Joan Snyder

And Acquainted With Grief.

1998

Suzanne McClelland fuses painterly marks with linguistic elements, creating rhythmic canvases that explore both visual and written languages. McClelland often begins with poetic verses, names, or numbers that she weaves into the space of her canvas, though she is rooted firmly in a tradition of abstraction, placing her in conversation with figures such as Louise Fishman...

Donald Newman studied at the California Institute of Arts and at the Whitey Independent Study Program during the 1970s. His work has been shown in solo exhibitions at Artists Space in New York, at the Mary Boone and the Annina Nosei Galleries in New York, at the Barbara Balkin Gallery in Chicago, the Akira Ikeda Gallery...

Donald Newman studied at the California Institute of Arts and at the Whitey Independent Study Program during the 1970s. His work has been shown in solo exhibitions at Artists Space in New York, at the Mary Boone and the Annina Nosei Galleries in New York, at the Barbara Balkin Gallery in Chicago, the Akira Ikeda Gallery...

Allan Kaprow was an American painter, assemblagist and a pioneer in establishing the concepts of performance art. He helped to develop the "Environment" a...

"Vegetable Forms No. 1" is a bright fresh woodcut print of a mirrored halved cabbage. Nature's intricate design is fully appreciated and apparent in the captured tight crinkled and folded leaves. #7/7 Signed and Dated Joyce Tilley Nagel...

Antonio Frasconi created the color woodcut entitled "View of Venice I – San Giorgio" in 1968. It is signed, titled, dated, and inscribed “17/20” in pencil. The paper size is 24 x 36 ...

Antonio Frasconi created the color woodcut entitled "View of Venice II – Bacino" in 1968. It is signed, titled, dated, and inscribed “13/18” in pencil. The paper size is 24 x 36 inch...

The image depicts a restaurant on New York's Mott Street with ornamental iron work on the balconies. There are six figures in the scene in various stages of contrast. Mott Street is considered the unofficial Main Street of New York's Chinatown. Ella Fitzgerald sang it best: “And tell me what street compares with Mott Street in July? Sweet pushcarts gently gliding by.” CFW Mielatz was an early influence on the drypoints and etchings of Martin Lewis. This piece was created in 1906 and it is signed in pencil. It is part of the collection of New York's Metropolitan Museum of Art C.F.W. Mielatz American, 1860-1919 Born in Bredding, Germany in 1864, Mielatz emigrated to the United States as a young boy and studied at the Chicago School of Design. Mostly self-taught, his first prints were large New England landscapes reminiscent of the painter-etcher school of American Art. Around 1890 he started to produce prints of New York City and by the time of his death, the number totaled over ninety images. He was a master technician in the field of etching, reworking many of his plates to get the exact feeling he was seeking. Mielatz was a member of the New York Etching...