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PABLO PICASSO PRINT Flower 1961

1961

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After Pablo Picasso - Peace Dove 1 - Lithograph
By Pablo Picasso
Located in Pasadena, CA
After PABLO PICASSO (1881-1973) Peace Dove 1 1961. Signed in the plate Edition Succession Picasso, Paris (posthumous reproductive edition) Editions de la Paix Pablo Picasso (1881- 1...
Category

1960s Cubist Prints and Multiples

Materials

C Print

After Keith Haring, Lithograph, Numbered 95/150
By (after) Keith Haring
Located in Pasadena, CA
After Keith Haring, Limited Edition of 95/150 Artwork lithograph prints by Keith Haring Foundation, numbered with embossed stamp. The image features the world famous American Pop art...
Category

1980s Pop Art Figurative Prints

Materials

Lithograph

Andy Warhol Exhibition Poster, Greta Garbo, Milan 1995
By Andy Warhol
Located in Pasadena, CA
Andy Warhol Greta Garbo Mata Hari Large Poster first expo Italy. Vintage 1995 Pop Art Poster. Framed . Exhibition Poster lithograph print custom framed , is an incredibly sp...
Category

Late 20th Century Pop Art Portrait Prints

Materials

Lithograph, Offset, Screen

Signed and numbered 237/750 ithograph "Lady Wellington" by Barbara A Wood
By Barbara A. Wood
Located in Pasadena, CA
Signed and numbered 237/750 lithograph "Lady Wellington" by Barbara A Wood American artist Barbara A. Wood was prone to sickness as a child, and she spent most of her time painting o...
Category

1980s Art Deco Figurative Prints

Materials

Lithograph

Lithograph " Still life with Plums "numbered 195/275 and signed by Agostini
By Tony Agostini
Located in Pasadena, CA
Lithograph " Still life with Plums "numbered 195/275 and signed by Agostini Tony Agostini was a French painter who was born in 1916. Tony Agostini's work has been offered at aucti...
Category

Early 20th Century Modern Figurative Prints

Materials

Lithograph

Chon-Mon-I-Case, an Otto half chief.
Located in Pasadena, CA
History Of The Indian Tribes Of North America, With Biographical Sketches And Anecdotes Of The Principal Chiefs. Embellished With One Hundred And Twenty Portraits, From The Indian Gallery...
Category

Early 20th Century American Realist Figurative Prints

Materials

Lithograph

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Toro and Horse
By Ralston Crawford
Located in Fairlawn, OH
Toro and Horse Lithograph, 1957 Signed and numbered in pencil by the artist. Titled in pencil lower left. Edition: 25 (24/25) Printer: Ravel, Paris Reference: Freeman L57.11 'Toro and Horse' was inspired by Spanish bullfighting...
Category

1950s Cubist Prints and Multiples

Materials

Lithograph

After Georges Braque - Antiborée - Lithograph
Located in Collonge Bellerive, Geneve, CH
Lithograph after Georges Braque. Signed in the plate Edition of 150 Dimensions: 76 x 117 cm Bibliography: « Les Métamorphoses de Braque» of Heger de Loewenfeld and Raphaël de Cuttoli , Editions FAC, Paris, 1989. In 1961 Georges Braque decided with his laidary friend Heger de Loewenfeld to pick up certain of his works to in order to create artworks, this beautiful litograph is one of them. Héméra in the Mythology: In Greek mythology Hemera was the personification of day and one of the Greek primordial deities. She is the goddess of the daytime and, according to Hesiod, the daughter of Erebus and Nyx (the goddess of night). Hemera is remarked upon in Cicero's De Natura Deorum, where it is logically determined that Dies (Hemera) must be a god, if Uranus is a god. The poet Bacchylides states that Nyx and Chronos are the parents, but Hyginus in his preface to the Fabulae mentions Chaos as the mother/father and Nyx as her sister. She was the female counterpart of her brother and consort, Aether (Light), but neither of them figured actively in myth or cult. Hyginus lists their children as Uranus, Gaia, and Thalassa (the primordial sea goddess), while Hesiod only lists Thalassa as their child. The father of Cubism Three Cubist that distinguishes art historian periods were initiated and developed by Georges Braque: The Cubist Cézanne (1907-1909), Executive (1909-1912) and synthetic (1912-1922). Post-Impressionist and fawn, Braque no longer adheres to the contingency of a decorative way or the other. Cézanne’s paintings exhibited at the Grand Palais during the retrospective of 1907 are a revelation: Cézanne sought and invented a pictorial language. In his footsteps, Braque went to the South with the reasons of the Master. He returned with Estaque landscapes and surprising Ciotat it keeps Cezanne geometric model and retains the “passages” continuity from one surface to another to create the sensation of “turning around” of the object represented. But he wants to go after the consequences of the vision of Cezanne. In his paintings Houses in L’Estaque (1908) it simplifies the volumes of houses, neglects detail by removing doors and windows: the plastic rhythm that builds the table. Large Nude , a masterpiece of the period, can be considered the first work of Cézanne cubism . Systematizing and deepening Braque discoveries open the door analytical cubism. In 1909, his painting became more cerebral than sensual. The pattern is recreated in the two-dimensionality of the canvas, leaving aside any illusionistic perspective. In Still Life with Violin, objects are analyzed facets according to their characteristic elements, each facet referring to a particular view of the object. There are so many facets of points selected view: Table reflects the knowledge of the object and the ubiquity of the eye. Moreover, Braque is looking for the essence of the objects in the world rather than their contingency, which explains the absence of light source and use of muted colors (gray, ocher), contingent aspects of the object . But formal logic has stepped facets, erased any anecdote to the object and ultimately led to his painting a hermetic more marked on the edge of abstraction (see the series of Castle Roche-Guyon ). Braque, anxious to keep the concrete and refusing at all costs that the logic of Cubism takes the paintings to abstract, reintroduced signs of reality in his paintings in 1912 marks the beginning of Synthetic Cubism. Historians speak of “signs of real” rather than reality because what interests Braque, this is not to put reality into a table, but to create a painting which, by its language, refers to the real. To do this, he invented two major techniques XX th century inclusions and contributions. The inclusions consist of painting objects that have no real depth, materials (wallpaper in Nature morte aux playing cards faux wood is a pictorial inclusion) or letters (calligraphic inclusion in Portuguese ), made first brush and a few months later stencil. Contributions are defined in contrast with the collage on canvas of foreign materials: glued or sand paper, sawdust, etc.. Regarding the collages, Braque used for the first time in September 1912 a piece of adhesive paper imitating faux wood Compote...
Category

1950s Cubist Animal Prints

Materials

Lithograph

Jean Cocteau - Europe's Agriculture - Original Lithograph
By Jean Cocteau
Located in Collonge Bellerive, Geneve, CH
Original Lithograph by Jean Cocteau Title: Europe's Agriculture Signed in the stone/printed signature Dimensions: 33 x 46 cm Luxury impression from the portfolio published by Sciaky....
Category

1960s Cubist Animal Prints

Materials

Lithograph

Pablo Picasso (after) Helene Chez Archimede - Wood Engraving
By (after) Pablo Picasso
Located in Collonge Bellerive, Geneve, CH
Pablo Picasso (after) Helene Chez Archimede Medium: engraved on wood by Georges Aubert Dimensions: 44 x 33 cm Portfolio: Helen Chez Archimede Year: 1955 Edition: 240 (Here it is on...
Category

1950s Cubist Figurative Prints

Materials

Lithograph

Thomas Dembovsky (sp?), (Cubist Musician)
Located in New York, NY
This full-on view of a musician and his bass (also known as an upright bass or string bass), has an air of calm befitting the lowest-pitched bowed instrum...
Category

1930s Cubist Interior Prints

Materials

Lithograph

Nature Morte
By Pablo Picasso
Located in Long Island City, NY
Arranged across a series of surfaces, the still life features a vase full of flowers, a bowl of fruit, and a jug decorated with floral imagery. Set against the neutral background, the three components in this Pablo Picasso still life...
Category

Late 20th Century Cubist Still-life Prints

Materials

Lithograph

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