Giovanni Omiccioli

Scilla - Hamlet under the Cliff - Etching and Watercolor by G. Omiccioli

1970 ca.

Etruscan Tavern is an original artwork realized by the Italian artist Luigi Bartolini (1892-1963) in 1955 Etching and watercolor. Hand-signed, titled and numbered ( 2/50 ) in penci...

Flowers is an original artwork realized by the Italian artist Luigi Bartolini (1892-1963) in the half of 20th Century Etching and watercolor. Hand-signed in pencil on the lower mar...

Etching and Watercolour (hand coloured) Very good conditions.

Country and coast: Scilla, Calabria, Italy. Etching and Watercolour (hand coloured) Very good conditions.

By Giuseppe Vasi after Giovanni Piranesi: Etching and engraving with hand coloring in watercolor on laid paper with an E and R watermark, full margins. Minor...

Aquatint with hand coloring in watercolor on watermarked, laid Arches paper, 8 1/16 x 5 9/16 inches (206 x 142 mm), full margins. Signed, titled, dated, and numbered 22/40 in pencil,...

A market scene; the spot on which the execution of Joan of Arc took place. London: R. Bower, 1825. Aquatint with hand-coloring in watercolor on cream wove paper, 10 3/4 x 13 5/8 inc...

Aquatint printed in brownish ink with extensive hand coloring in watercolor on buff paper, 10 1/4 x 12 1/2 inches (260 x 317 mm) (sheet), uneven narrow to full margins. Laid down to a contemporary wove paper support. Scattered condition issues on the sheet (excluding the mount) include surface soiling, creasing, a significant vertical repaired tear, and toning, despite these issues, the hand coloring remains good. Suitable for framing. From A Picturesque Tour Through the Cities of London and Westminster, Illustrated With the most interesting Views, accurately delineated And executed in Aquatinta By Thomas Malton, published by Thomas Malton, London 1796. The work was published serially, in twenty-five numbers. The plates in Volume I carry the dates 1792, 1793, 1794, 1795, 1796 or 1797; those in Volume II, the dates 1797, 1798, 1799, 1800 or 1801. In most copies the title page of Volume I carries the publisher's later address, of 103 Long Acre...