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Gerard Marti"Jimi Hendrix Mugshot" Print 39 x 36 inch Ed. of 75 by Gerard Marti2019
2019
About the Item
"Jimi Hendrix Mugshot" Print 39 x 36 inch Ed. of 75 by Gerard Marti
Giclee print on paper
Not Stretched. Ships rolled in tube.
Signed and numbered by the artist.
On May 3, 1969, Hendrix arrived at Toronto's Pearson International Airport, where he was detained by customs agents after they discovered a small amount of heroin and hashish in his luggage. He was arrested, booked and fingerprinted, but released on $10,000 bail so he could make his show at Maple Leaf Gardens later that night. The police escorted Hendrix to the venue, and he displayed a jovial attitude throughout the concert—including an alteration to the lyrics of 'Red House,' adding the line, 'Soon as I get out of jail, I wanna see her.' At his May 5th arraignment, Hendrix was formally charged with two counts of illegal possession of narcotics—each carrying a possible twenty-year sentence—and the trial was set for December 8, 1969.
In order to be found guilty, the law required Hendrix to have knowledge of the drugs in his possession. At the three-day long trial, Hendrix testified that he had no idea how the drugs made it into his luggage, and that they must have been slipped in as gifts by well-meaning fans. He also insisted that he had 'outgrown' his drug use. His manager and producer, Chas Chandler, corroborated the notion that fans frequently showered rock stars with gifts, which sometimes included drugs. After eight hours of deliberation, the jury returned a not guilty verdict. In remarks to reporters, Hendrix commented, 'Canada has given me the best Christmas present I ever had.'
- Creator:Gerard Marti (1956, French, American)
- Creation Year:2019
- Dimensions:Height: 39 in (99.06 cm)Width: 36 in (91.44 cm)Depth: 0.1 in (2.54 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Culver City, CA
- Reference Number:1stDibs: LU1085116038552
Gerard Marti
Born and raised on the French Riviera, Gerard Marti attended the Ecole des Beaux-Arts in Marseille, where at the age of 18 he studied Fine Art and the History of Arts. A couple of years later, he moved to Paris to pursue a career in the music industry. First as a songwriter, then as a record producer and video director for E.M.I. Records is one of the largest record companies in Europe. In 1991, fed up with the changing music industry, he moved to the United States, making Maui his home.
In Hawaii, Gerard Marti finally went back to where he first started and began painting again. In a typical style of Postmodern Eclecticism, Symbolism, and Pop Art, he creates paintings in a style that collapses into fragmented components, pop music, advertising, technology, and urban street poetry. Marti is engaged in an exercise of free association, where images and icons of contemporary culture collide, in a haphazard juxtaposition of style and traditions that give his work a distinctly European flavor.
“Pop Art should be glamorous, expendable, mass-produced, and popular". "My pieces combine all of these elements, people who look for symbolic meanings fail to grasp the inherent poetry and mystery of the images," I question the idea of authority and the traditional role of the artist. I like to take something from the everyday world and transform it into art. Most of my paintings involve the post-modernist technique of appropriation of anonymous images. My inspiration comes from the imagery of consumer society and popular culture.” Marti’s works combine anonymous images of women from film stills, advertisements, and erotic icons. It is sexy, gimmicky, and glamorous. Some of the pieces might shock the viewer by forcing them to face their mortality. “The role of an artist is to make the invisible, visible. Art is an open window in your mind.”
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