Maurice Estève

1964 Maurice Esteve 'Composition (Lg)'

1964

This interpretive lithograph, masterfully executed by Sorlier, is derived from a small detail of "Triumph of Music," one of two grand decorations originally created for the Metropoli...

Paper Size: 25.25 x 16.5 inches ( 64.135 x 41.91 cm ) Image Size: 23 x 15 inches ( 58.42 x 38.1 cm ) Framed: No Condition: A: Mint Additional Details: Printed on Arches paper. ...

"Le Buisson" by Henri Matisse is a high-quality lithograph printed on heavy printmaking board, authorized by the Succession Matisse. The print features wide margins on all sides and ...

Paper Size: 13 x 10.25 inches ( 33.02 x 26.035 cm ) Image Size: 10 x 10.25 inches ( 25.4 x 26.035 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additio...

Nude is a lithograph a on paper realized in 1980 by Sergio Barletta. Hand-signed on the lower right in pencil. from the edition of 100 prints. Numbered in pencil on the lower left. I...

Nude is a lithograph a on paper realized in 1980s by Sergio Barletta. Hand-signed on the lower right in pencil. From the edition of 100 prints. Numbered in pencil on the lower left. In good condition. Sergio Barletta  (1934) is an Italian cartoonist and illustrator, who has also published some humorous and political satire books. From the age of 22 is active in Rome, where he worked as an illustrator and art director in some monthly magazines like “Costume”, Diners Club house organ, BP Review, IBM, and others. In 1965 started the joint-working with Marino Gallery in Rome, and in 1966 in Milan with Humour Graphic’s group, at Levi Gallery and others in the following years. In these years graphic work and illustration are mixed with painting and photography, also with satirical drawings for Rinascita, weekly of the Italian communist party; Azione Sociale, weekly of ACLI Catholic Workers Association; movie posters, advertising for Gucci, some writings for Popular Photography Italiana, lay-outs, writings and illustrations for Avinews, bimonthly for tour operators and so on. During the eighties he starts a long co-operation with satirical weekly “Il Sale”, complemented by a book with Ottaviano edizioni in Milan and others publications in Turin and Rome, all of satirical drawings. In this period he collaborates with Linus, the most important Italian comics monthly, and Harakiri, a humour weekly published in France. Personal and group exhibitions of paintings, collages, drawings, photographs: Galleria Marino  – Roma, 1965  Galleria Levi – Milano, 1966    Galleria Petronio – Bologna, 1967  Galleria d’arte moderna Villa Reale – Milano, 1967  Palazzo Costanzi – Trieste, 1967  Galleria del Naviglio – Milano, 1967 Galleria Marino – Roma, 1967  Galleria Libreria Renzo Cortina – Milano, 1968  Galleria Libreria Renzo Cortina – Milano, 1969  Society Art’s Club – Messina, 1970  Galleria Marino – Roma, 1970 Galleria Libreria Renzo Cortina – Milano, 1972  Galleria Marino – Roma, 1972 Galleria Il Diaframma – Milano, 1973 Galleria Libreria Renzo Cortina – Milano, 1974 Galleria Il Ventaglio – Firenze, 1975 Galleria Marino – Roma, 1975 Palazzo Gonfalonieri – Milano, 1976 Bedford House...

Prisoners in Hungary is an original artwork realized by Italian artist Pietro Morando (Alessandria 1889- 1980). Lithography print. Hand-signed on the lower right in pencil, titled....

Prisoners in Hungary is an original artwork realized by Italian artist Pietro Morando (Alessandria 1889- 1980). Lithography print. Hand-signed on the lower right in pencil, titled, referring to the war" 1915-1918" Numbered on the lower left, the edition of 51/75 prints. Excellent conditions. The artwork represents an impressive and tragic scenery of suffering men in Hungary prison, through deft strokes, the drawing of the figure has an authentic style of Morando inspired by his tragic experiences of war. Pietro Morando (Alessandria 1889- 1980). He occasionally studies at the Albertina Academy in Turin; a scholarship (1913) allows him to enroll in painting courses at the Brera Academy of Fine Arts in Milan. He meets Angelo Morbelli whose studio he frequents and temporarily shares the passion for pointillism.His love for drawing led him to produce numerous works, even using the poor means of luck that the First World War allowed him. He thus realizes tragic war drawings...