-vernacular, story paintings, with a blunt mix of high-brow/low-brow elements. Her micro-narratives offer...

The intricate pattern seen in each tree leaf is is a combination of painting and photography, the antique cyanotype process. The silhouette of the plant was first drawn, then painted...

Lisa’s organic shapes and textures rotate and recombine deftly, jumping easily between prints. But the serendipitous quality of Lisa’s work belies the controlled, methodical nature o...

Foil block print Edition 2 of 2 Born in Bristol England, in 1965, Damien Hirst grew up in Leeds and studied at Goldsmiths College, London. Most notable amongst the exhibitions he curated while at college was Freeze, in 1988, in which he exhibited his work and that of his contemporaries. The exhibition is widely believed to have been the starting point of the Young British Artist Movement, and a defining moment in kick-starting cutting edge British contemporary art. Hirst’s body of work confronts the scientific, philosophical and religious aspects of human existence and includes sculpture, painting and printmaking. He has exhibited widely and was awarded the Turner Prize in 1995 for The Physical Impossibility of Death in the Mind of Someone Living. In 2004, Hirst collaborated with Sarah Lucas and Angus Fairhurst to exhibit recent works at Tate Britain, under the title In-a-Gadda-da-Vida. In 2006, works from the artist’s Murderme collection were exhibited at the Serpentine gallery, London: ‘In the darkest hour there may be light. ‘More recently, Hirst exhibited No Love Lost: Blue Paintings at The Wallace Collection, London, 2010; Cornucopia at Musée Océanographique de Monaco, 2010 and with Michael Joo...

In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one iconic image to create another in his extraordinary large-scale works. From a distance, the pieces appear to be a singular image but as the viewer approaches closer, you find each work is a masterfully crafted compilation of minute detailed images layered next to one another, creating a mesmerizing and hypnotic optical illusion. Cao meticulously places each smaller image to form a dynamic gradient from dark to light which tricks the eye into seeing one image. This expertise in contrast is exemplified in all of his works, from striking black and white pieces to stunning explorations in high-definition color. He cleverly mirrors this visual contrast in his subject matter by subverting the main image and creating a dialogue between the macrocosm and microcosm. Take the piece, Ali vs Armstrong; here we see the iconic image of Muhammed Ali’s victory composed of thousands of tiny portraits of Neil Armstrong. Cao seamlessly ties together two astronomical events from the ‘60s: Ali’s incredible career and the moon landing...