Paul Klee

"Portrait of a Yellow Man" Poster by Paul Klee

1921

This acrylic painting on canvas, titled “The Myth of Hula” by Dane Hidalgo and dated 2003, is a captivating visual representation of Hawaiian life and myths depicting a woman emerging from the Ocean and becoming a flower. The sky is spangled with stars and the dewdrops seems real. The painting sits in a very deep light walnut frame. The hibiscus flower has long been associated with beauty and joy in Hawaii; if worn behind the left ear it indicates that a woman is taken or married, but when worn on the right it signals that she is available or single. In this painting we see the face of a woman who appears to be transformed by a pastel pink hibiscus blossom – could it represent Laka, goddess of Hula ? With so many questions surrounding this oil on canvas, there's no definitive answer – only endless possibilities! Hula has its origins in ancient history as a ritual dance performed for the Volcano deity, Pele. Hula was a way for the ancient Hawaiians...

In the "Fantasy/Metaphysical" series by American artist Eugene Hawkins, the convergence of surrealism and metaphysics unfolds as an exploration of existential themes common to all. C...

Lots of humor in this watercolor painted by a Mexican artist who unfortunately did not sign it. We enter in a fancy world. Be prepared! Two trinkets featuring, the first one, an imaginary church with 4 big threatening birds standing guard, two on the 2 church towers, and two in front of the door. Behind this, we can perceive the shape of a big kettle. These surreal objects stand in front of a window, therefore inside a house. They rest on a small green carpet...

Step into the marvelous world of Jonathan Winters, the incomparable American actor whose artistry transcended the stage and screen. Like outsider artists, Winters didn't adhere to fo...

Born in Stoke-on-Trent in 1953, Frederick Phillips studied Fine Art at Burslem College of Art when Arthur Berry was Head of the Fine Art (Painting) ...

René Magritte Magritte at Galerie Alexandre Iolas, Milan, Italy, ca. 1980 Offset lithograph lettering and silkscreen poster on thin wove paper ...

Lithograph, silkscreen in colors on vélin vergata paper. Paper size: 16.5 x 12.625 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue Raisonne Reference: M...

Robert Indiana ERR 1963: A rare, sought-after early Robert Indiana print defined by surreal, experimental cinematic-like energy. Hand-signed by Indiana on the lower right. Medium: Photoengraving and etching on Rives BFK. Dimensions: 4 1/2x6 inches (including margins). Very good overall vintage condition. Signed, dated and inscribed "Artist's Proof 'E'" and "CHI" in pencil, lower margin. Rare Trial proof, aside from the main edition of 60. Printed by the artist at the School of the Art Institute of Chicago. Further background: According to Susan Sheehan, Indiana printed only six progressive trial proofs at the School of the Art Institute of Chicago, where he learned printmaking from 1949 to 1952, under the supervision of Vera Berdich (inscribed "CHI"). Additionally 13 trial proofs were printed at the Pratt Graphic Art Center, New York (these inscribed "NYC"). The regular edition was printed by Atelier Georges Lablanc, Paris and published by Galleria Schwarz, Milan to be included in International Anthology of Contemporary Engraving: The International Avant-Garde: America Discovered, Volume 5. The plate used for this print was originally given to the School of the Art Institute of Chicago by the R.R. Donnelly Company, printers of Life magazine. Indiana discovered the plate while visiting Berdich at the school and decided to use it in his contribution to the Avant-garde portfolio. Sheehan 29. Robert Indiana 1991: "When I went back to the Art Institute of Chicago at that particular time - I think I was judging a show - I learned that Vera Berdich (Indiana's former teacher) was still there and the idea occurred to me, wouldn't it be fun to do a visiting artist etching, and she concurred. There on the floor was a box of copper plates and the images had been defaced on each one. These copper plates had been donated by the R.R. Donnelly Company, which put out Life magazine. I used to work for Donnelly. My only commercial art job was with them doing the little drawing that appear in the Yellow Pages, like lawnmowers and vacuum cleaners and things like that. Anyway, the idea being that the student was supposed to turn the plate over to use the back side and forget about the image on the front. But I found this image of this actress sitting on her bed with her ironing board and decided it was only very lightly defaced, so I asked if I could use it. And the word "Err" was actually added in New York; it was not in the first proofs in Chicago. Two weeks later, I was thumbing through LIFE magazine and there was this actress in the same page..." About the artist: Robert Indiana is best known for his iconic “LOVE” image, which has appeared across media including sculptures, prints, and paintings and epitomizes the artist’s graphic, predominantly text-based Pop art practice. Throughout his career, Indiana reimagined the aesthetics of American advertisements...