Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

Mino Maccari
Rider - Etching by Mino Maccari - Mid-20th Century

Mid-20th Century

About the Item

Rider is a woodcut realized by Mino Maccari in the Mid-20th Century. Hand-signed in the lower right part. Artist's proof. Good conditions. Mino Maccari (Siena, 1924-Rome, June 16, 1989) was an Italian writer, painter, engraver and journalist, winner of the Feltrinelli Prize for Painting in 1963 and first winner of the Forte dei Marmi Satira Prize in 1973.After completing his secondary education, he enrolls in university. An interventionist like many young people of his time, he took part in the Great War at the age of nineteen as a field artillery officer. At the end of the conflict he resumed his university studies in Siena and in 1920 he graduated in law. In 1924 he was called by Angiolo Bencini to take care of the printing of the magazine Il Selvaggio, openly uncompromising fascist, revolutionary and anti-bourgeois, where his first engravings were published. After a few years of coexistence between work at the newspaper and the law firm, at the beginning of 1926 he left the legal profession to take over the direction of Il Selvaggio which he would hold until 1942. In 1928 he was the author of the small book published by Vallecchi (Florence), Il Trastullo di Strapaese (little songs and engraved woodwinds) which collected fascist songs (the same book was seized several times from Antonio Gramsci during his detention). With the transfer of the editorial staff of the Selvaggio in 1925 from Colle di Val d'Elsa to Florence, Maccari collaborated with Ardengo Soffici, Ottone Rosai and Achille Lega. In the meantime, between 1927 and 1930, he made himself known to the general public as a painter by participating in various national exhibitions. Also in 1930 Maccari works in Turin at La Stampa as editor-in-chief and has the writer Curzio Malaparte as director. His presence in the cultural and editorial world of the fascist regime is very intense, he writes and collaborates with various magazines: Quadrivio, L'Italia Letteraria, L'Italiano and Omnibus by Leo Longanesi; then, during the war, in il Primato di Bottai and, subsequently again, in Il Mondo di Pannunzio (from the first number, in 1949), up to Documento by Federigo Valli. His graphic production is also vast, ranging from the Album of Vallecchi (1925), Il trastullo di Strapaese (1928) to Linoleum (1931). Maccari illustrated in 1934 La vecchia del Bal Bullier by Antonio Baldini and in 1942 he published the Album folder, followed by Come quando fuori Piove and Il superfluo illustrata.For his pictorial work full of evident chromatic accentuations and fast brushstrokes, the violent drawing combined with the lively stroke of the graphic sign of his engravings, he is recognized by critics as a complete artist. In 1962 he was also entrusted with the presidency of the Accademia di San Luca in Rome and managed to obtain a personal exhibition at Gallery 63 in New York. His production of drawings, watercolors, temperas, etc. is endless, sometimes in collaboration with prestigious publishing houses; it is worth mentioning, just as an excellent example, the 32 b/w and color drawings with which he illustrated Il gusto di vivere, a volume that collects writings by Giancarlo Fusco, edited by Natalia Aspesi and published by Laterza in 1985. Maccari, Sienese and great contradaiolo della Torre, painted the Palio of 16 August 1970 won by Selva. In 1973 he was awarded the Political Satire Award of Forte dei Marmi, an award born in that year. He died without great fanfare, in silence, at the age of ninety, in Rome on June 16, 1989.
  • Creator:
    Mino Maccari (1898 - 1989, Italian)
  • Creation Year:
    Mid-20th Century
  • Dimensions:
    Height: 19.69 in (50 cm)Width: 13.78 in (35 cm)Depth: 0.04 in (1 mm)
  • Medium:
  • Movement & Style:
  • Period:
  • Framing:
    Framing Options Available
  • Condition:
    Insurance may be requested by customers as additional service, contact us for more information.
  • Gallery Location:
    Roma, IT
  • Reference Number:
    Seller: T-1395641stDibs: LU650312293092

More From This Seller

View All
Swan - Original Etching on Paper - 19th Century
Located in Roma, IT
Swan is an original etching on paper realized by an unknown artist of the XIX century. The State of preservation is very good. Sheet dimension: 29 x 22.5 cm. The artwork represen...
Category

Early 19th Century Modern Figurative Prints

Materials

Etching, Paper

Les Crimes de l'Amour - Etching by Hans Bellmer - 1968
By Hans Bellmer
Located in Roma, IT
Hand Signed. From the Portfolio "Petit Traité de Morale", Paris, Editions Georges Visat, 1968. Copy on Velin d'Arches. Includes matting. Hans Bellmer was a German artist, who, when...
Category

1960s Modern Figurative Prints

Materials

Paper, Etching

Les Infortunes de la Vertu - Etching by Hans Bellmer - 1968
By Hans Bellmer
Located in Roma, IT
Hand Signed. From the Portfolio "Petit Traité de Morale", Paris, Editions Georges Visat, 1968. Copy on Japon Nacré from the additional suite. Includes matting. Hans Bellmer was a G...
Category

1960s Modern Figurative Prints

Materials

Paper, Etching

Les 120 Journées de Sodome - Etching by Hans Bellmer - 1968
By Hans Bellmer
Located in Roma, IT
Hand Signed. From the Portfolio "Petit Traité de Morale", Paris, Editions Georges Visat, 1968. Copy on Japon Nacré from the additional suite. Includes matting. Hans Bellmer was a G...
Category

1960s Modern Figurative Prints

Materials

Paper, Etching

Notes pour la Nouvelle Justine - Etching by Hans Bellmer - 1968
By Hans Bellmer
Located in Roma, IT
Hand Signed. From the Portfolio "Petit Traité de Morale", Paris, Editions Georges Visat, 1968. Copy on Japon Nacré from the additional suite. Includes passepartout. Hans Bellmer wa...
Category

1960s Modern Figurative Prints

Materials

Paper, Etching

La Philosophie dans le Boudoir - Etching by Hans Bellmer - 1968
By Hans Bellmer
Located in Roma, IT
This beautiful artwork is hand-signed. It comes from the Portfolio "Petit Traité de Morale", Paris, Editions Georges Visat, 1968. Copy on Velin d'Arches. Includes matting. Hans Bel...
Category

1960s Modern Figurative Prints

Materials

Paper, Etching

You May Also Like

"Shabbat Comes and Joy Fills the House" Post Soviet Judaica Etching Hand Colored
By Eugene Abeshaus
Located in Surfside, FL
Hand-Colored Etching Ed. 19/110, signed l.r. in Hebrew, l.l. in English. EUGENE ABESHAUS Leningrad, Russia, b. 1939, d. 2008 Eugene Abeshaus (also spelled Evgeny Abezgauz, Евгений ...
Category

20th Century Modern Figurative Prints

Materials

Archival Paper, Etching

Self Portrait Post Soviet Avant Garde Hebrew Judaica Etching Hand Colored
By Eugene Abeshaus
Located in Surfside, FL
Hand-Colored Etching signed in pencil l.m. in Hebrew, l.r. in English. 3/100 Shalom from Yevgeny Abeshaus EUGENE ABESHAUS Leningrad, Russia, b. 1939, d. 2008 Eugene Abeshaus (also ...
Category

20th Century Modern Figurative Prints

Materials

Archival Paper, Etching

Mychael Barratt, Eric Ravilious' Dog II, Figurative Art, Modern Art, Landscape
By Mychael Barratt
Located in Deddington, GB
Eric Ravilious’s Dog II [2022] limited_edition Etching Edition number 33 Image size: H:21 cm x W:21 cm Complete Size of Unframed Work: H:40 cm x W:38 cm x D:0.5cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Limited edition print of a man on a train with his hat blowing away. Barratt uses Ravilious’ The Vale of the White Horse as inspiration for this witty etching. Buy Mychael Barratt printmaker works with Wychwood Art gallery online. Mychael Barratt was born in Toronto, Canada, however, considers himself to be a Londoner since arriving for what was supposed to be a two-week stay thirty years ago. He is a narrative artist whose work is steeped in imagery relating to art history, literature, theatre and everything else that overfills his bookshelves. He was an artist in residence for Shakespeare’s Globe Theatre...
Category

2010s Modern Landscape Prints

Materials

Paper, Etching

Eglise Notre Dame, Les Andelys
By John Taylor Arms
Located in Middletown, NY
Etching and drypoint on greenish cream wove paper, 3 1/4 x 1 15/16 inches (81 x 48 mm), full margins. Signed, dated, and inscribed "III" in pencil. Number 46 from the French Churche...
Category

Mid-20th Century American Modern Figurative Prints

Materials

Handmade Paper, Etching

Old Corner, Rouen
By John Taylor Arms
Located in Middletown, NY
Etching on cream wove paper, 6 x 4 inches (153 x 102 mm), full margins. Signed in pencil, lower margin. From the edition of 150, printed by Frederick Reynolds. [Fletcher 163] This ...
Category

Early 20th Century American Modern Figurative Prints

Materials

Handmade Paper, Etching

The Berry Pickers
Located in Middletown, NY
Drypoint etching on cream laid paper with an oak leaf watermark, c 1935. 7 1/4 x 9 3/4 inches (183 x 241 mm), full margins. Signed, titled and inscribed in pencil, lower margin. A b...
Category

Mid-20th Century American Modern Figurative Prints

Materials

Laid Paper, Drypoint, Etching

Recently Viewed

View All