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David Hockney
David Hockney, The Lake, 1960s Print in Black and White, Mountains and Water

1969-70

About the Item

The Lake by David Hockney, 1969-70 Additional information: Medium: etching 35 x 20 cm 13 3/4 x 7 7/8 in David Hockney is an English painter, printmaker, photographer, designer and dog-lover. Perhaps the most popular and versatile British artist of the 20th century, Hockney made apparent his ability as a draughtsman while studying at Bradford School of Art between 1953 and 1957. Hockney soon sought ways of reintegrating a personal subject-matter into his art. He began tentatively by copying fragments of poems on to his paintings, encouraging a close scrutiny of the surface and creating a specific identity for the painted marks through the alliance of word and image. These cryptic messages soon gave way to open declarations in a series of paintings produced in 1960-61 on the theme of homosexual love. Hockney's subsequent development was a continuation of his student work, although a significant change in his approach occurred after his move to California at the end of 1963. It is clear that when he moved to that city it was, at least in part, in search of the fantasy that he had formed of a sensual and uninhibited life of athletic young men, swimming pools, palm trees and perpetual sunshine. On his arrival in California, Hockney changed from oil to acrylic paints, applying them as a smooth surface of flat and brilliant colour that helped to emphasise the pre-eminence of the image. By the end of the decade, Hockney's anxieties about appearing modern had abated to the extent that he was able to pare away the devices and to allow his naturalistic rendering of the world to speak for itself. In 2020 a retrospective of Hockney's work from the 1950s to the present day was held by The Lightbox, Woking, and 'Drawing From Life' was held at the National Portrait Gallery. Also in 2020, Hockney was invited to design a cover for British Vogue featuring the landscape of the UK. The original prints were then auctioned off in aid of Covid-19 relief charities. A celebration of Taschen's 40th anniversary was marked with a new chronology of David Hockney, available here. He lives between Yorkshire and Normandy, spending the recent lockdown at his French home (Will Gompertz, BBC). Hockney's works are held in public and private collections worldwide, including UBS and Deutsche Bank.
  • Creator:
    David Hockney (1937, British)
  • Creation Year:
    1969-70
  • Dimensions:
    Height: 13.75 in (34.93 cm)Width: 7.875 in (20.01 cm)
  • Medium:
  • Period:
  • Condition:
  • Gallery Location:
    Kingsclere, GB
  • Reference Number:
    1stDibs: LU2718214577932

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Graham Sutherland was a painter of imaginative landscapes, still life, figure pieces and portraits. He was born on 24 August 1903 in London. He abandoned a railway engineering apprenticeship after a year and studied at Goldsmiths' College School of Art, where he specialized in engraving and etching. Sutherland's formative influences on his early work were Blake, Samuel Palmer, the late Turner, Paul Nash and Henry Moore. He held his first and second exhibitions of drawings and engravings at the XXI Gallery, London, in 1925 and 1928. and was a member of the Royal Society of Painter-Etchers and Engravers from 1926-33. Sutherland taught engraving at the Chelsea School of Art from December 1926 and composition and book illustration 1935 to July 1940. He exhibited at the N.E.A.C. 1929-33 and with the London Group from 1932 (member 1936-7), experimenting with painting in oils from 1930 until, in 1935, the year after his first visit to Pembrokeshire, he decided to become a painter. He participated in the International Surrealist Exhibition in London 1936 and had his first one-man exhibition of oil paintings, mainly Welsh landscapes, at the Paul Rosenberg and Helft Gallery 1938. As an Official War Artist 1941-4 he painted scenes of bomb devastation and of work in mines and foundries. Sutherland's first New York exhibition was at the Buchholz Gallery 1946, and in the same year he completed the 'Crucifixion' for St Matthew's Church, Northampton. He taught painting at Goldsmiths' College as a visiting instructor and since 1947 worked for several months each year on the French Riviera. He was a trustee of the Tate Gallery 1948-54. Painted the portrait of Somerset Maugham 1949, the first of a series which includes Lord Beaverbrook, Sir Winston Churchill and others. He completed the designs for the Coventry Cathedral tapestry, 'Christ in Glory in the Tetramorph', between 1954 and 1957 (installed 1962). Has also designed posters, ceramics, book illustrations, and ballet costumes and décor for The Wanderer 1940. Important retrospective exhibitions have been held at the I.C.A. 1951, the Venice Biennale and the Musée National d'Art Moderne, Paris, 1952, the Tate Gallery 1953, and at the São Paulo Bienal, Brazil, 1955. Awarded the O.M. 1960. Collections include the Courtauld, London, and that of David Bow
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