Laurent Schkolnyk

"La Branche Cerise" Limited Edition Serigraph, 68/80, Pencil-signed by Artist

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"Limonade" is a Limited Edition Serigraph (16/80) by Laurent Schkolnyk. The print is pencil-signed by the artist. The piece measures 10.25 in x 8 in without frame, with frame measure...

"La Vasque" is a Limited Edition Serigraph (7/80) by Laurent Schkolnyk. It is pencil-signed by the artist. 7.5 x 9.5 inches without frame, with frame measures 15.25 in x 21. 25. Ligh...

"La Broc a Eau" is a Limited Edition Serigraph (43/80) by Laurent Schkolnyk. It is pencil-signed by the artist. The print measures 11 x 13 inches, unframed. The date of creation is u...

Organisée Par le International Art Program, National Collection of Fine Arts, Smithsonian Institution: “Woman with Fan” 1914 Bronze Relief, Visionaire International, Musée Rodin, Paris, 11 Mars-14 Avril, 1969 by ALEXANDER ARCHIPENKO (American-Ukranian, 1887-1964). Event Poster...

Kate Brinkworth. Coke, Jelly Beans and Lifesavers- limited edition silk screen print, printed on 400gsm Somerset paper with a beautiful gloss finish. Signed by the artist. Limited ed...

Gavin Dobson Tomato Vine CYMK Silk Screen Print Edition of 50 Size: H 70cm x W 50cm (Please note that in situ images are purely an indication of how a piece may look). Based on an o...

Kerry Day Cactus II Limited Edition Screen Print Edition of 20 Sheet Size: H 42cm x W 29cm x D 0.1cm Sold Unframed Please note that insitu images are purely an indication of how a pi...

Anna Harley Creation IV Limited Edition Print Screenprint on Somerset Satin Paper, printed to the deckle paper edge Edition of 30 Size: H 39cm x W 39cm x D 0.5cm Signed Sold Unframed Please note that any insitu images are purely an indication as to how a piece may look. Anna Harley is a professional fine art screen-printer, making prints at Spike Print Studio in Bristol. She has a Masters Degree in Multi-Disciplinary Printmaking and lives in South Bristol. Her handmade prints are produced in limited editions, so each print is an original artwork, not a reproduction of an artwork made in a different medium. She says, "the screenprinting process suits my practice, because it allows me to build images in fine layers of ink, printing layer upon layer until I am happy with the final print. I use a combination of drawing, digital photography and objects directly exposed on the screen, to create these individual layers. I enjoy the tension this creates in my images – is the print based on a drawing or photograph? Is it attached fabric, pencil marks or ink? While engaged in the creative process, I try to stay open minded about how the finished print will look, to allow the print to make itself – print is an extremely process led way of making art and allowing the unexpected to happen and taking advantage of these happy accidents allows the work to stay fresh and exciting." She is inspired by how it feels to be outside, tree silhouettes, passing seasons, the weather, and the sky and how it changes from sunrise to evening. "I love things that sparkle and twinkle. I often use metallic pigments and, in a move that fully embraced my inner kitsch, I have recently made a snow print using white glitter. " Anna’s work is rooted within the Landscape tradition, while the fabric textures in her prints are an echo of her Scandinavian Arts and Crafts...