Jack Beal

"Pond Lilies", Color Lithograph Pencil Signed and Numbered (42/120)

1971

"Yellow Pepper" is a work that displays Aaron Fink's experiments in still-life expressionism with its more than life-like depiction of a bell pepper in vibrant color. This print made with aquatint etching marries the expressionist style with the classic realistic depiction of food that we often take for granted.The print is 36.63 x 29.63 inches and is signed and numbered from an edition of 30 by the artist. Numbered edition may not necessarily be number 6 as there are multiple prints in the possession of Collected Detroit. This is a separate lithograph from "Red Pepper" which can be purchased separately but is including in the photographs for contrast as a set. Aaron Fink, the son of Boston Expressionist artist Barbara Swan...

"Spring/Daffodils" captures the essence of the colors of spring and its meaning by choosing Daffodils, the first large common flower of the season that is so welcomed after a long hard mid-west winter. Flowers, also, are an iconic choice of subject matter for many artists from the Dutch Masters and their large vases of flowers to Alex Katz and his mammoth portraits of "flowers." Some of Manet's last paintings that were exquisitely rendered were of the common flowers lilacs and roses. Joyce Nagel...

"Holiday" is a work that displays Richard Jacobs early Balinese influence. This abstract work made with drypoint etching manifests a layer of depth and contrast that is achieved through an Indonesian technique of drawing the lines of the resist or printing it with a copper stamp that allows an artisan to selectively color the work through the soaking process. "Holiday" is exemplary of this earlier aquatint process before Jacobs would go on to apply a diversity of colors to his work. The print is 39 x 29 inches and is signed and numbered from an edition of 30 by the artist. Numbered edition may not necessarily be number 17 as there are multiple prints in the possession of Collected Detroit...

"Travelers" is a work that displays Richard Jacobs early Balinese influence. This abstract work made with drypoint etching manifests a layer of depth and contrast that is achieved through an Indonesian technique of drawing the lines of the resist or printing it with a copper stamp that allows an artisan to selectively color the work through the soaking process. "Travelers" is exemplary of this earlier aquatint process before Jacobs would go on to apply a diversity of colors to his work. The print is 39 x 29 inches and is signed and numbered from an edition of 30 by the artist. Numbered edition may not necessarily be number 16 as there are multiple prints in the possession of Collected Detroit...

Eric Avery Bluebonnet: Texas State Flower, 1988 Lithograph on paper with full margins and deckled edges Hand signed, numbered and titled on the lower front ...

Nora Speyer Untitled, from the Long Point Gallery Portfolio, 1988 Lithograph on paper with deckled edges Hand signed, numbered 22/30 and dated on lower front 22 × 15 inches Unframed Hand signed, numbered 22/30 and dated on lower front Publisher: Long Point Gallery, Inc., Provincetown, Massachusetts; Printer: Bruce Porter from Trestle Editions Limited, New York Rarely to market, this stunning 1988 woodcut was created by Nora Speyer as part of a portfolio produced for sale by Long Point Gallery, an artist's cooperative in Provincetown, Massachusetts. Superb provenance as it is was acquired from the original Long Point Portfolio. This will be the first time the work will be removed from the portfolio. It is hand signed and numbered from a very small edition of only 30; it is in fine condition, unframed and never framed, and housed in the original portfolio box, with the original colophon page, which also included works by 11 other artists. For reference and provenance we have included an image of the colophon page from the complete portfolio. About Nora Speyer: The most exciting place to me is where I can communicate with the greatest number of artists. I can't live without some artists around. I'm not saying artists are likable. They can be very objectionable, but they are still my world. Nora Speyer Born in Pittsburgh, Speyer enrolled at Temple University's Tyler School of Art when she was sixteen. It was there she became roommates with Lillian Lent...

Paul Cezanne The green jug, 1971 Lithograph and stencil (Jacomet workshop) Unsigned Numbered / 225 On paper applied on Arches vellum 53.5 x 41.5 cm (c. 21 x 16.5 in) Image size : 20...

Bernard CATHELIN Laurel in a ravine Original lithograph, 1988 Handsigned in pencil Inscribed EA (épreuve d'artiste) aside the edition of 100 copies On Arches paper, size 40 x 31 (c....