Yvonne Jacquette

Lost View: Dawn

2006

Color lithograph with pochoir, Ed. 25 The artist describes his work: My work has often been described as belonging to a category of ‘reductive, geometric abstraction’. In the l...

Color lithograph with digital collage and chine collé, Edition 20. The artist describes this project: I sent myself the challenge of structuring into each piece a tension between t...

Color lithograph with gold metallic powder, Edition 15. Barbara Takenaga writes: “About the prints, they’re part of a series of recent Angel paintings — which were influenced by seeing a small painting fragment of angel’s wings by Fra Angelico. I liked the way the feather pattern is similar to the Asian motif of fish scales or waves of water. There is a reference to the natural world, as well as the heavenly, but in an abstract, decorative approach. With the scale change of smaller elements in the center and larger dots on the edge, there is the implication of folded space that moves from near to distant — with some sensation of being pulled toward a far off place. The metallic background is dusted with gold or pearlescent powder over deep orange, which gives the surface some shimmer and color change. The title, Angel (Little Egypt), comes from the colors that are reminiscent of ancient Egyptian collars...

Color lithograph, Edition 30. Peter Saul is a renowned painter of entertaining and provocative paintings. As an ‘anti-conformist’ and a ‘bad boy’ of painting, he mingles beauty and savagery, romance and ugliness in works that disarm the viewer. “Saul wants to offend and please at the same time.” Drawing imagery from popular culture and using brash colors that add to the confusion, Saul accentuates the violent and vulgar nature of representation. He has a taste for narration and buffoonery. Peter Saul made prints for the first time at Shark’s in November 2002. He used his fine drawing skill and high-keyed color to create three lithographs, Self Portrait with Haircut, Modern Home...

Jane, 2002 Paula Rego Lithograph, on Somerset textured paper Signed and numbered from the edition of 75 From the deluxe edition of Jane Eyre Accompanied by ...

A very good impression of this color lithograph on Rives BFK. One of 2 numbered printer's proofs, aside from the edition of only 10 in this color combination (there is a total editio...

A very good impression of this color lithograph on Hodgkinson handmade Oatmeal paper. Signed, titled, dated and numbered 12/75 in pencil by Rosenquist. Printed and published by Peter...

Artist: Robert Stanley Title: A Very Large Flying Boat Taking Off Medium: 3 Lithographs, one with hand coloring in crayon, one printed in colors, one black and white withOriginal Pap...