(after) David Hockney

Jacques de Bascher de Beaumarchais

1975

Artist: (after) Andy Warhol (American, 1928-1987) Title: "Interview Magazine (Diane von Furstenberg)" Series: Interview Magazine *Signed by Warhol in black marker inside, on third page Year: 1981 Medium: Offset-Lithography; The complete November, 1981, Vol. XI, No. 11 issue of "Interview" magazine Overall size: 17" x 11" x .25" Condition: One small tear at right center edge of cover page. In otherwise excellent condition Notes: Provenance: private collection - Sacaramento, CA; acquired at a rare book fair in Pasadena, CA from notable autograph dealer Christophe Stickel. It is boldly signed on the third page at center right within a Barney's, New York advertisement. This is immediately seen once opening the first cover page. Approx. 90 pages total. We unconditionally guarantee the signature to be authentic. "Interview" is an American magazine founded in late 1969 by artist Andy Warhol and British journalist John Wilcock. The magazine, nicknamed "The Crystal Ball of Pop", features interviews with celebrities, artists, musicians, and creative thinkers. Interviews were usually unedited or edited in the eccentric fashion of Warhol's books and "The Philosophy of Andy Warhol: From A to B and Back Again". Diane von Fürstenberg (1946-) is a Belgian fashion designer best known for her wrap dress. She initially rose to prominence in 1969 when she married into the princely German House of Fürstenberg, as the wife of Prince Egon von Fürstenberg. Biography: Andy Warhol ( born Andrew Warhola; August 6, 1928 – February 22, 1987) was an American artist who was a leading figure in the visual art movement known as pop art. His works explore the relationship between artistic expression, celebrity culture, and advertisement that flourished by the 1960s. After a successful career as a commercial illustrator, Warhol became a renowned and sometimes controversial artist. The Andy Warhol Museum in his native city, Pittsburgh, Pennsylvania, holds an extensive permanent collection of art and archives. It is the largest museum in the United States dedicated to a single artist. Warhol's art used many types of media, including hand drawing, painting, printmaking, photography, silk screening, sculpture, film, and music. He was also a pioneer in computer-generated art using Amiga computers that were introduced in 1984, two years before his death. He founded Interview magazine and was the author of numerous books, including The Philosophy of Andy Warhol and Popism: The Warhol Sixties. He managed and produced The Velvet Underground, a rock band which had a strong influence on the evolution of punk rock music. He is also notable as a gay man who lived openly as such before the gay liberation movement. His studio, The Factory, was a well known gathering place that brought together distinguished intellectuals, drag queens, playwrights, Bohemian street people, Hollywood celebrities, and wealthy patrons. Warhol has been the subject of numerous retrospective exhibitions, books, and feature and documentary films. He coined the widely used expression "15 minutes of fame". Many of his creations are very collectible and highly valuable. The highest price ever paid for a Warhol painting is US$105 million for a 1963 canvas titled "Silver Car Crash (Double Disaster)". A 2009 article in The Economist described Warhol as the "bellwether of the art market". Warhol's works include some of the most expensive paintings...

Artist: (after) Andy Warhol (American, 1928-1987) Title: "John Gotti (Time Magazine Cover)" Series: Time Magazine *Signed by Warhol in the plate (printed signature) lower center Year: 1986 Medium: Offset-Lithography; The complete September 29, 1986, Vol. 128, No. 13 issue of "Time" magazine Reference: "Andy Warhol Prints: Catalogue Raisonné 1962-1987" - Feldman/Schellmann No. IIIB.50, page 278 Framing: Recently framed in a black contemporary moulding with black 100% cotton rag matting and 99% UV protective Museum Glass Framed size: 18.94" x 16.25" Sheet size: 8.25" x 11" Image size: 10.38" x 8" Condition: A complete pristine copy. In excellent condition with strong colors Notes: Provenance: private collection - Gulfport, MS. Warhol was commissioned by Time magazine to design this image for their September 29, 1986 issue. The image featured on this cover is a variation of Warhol's 1986 screenprint edition "John Gotti", (Feldman/Schellmann No. IIIB.50). Based on a publicity photograph. Retains its original mailing address label on verso. "Time magazine, for instance, approached Warhol to produce a number of covers, which furthered his interest in the world of commerce and art, or what he called 'business art'. These include 'New Coke...

Artist: Salvador Dalí (Spanish, 1904-1989) Title: "Lincoln in Dalívision" *Signed by Dalí in pencil lower right Year: 1977 Medium: Photolithograph and Etching with Embossing on Arche...

Artist: (after) Edvard Munch (Norwegian, 1863-1944) Title: "Nordjyllands Kunstmuseum (The Brooch. Eva Mudocci)" Year: 1973 Medium: Original Lithograph, Exhibition Poster on heavy wove paper Limited edition: Unknown Printer: Unknown Publisher: Nordjyllands Kunstmuseum, Aalborg, Denmark Sheet size: 35" x 21.5" Image size: 24.75" x 19" Condition: Some minor handling creases. Light toning at edges. In otherwise excellent condition Rare Notes: Printed in four colors: black, black, tan, and red-orange. Produced for a special posthumous exhibition of Munch's work at the Nordjyllands Kunstmuseum, Aalborg, Denmark from August 16 - October 21, 1973. The image featured on this poster is Munch's 1903 lithograph edition "The Brooch. Eva Mudocci", (Woll No. 244, page 208-209). Edvard Munch would build a strong relationship with Eva Mudocci which lasted many years. They were connected through both romance and also friendship, with the two alternating in importance over time. There was a great mutual respect for each other, with Mudocci being a highly talented violinist from the UK who would regularly tour throughout Europe. They first got together in Paris...

Marina Abramović The Cleaner, 2017 Offset Lithograph poster from this European exhibition 39 2/5 × 27 3/5 inches Unframed and unsigned About The Cleaner project - courtesy of the Louisiana Museum Marina Abramović has inscribed herself in the history of art as one of the pioneers of body and performance art, and since the 1970s – with her own body and energy as her primary material – she has developed one of contemporary art’s most radical and uncompromising practices. Abramović is best known for physically and mentally demanding performance works that are often transgressive and revolve around the body, gender, energy, time, pain, presence, and identity. Her performances range from powerful, violent, and risky actions to quieter exchanges of energy and meetings with the audience. And especially in recent years, we the audience have increasingly become key players in her works. The exhibition at Louisiana comprised more than 100 works and spans more than five decades – from early concept sketches, paintings and sound works to presentations of the artist’s performances – including her collaboration with former partner Ulay. Reperformances of an early work formed part of the exhibition as well. Marina Abramović – The Cleaner was developed in dialogue with the artist and organized by Moderna Museet, Stockholm, in collaboration with Louisiana Museum of Modern Art, Henie Onstad Kunstsenter and Bundeskunsthalle, Bonn. The performance part...

John Chamberlain (Hand Signed), 1988 Offset Lithograph Poster (Hand Signed by John Chamberlain) 30 × 20 inches Boldly signed on the recto in white grease marker by the artist in his ...

Annie Leibovitz Photographs 1970-1990 (Hand signed by Annie Leibovitz), 1993 Offset lithograph poster (hand signed) Boldly signed in black marker on the front 30 × 24 inches Ansel Adams Center for Photography, San Francisco in collaboration with the National Portrait Gallery, Smithsonian Institution Unframed This offset lithograph poster was published on the occasion of the Annie Leibovitz' 1993 survey exhibition at the Ansel Adams Center for photograph in San Francisco. The photograph of course depicts the actor and renowned art collector Steve Martin in front of a Franz Kline painting entitled Rue, which Martin apparently once owned. Steve Martin was said to have always wanted to be part of the painting; Complete with black brushstrokes on his white suit, Martin realized his dream and posed for Leibowitz in front of Rue. (Of course the irony is that Martin cuts a gleeful, almost clownish pose in front of a painting, Rue, whose very name means sorry and regret. Perhaps Martin will rue the day he sold this Franz Kline!) A companion photo appeared on the cover of Rolling Stone magazine. The Portland Art Museum also exhibited the photo Annie Leibovitz took of Steve Martin in Beverly Hills when he posed for his portrait. A coveted poster when hand signed by Annie Leibovitz Provenance: Collection of former Trustee of the Portland Museum of Art Annie Leibovitz Biography: Born in 1949, Annie Leibovitz graduated from the San Francisco Art Institute in 1971. Photos she took during college while living on a kibbutz in Israel and working to uncover the remains of King Solomon’s Temple helped land her a job at Rolling Stone magazine, where she was quickly named chief photographer. Between photographing John Lennon and documenting the Rolling Stones’ 1975 concert tour, Liebovitz reinforced her reputation as the most prominent celebrity photographer of her generation. In 1983, she moved to Vanity Fair, where she broadened her range of subjects from rock stars to other public figures like the Dalai Lama. In 1991, Leibovitz became only the second living photographer to be featured in an exhibit at the National Portrait Gallery. Overview and Early Life For decades, Annie Leibovitz and her camera have exposed to the public eye subtleties of character in rock stars, politicians, actors, and literary figures that lay beneath their celebrity personae. Her work first fueled the American fascination with rock ’n’ roll dissidents in the 1970s and then, in the 1980s and 1990s, captured the essence of the day’s great cultural icons. Her photographs make plain that, as Leibovitz herself once put it, she was not afraid to fall in love with her subjects. Anna-Lou Leibovitz was born on October 2, 1949, in Westbury, Connecticut. She was the third of six children of Marilyn Leibovitz, a modern dance instructor, and Sam Leibovitz, an air force lieutenant colonel. As the daughter of a career military officer, Leibovitz moved with her family frequently from town to town. The constant relocation fostered strong ties among the six Leibovitz children. Education and Work with Rolling Stone Leibovitz attended the San Francisco Art Institute from 1967 until 1971. She shifted her focus from painting to photography early in her college career. In 1969, she lived on Kibbutz Amir in Israel. The archaeological team on which she worked during her five months in Israel uncovered the remains of King Solomon’s Temple. By the time Leibovitz received her bachelor of fine arts degree in 1971, her photographs of Israel and a picture of the poet Allen Ginsberg at a San Francisco peace march had already landed her a job at the music magazine Rolling Stone. Soon after she was hired, Leibovitz convinced editor Jann Wenner to grant her a breakthrough assignment. Leibovitz flew with Wenner to New York City to interview John Lennon. A photo from that trip adorned the cover of Rolling Stone, the first of dozens Leibovitz would shoot over the course of her career with the music magazine. In 1973, she was named chief photographer. The mid-1970s brought Leibovitz an increasing amount of notoriety and its concomitant tribulations. In 1975, the rock band the Rolling Stones invited Leibovitz to document their six-month concert tour. Living in the world of her subjects, her camera did not shield Leibovitz from the rock ’n’ roll life-style. She began using cocaine on tour and struggled for years afterward to recover. Photography Exhibits and Move to Vanity Fair In 1983, Leibovitz put together her first major exhibit, which led to the publication of her book Annie Leibovitz: Photographs (1983). Her ability to work with her subjects to get beneath the veneer of superficiality that typically characterizes Hollywood paparazzi has reinforced her reputation as the most prominent celebrity photographer of her generation. The rapport Leibovitz develops with her subjects creates an atmosphere in which celebrities will strike the most unconventional of poses and show emotions that other photographers could not evoke. Among her most famous shots are a naked John Lennon curled around a fully clothed Yoko Ono, Bette Midler in a bed of roses, and the Blues Brothers painted blue. In 1983, after more than a decade of photographing such rock ’n’ roll legends as Lennon, Bob Dylan, Stevie Wonder, and Bruce Springsteen, Leibovitz left Rolling Stone for Vanity Fair. This move gave her the opportunity to shoot a broader range of subjects, including the Dalai Lama, Vaclav Havel, and Donald Trump. Her art did not suffer from the change. The American Society of Magazine Photographers selected her as the Photographer of the Year in 1984. Advertising Work, Awards, and Honors In addition to her work for Vanity Fair, Leibovitz became active in advertising photography. In 1986, she was the first photographer ever to be commissioned to design and shoot posters for the World Cup. A campaign she designed for American Express brought Leibovitz a storm of critical acclaim. In 1987, she received the Innovation in Photography Award from the American Society of Magazine Photographers, a Clio Award from Clio Enterprises, and a Campaign of the Decade Award from Advertising Age for the “Portraits” campaign she produced for American Express. Then, in 1990, the International Center of Photography recognized the same work by giving Leibovitz the Infinity Award for applied photography. n 1991, Leibovitz became only the second living photographer to be featured in an exhibit at the National Portrait Gallery in Washington, D.C. She published this retrospective in book form under the title Annie Leibovitz: Photographs, 1970–1990. In anticipation of the centennial Olympic games, Leibovitz spent two years photographing athletes...

Claude Lafortune 8e centenaire de la naissance de François d'Assise ("Fais de moi un artisan de paix), 1982 Offset lithograph poster 23 1/2 × 12 3/4 inches unframed (unsigned) This rare vintage Canadian poster was published on the occasion of the 8th century birth of Saint Francis of Assisi (8e centenaire de la naissance de Francois d'Assise) on 1982. About Claude Lafortune: Claude Lafortune was born on July 5, 1936 in Montreal, Quebec, Canada. He was an actor and art director, known for IXE-13 (1972), Pop Citrouille (1979) and Le carnaval des animaux (1978). He was previously married to Suzanne Côté. He died on April 19, 2020 in Longueuil, Quebec, Canada. As a graduate of the École des beaux-arts de Montréal, Lafortune collaborated on many graphic design projects before he became famous for his paper art. He had an exhibit devoted to his paper art work—titled Colle, papier, ciseaux—at the Musée des cultures du monde in Nicolet, Quebec. The exhibition has traveled to Longueuil, Montreal, Terrebonne, Salaberry-de-Valleyfield, Lachine, Chicoutimi, Bonaventure, La Malbaie...