Luigi Kasimir

Bad Gastein, Austria

1943

This artwork titled "Grinzing" 1954, is a color etching on wove paper by noted Austrian artist Robert Kasimir, 1914-2002. It is hand signed in pencil at the lower center by the artis...

This artwork titled "Belvedere" c. 1970 is a color etching on wove paper by noted Austrian artist Robert Kasimir, 1914-2002. It is hand signed in pencil at the lower center by the ar...

This artwork titled "Himmelstrasse, Austria" c.1950 is an original color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil at the lower center by the a...

This artwork titled "Schubert's House, Vienna" c. 1970 is a color etching on wove paper by noted Austrian artist Robert Kasimir, 1914-2002. It is hand signed in pencil at the lower c...

Richard Haas The Rookery Courtyard, Chicago, 1974 Etching on etching rag paper Signed, titled and numbered 11/50 in graphite pencil on the front Frame included Etching on etching ra...

Philip Pearlstein Untitled Nude, from Atelier International Portfolio, 1985 Etching. on wove paper Hand signed, numbered 78/85, and dated on the lower front with printer's and publisher's blind stamps. 30 × 22 1/2 inches Unframed This vintage (mid 1980s) etching by Philip Pearlstein is hand signed, numbered and dated from the edition of 85. The late Philip Pearlstein is one of the most renowned realist painters in the world, but has become best recognized of late as Andy Warhol's former roommate in Pittsburgh, who traveled together with Warhol to New York. The Warhol museum in fact hosted a show of the two unlikely artists and roommates. Philip Pearlstein Born in 1924 in Pittsburgh, Pennsylvania, USA, Philip Pearlstein died in 2022. He is considered to be one of the masters of new figuration and modernist realism. He has been examining the question of how the model is represented since the 1960s, his complex works straddling the line between naturalism, abstraction and hyperrealism. His still lives in oil feature nudes with mask...

EDMUND BLAMPIED (1886-1966) Below Stairs Signed in pencil and numbered 57/100, signed and dated in the plate: Jan 1931 Drypoint Unframed Plate size 26 by 19.5 cm.; 10 ¼ by 7 ¾ in....

William Robinson Leigh, 'Foul Rope (Left)', etching, c. 1920, edition unknown but small. Signed in pencil and signed in the plate, lower left. A superb, richly-inked impression, in dark brown ink, on buff wove Umbria paper, the full sheet with margins (1 1/2 to 2 3/4 inches); slight toning at the sheet edges, otherwise in excellent condition. Very scarce. Archivally matted to museum standards, unframed. Image size 14 7/8 x 11 15/16 inches (378 x 303 mm); sheet size 20 3/8 x 15 3/8 inches (518 x 391 mm). ABOUT THE ARTIST Born near Falling Waters, West Virginia, on a plantation a year after the Civil War and raised in Baltimore, William Robinson Leigh (1866 - 1955) became one of the foremost painters of the American West. His career spanning some seventy-five years, Leigh created some of the most iconic depictions of the Western landscape, with admirers referring to him as ‘The Sagebrush Rembrandt.’ The son of impoverished Southern aristocrats, Leigh received his first art training at age 14 from Hugh Newell at the Maryland Institute, where he was regarded as the best student in his class. From 1883 to 1895, he studied in Europe, mainly at the Royal Academy in Munich with Ludwig Loefftz. From 1891 to 1896, he painted six cycloramas or murals in the round, a giant German panorama. In 1896, Leigh began working as a magazine illustrator for Scribner's and Collier's Weekly Magazine in New York City. He also painted portraits, landscapes, and genre scenes. Leigh's trips to the Southwest began in 1906 when he agreed to paint the Grand Canyon with William Simpson, Santa Fe Railway advertising manager, in exchange for free transportation West. In 1907, he completed his Grand Canyon painting, which led to more commissions and an extensive painting trip through Arizona and New Mexico. These travels inspired him to paint western subjects for the next 50 years, and his primary interests were the Hopi and Navajo Indians. In 1910, he traveled to Wyoming, where he painted in Yellowstone Park and created sketches, many of which he later converted into large canvases such as ‘Lower Falls of the Yellowstone’ (1915) and ‘Grand Canyon of the Yellowstone’ (1911). In 1926, he traveled to Africa at the invitation of Carl Akeley for the American Museum of Natural History, and from this experience, wrote and illustrated 'Frontiers of Enchantment: An Artist's Adventures in Africa'. In 1933, he wrote and illustrated 'The Western Pony'. His adventures were chronicled in several popular magazines, including Life, the Saturday Evening Post, and Colliers. For many years, Grand Central Art Galleries at the Biltmore Hotel handled his work exclusively in New York. In 1953, Leigh was elected an associate member of the National Academy of Design and became a full Academician in 1955. In March 1999, the Historical Center of Cody, Wyoming, held an exhibition of his field sketches and finished works depicting his experiences near Cody early in the century. Between 1910 and 1921, when he often painted in the Carter Mountain vicinity, these years were considered pivotal to his artistic development and devotion to the Western landscape. Leigh's work is held in many museum collections of American Western art...