Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 10

“Untitled”

Circa 1960

About the Item

Original lithographic print done as a gravure using black ink attributed to the hand of the well known French artist, Jean Dufy. Signed in the plate “Dufy” lower right. Circa 1960. Condition is very good. “Pierre Hautot, Paris” label verso. Sheet size 15.25 by 12.5 inches. The artwork is housed in its original narrow gold leaf frame with silver inside edge. Overall framed measurements are 18.25 by 14.75 inches. Provenance: A Sarasota, Florida collector. Jean Dufy was born in 1888 in Le Havre, France. The brother of artist Raoul Dufy, he was surrounded by art as a child and teen, though he did not pursue an art career until later in life. At age sixteen Dufy left home to work as a clerk for an overseas import business, followed by a position as a secretary on the transatlantic liner "La Savoie," which traveled between New York and Le Havre. While working at these jobs, he attended various art expositions, including one hosted by Cercle de l'Art Moderne in Le Havre featuring artists such as Picasso, Matisse and Derain. He was inspired, and enrolled in art courses at Le Havre's l'Ecole des Beaux Arts for a brief time before relocating to Paris with his brother. While in Paris Dufy became associated with Cubist painters Picasso and Georges Braque, the latter becoming a mentor to the younger artist. In 1914, Dufy began to exhibit his watercolor paintings at the Berthe Weill Gallery; that same year, he was drafted for military service in World War I as a horse soldier, and he painted many landscape scenes while being stationed throughout France. When he returned from the war in 1916 Dufy worked briefly with his brother in a Lyon studio doing textile design for Banchini-Ferier. This was followed by what would become his lifelong career, decorating porcelain at the Theodore Haviland studio in Lamages. For his design work on behalf of the studio he received the International Exhibition of Decorative Arts gold medal in 1925. By 1920, he had returned to Montmartre while still working for Haviland. Now, however, he could continue to pursue his own art as well, and that same year he became a member of the Salon d'Automne, where he exhibited in 1923, 1924, 1927 and 1932. His work now took a new turn, with inspiration gathered from the burgeoning jazz music scene and the Abstract Expressionists he met through his brother and Georges Bracque, who lived next door to him in Montmartre. The development of his siganture style and subject matter - the daily lives and events of Montmartre - rapidly came to form. He began to exhibit more frequently including overseas, with participation in (among others) a show in at the Balzac Galleries in New York, 1930; the Portland Art Museum in Portland, Oregon, 1938 (for which his work was used for the exhibition catalogue); the James Vigeveno Gallery in Los Angeles, 1952; and the Van Dieman-Lilienfeld's gallery in New York, 1955. In March of 1964, just three months before his death, the Wally Findlay Galleries in Chicago held a show of Dufy's watercolors and oils. Dufy died on May 12, 1964 in the French village of Boussay. Retrospectives of his work have been held in Europe and the United States, and his work can be found in private and public collections throughout the world.
  • Attributed to:
    Jean Dufy (1888 - 1964, French)
  • Creation Year:
    Circa 1960
  • Dimensions:
    Height: 11 in (27.94 cm)Width: 8.25 in (20.96 cm)Depth: 1 in (2.54 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    Light toning of paper consistent with age. Light spotting of sheet in outer areas of sheet under mat.
  • Gallery Location:
    Southampton, NY
  • Reference Number:
    1stDibs: LU14113938322

More From This Seller

View All
“Marcel Marceau Mime”
By Marcel Marceau
Located in Southampton, NY
Original artist signed colored lithograph by the well known French actor, artist and mime, Marcel Marceau. Circa 1975. Condition is very good Edition:, 112/275; signed in pencil lowe...
Category

1970s Post-Modern Figurative Prints

Materials

Archival Paper, Lithograph

“Trio”
By Ruth Leaf
Located in Southampton, NY
Artist proof intaglio print of a trio of Jazz players by the American printmaker and author, Ruth Leaf. Signed, dated and titled in pencil. Condition: Very good. Provenance: Art-O-Rama, 1965. The artwork is matted and in its original thick mahogany frame with brass front edge. Overall framed 25 by 31.25 inches. Not examined out of frame. Ruth Leaf (1923 - 2015) Ruth Leaf was an American artist and a pioneer in the discipline of printmaking. While also fluent in the methods of linoleum, monotype, collagraph and collage, she is most known for her viscosity etchings...
Category

1960s Post-Modern Figurative Prints

Materials

Archival Paper, Intaglio

“Trio”
$960 Sale Price
20% Off
“Adam and Eve”
By Jack Levine
Located in Southampton, NY
Original etching on archival paper by Jack Levine. Condition is very good; strong impression. Done in 1963. The etching is housed in a contemporary matte black frame. Under glass. Overall framed measurements are 24.5 by 17.25 inches. Provenance: A Sarasota, Florida estate. Publication Printed by Emiliano Sorini; published by Associated American Artists Full sheet; not trimmed. 22 by 15 inches Edition 74/100 in pencil lower left margin. Pencil signed by artist lower right margin Jack Levine American, 1915–2010 A painter and printmaker best known for political and social commentaries, Jack Levine drew inspiration from satirical German expressionist artists, such as George Grosz and Oskar Kokoscha, and took stylistic cues from the paintings of Titian, Diego Velázquez, and Francisco de Goya. Rejecting the formal qualities and ideologies of contemporary art movements, Levine caricatured 20th-century issues—inequality, big business...
Category

1960s Post-Modern Figurative Prints

Materials

Archival Paper, Etching

“Muse Champetre”
By Etienne Ret
Located in Southampton, NY
Original aquatint etching by the well know French/Americwn artist, Etienne Ret. Signed by the artist in pencil lower right margin. Titled “Muse Chsmpetre” lower center margin in p...
Category

1960s Post-Modern Figurative Prints

Materials

Archival Paper, Etching, Aquatint

“Seaside Terrace Dining”
By Jean-Claude Picot
Located in Southampton, NY
Original serigraph by the well known French artist, Jean Claude Picot. Signed in pencil by the artist in lower right margin. Edition 11/250 signed in pencil lower left margin. Condi...
Category

1980s Post-Modern Prints and Multiples

Materials

Archival Paper, Screen

“When I Laid the Earth’s Foundations”
By Benton Murdoch Spruance
Located in Southampton, NY
Strong and vibrant color lithograph by the American artist, Benton Murdoch Spruance. Edition of 30 penciled left bottom margin. Titled in pencil middle margin and signed in pencil lo...
Category

1950s Modern Figurative Prints

Materials

Archival Paper, Lithograph

You May Also Like

"La Vida Sigue" (Life Goes On), Edition 52/100
By Paul Jauregui
Located in Austin, TX
This piece entitled "La Vide Sigue," which translate to "Life Goes On" depicts the silhouette of a child running and rolling a hoop while one rabbit run away and another watches. The...
Category

Late 20th Century Post-Modern Figurative Prints

Materials

Archival Paper, Etching

"Cosas Del Parque" Edition 52/100
By Paul Jauregui
Located in Austin, TX
This piece is an etching which features 6 scenes from a park. Each square measures 3.75 x 3.75 inches.
Category

Late 20th Century Post-Modern Prints and Multiples

Materials

Archival Paper, Etching

"Llueve, Llueve" (Rain, Rain)
By Paul Jauregui
Located in Austin, TX
This figurative piece by Paul Jauregui is a hand colored etching depicting the silhouette of a father, his daughter and her small dog all walking in the rain. The father holds an umb...
Category

Late 20th Century Post-Modern Prints and Multiples

Materials

Archival Paper, Etching

"Personaje en un Cueva" (Personage in a Cave) Surrealist Lithograph
By Rufino Tamayo
Located in Soquel, CA
"Personaje en un Cueva" (Personage in a Cave) Surrealist Lithograph by Rufino Tamayo (b. 1899 d. 1991.) Abstract figurative lithograph featuring a textured background and bold figur...
Category

1960s Post-Modern Figurative Prints

Materials

Paper, Lithograph

"Etch A Sketch Sampler" - 1989 Multimedia on Paper
By Lilya Vorobey
Located in Soquel, CA
"Etch A Sketch Sampler" - 1989 Multimedia on Paper Lithograph titled "Etch A Sketch Sampler" by Lilya Vorobey. From a suite of prints from College of San Mateo class of 1989, instru...
Category

1980s Post-Modern Figurative Prints

Materials

Oil, Laid Paper, Pencil, Lithograph

Abstract Color Field Lithograph in Pale Blue and Brown
Located in Soquel, CA
Abstract Color Field Lithograph in Pale Blue and Brown by American Beat artist Will Peterson (1928-1994.) This lithograph blends the linework and movement of abstract impressionism with a color field-esque composition. A long copper-brown rectangle shines through from the bottom layer of the colors. It is then crossed in multiple places by black linework and hatching. Around this shape a pale cornflower blue acts as a frame and crosses the brown shape in the center. The addition of the cool black and blue tones creates a sense of warmth in the underlying shape. Lithograph is printed on wove paper which is fixed to a larger piece of handmade paper containing the artists signature and a small embossing found on his other pieces from this time period. This paper is displayed on top of a linen covered board with sturdy wood edges and a plexiglass over over the entire piece. Will Peterson was born in Chicago in 1928 to German immigrant parents. He contracted Polio when he was in High School and thus spent much of his early years ill. During this time he started working as a cartoonist for his high school’s paper. He started his official art studies at Wilber Wright College in Chicago and later earned a BA and a MA at Michigan State University. Here he studied print making and lithography under John S. deMartelly. He began enjoying artistic success while still in graduate school, exhibiting at the Detroit Art Institute, the Terry Art Institute, the National Print Exhibition, and the Boston Printmakers. Peterson was drafted into the army in 1952 and thus spent time in Korea and Japan. His time as an educational specialist in Hokkaido was a formative experience for him and his interest in Japanese calligraphy and other arts influenced his later work. Upon returning to the United States, he moved to Oakland, California. He became involved with the beat movement and after founding the Bay Printmakers Society with fellow artist Mel Strawn...
Category

1960s Post-Modern Figurative Prints

Materials

Handmade Paper, Lithograph

Recently Viewed

View All