Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 2

Luigi Vanvitelli
Letter A- Etching by Luigi Vanvitelli - 18th Century

18th Century

About the Item

Letter A is an Etching realized by Luigi Vanvitelli in 18th century. The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”), an eight-volume volume of engravings of the finds from the excavation of the ruins of Herculaneum in the Kingdom of Naples (now Campania, Italy). It was published between 1757 and 1792 by the Regia Stamperia, and copies were delivered to selected recipients across Europe. Despite the title, the Antiquity of Herculaneum shows objects from all the excavations undertaken by the Bourbons in the Gulf of Naples. These include Pompeii, Stabia and two sites of Herculaneum: Resina and Portici. The Bourbon King Carlo appointed fifteen scholars creating a new “Herculaneum Academy” to study the artifacts and publish the results of the archaeological excavations of the sites. The engravings are of high quality and the accompanying text shows a large scholarship. They were realized by 25 prominent artists involved by the King to prepare drawings and engravings on the finds, among which we can find Giovanni Elia Morghen, Carlo Nolli, Luigi Vanvitelli and Giovanni Battista Casanova. The “Antiquities” was designed more to amaze readers with the quality of the objects in the collection of the King of Naples than to be used in research., following and increasing the interest of 18th century society for the classical culture and Art in particular. Through the exaltation of the classical concept of proportions and harmony, the book was of inspiration to the neoclassical movement in Europe, giving artists and decorators access to a huge shop of Hellenistic motifs. Ref.: National Gallery (Washington), Mark J. Millard Architectural, IV (2000), no. 1; L. Garcia y Garcia, Nova bibliotheca pompeiana (2 v., 1998); Royal Institute of British Architects, British Architectural Library ... Early printed books, 1 (1994), no. 112. U. Pannuti, 'Incisori e disegnatori della Stamperia Reale di Napoli nel secolo XVIII: la pubblicazione delle Antichità di Ercolano', in Xenia antiqua, 9 (2000), p. 151-178; V. Trombetta, 'L'edizione de Le Antichità di Ercolano esposte' in Rendiconti dell'Accademia di Archeologia, lettere e belle arti di Napoli , 59 (1984), p.151-172.
  • Creator:
    Luigi Vanvitelli
  • Creation Year:
    18th Century
  • Dimensions:
    Height: 2.76 in (7 cm)Width: 2.76 in (7 cm)Depth: 0.04 in (1 mm)
  • Medium:
  • Movement & Style:
  • Period:
  • Framing:
    Framing Options Available
  • Condition:
    Insurance may be requested by customers as additional service, contact us for more information.
  • Gallery Location:
    Roma, IT
  • Reference Number:
    Seller: T-1383921stDibs: LU650311997642

More From This Seller

View All
Liber Veritatis - B/W Etching after Claude Lorrain - 1815
By Ludovico Caracciolo
Located in Roma, IT
Image dimensions: 21 x 27 cm. Liber Veritatis - Plate 61 is a beautiful black and white etching and aquatint on paper realized by the Italian artist Ludovico Caracciolo, after Claud...
Category

1810s Old Masters Figurative Prints

Materials

Etching, Aquatint

Liber Veritatis - Original B/W Etching after Claude Lorrain - 1815
By Ludovico Caracciolo
Located in Roma, IT
Image dimensions: 21 x 27 cm. Liber Veritatis - Plate 190 is a beautiful black and white etching and aquatint on paper realized by the Italian artist Ludovico Caracciolo, after Clau...
Category

1810s Old Masters Figurative Prints

Materials

Aquatint, Etching

Liber Veritatis - B/W Etching after Claude Lorrain - 1815
By Ludovico Caracciolo
Located in Roma, IT
Image dimensions: 21 x 27 cm. Liber Veritatis - Plate 98 is a beautiful black and white etching and aquatint on paper realized by the Italian artist L...
Category

1810s Old Masters Figurative Prints

Materials

Etching, Aquatint

Liber Veritatis - Original B/W Etching after Claude Lorrain - 1815
By Ludovico Caracciolo
Located in Roma, IT
Image dimensions: 21 x 27 cm. Liber Veritatis - Plate 191 is a beautiful black and white etching and aquatint on paper realized by the Italian artist ...
Category

1810s Old Masters Figurative Prints

Materials

Aquatint, Etching

Liber Veritatis - Original B/W Etching after Claude Lorrain - 1815
By Ludovico Caracciolo
Located in Roma, IT
Image dimensions: 21 x 27 cm. Liber Veritatis - Plate 95 is a beautiful black and white etching and aquatint on paper realized by the Italian artist Ludovico Caracciolo, after Claud...
Category

1810s Old Masters Figurative Prints

Materials

Aquatint, Etching

Assassinat de Basseville à Rome - Original Etching by P.G. Berthault - 1793
By Pierre Gabriel Berthault
Located in Roma, IT
Assassinat De Basseville à Rome is an original black and white etching realized by Pierre Gabriel Berthault, after Jacques François Joseph Swebach-Desfontaines in 1793. Title with caption on plate on the lower center: "Assassinat de Basseville, à Rome/ le 13 Janvier 1793, ou 23 Nivose An Ier de la République". Below the image on the lower margin, "Swebach Desfontaines onv. et del. / Berthault sculp." is etched on plate. This modern artwork is numbered "N. 76", because it is from the series Les Tableaux historiques de la Révolution française. As a matter of fact, Pierre-Gabriel Berthault is well-known for having engraved plates from this collection with the collaboration of the engraver Jean Duplessis-Bertaux. A work - hanging in the balance between news and history - with illustrations of salient or minimal events occurred during the French Revolution. As a celebration of the new ideals of brotherhood, justice, and equality, Les Tableaux immediately became a point of reference for journalism at the time. Of traditional cut, namely showing a view with many human figures, the engraving simplified the lines to be immediately readable for the general public. In our specific case, this original print represents the murder of Hugou de Bassville or Basseville (7 February, 1743 – 13 January, 1793), a French journalist and diplomatist, and protector of the radical Jacobins in Rome. In excellent conditions, except for a usual yellowing of the paper on the edges and a light trace of oxidations on the lower and right margins, beyond the marginal line of the matrix. Pierre-Gabriel Berthault (Saint-Maur-des-Fossés, 1737 - Paris, 1831) was a French master who made engravings from drawings by Jean-Claude Richard de Saint-Non (known as the Abbot of Saint-Non) and from paintings by Louis François Cassas. He depicted many views of Italy and created the collections Voyage à Naples and Voyage pittoresque de la Syrie, de la Palestine et de la basse-Egypte. Before the French Revolution, he was famous for being the author of the Vues intérieures de Paris and for tables with architectural elevations.
Category

1790s Old Masters Landscape Prints

Materials

Etching

You May Also Like

Sleeping Man
Located in Middletown, NY
A superb impression from an important mid-19th century collection. Etching on white laid paper with a partial crown and shield watermark, 4 x 2 7/8 inches (102 mm x 73 mm), margins....
Category

17th Century Old Masters Figurative Prints

Materials

Laid Paper, Etching

Jan Six by Pierre François Basan, after Rembrandt
By (After) Rembrandt van Rijn
Located in Middletown, NY
Etching on thin laid paper laid down to mid-weight Japon paper, 9 5/8 x 7 9/16 inches (244 x 190 mm), narrow to thread margins. Lettered below the image in the lower right margin wit...
Category

Early 19th Century Old Masters Landscape Prints

Materials

Laid Paper, Etching, Handmade Paper

Jeux de boules - Near the City Gate
By Herman van Swanevelt
Located in Middletown, NY
Etching on cream laid paper, 6 7/8 x 10 7/8 inches (175 x 275 mm), thin margins. Some minor surface soiling and paper tape residue in four areas along the top sheet edge, verso, othe...
Category

Mid-17th Century Old Masters Landscape Prints

Materials

Laid Paper, Etching

The Basilica of St. Paul in Rome, Early 19th Century Etching by Luigi Rossini
By Luigi Rossini
Located in Alamo, CA
"Rovina della gran Basilica di S. Paolo fueri le mura accaduta" (View of the Ruins of the Great Triumphal Arch of S. Paolo Fuori le Mura) from "Le Antichita Romane" (Ancient Rome), published in Rome in 1823. It depicts the destruction of the Basilica of St. Paul after the fire of 1823. People stand in the road and on the right observing the damage amid debris, which includes many fragments of columns. The etching is presented in a silver-color wood frame with an off-white double mat with a black inner mat. There are a few small spots, but it is otherwise in very good condition. See item # LU117324669722 for another Rossini etching...
Category

1820s Old Masters Figurative Prints

Materials

Etching

Giovanni Piranesi Etching of Ancient Roman Architecture, 18th Century
By Giovanni Battista Piranesi
Located in Alamo, CA
"Veduta del Sepolcro della Famiglia Plauzia per la Strada Che Conduce da Roma a Tivoli vicino a Ponte Lugano" from "Le Antichità Romane" (Roman Antiquities), one of the most famous works by Piranesi. "Antichita" illustrates the tombs along the Appian Way...
Category

Early 18th Century Old Masters Figurative Prints

Materials

Drypoint, Engraving, Etching

The Plank Bridge – Landschap met een bruggetje van planken
By Anthonie Waterloo
Located in Middletown, NY
Etching on thin cream laid paper with a partial "M" or "W" watermark, 5 x 5 15/16 inches (126 x 150 mm), thread margins. Inscribed in the plate in the upper-right: “Antoni Waterlo fe...
Category

17th Century Old Masters Landscape Prints

Materials

Etching, Laid Paper

Recently Viewed

View All