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Francisco GoyaEl Caballo Raptor - Original Etching - 18751875
1875
About the Item
El caballo raptor - from Los Proverbios is an original black and white etching realized by Francisco Goya (1746-1828).
The artwork is the plate n. 10 from of the second edition of the famous series Los Proverbios edited in 1875 by the Real Academia of Fine Arts in San Fernando, Madrid.
Good conditions except for very ligh foxings.
Rare edition printed in a very few copies, many of which without frontispiece like this one. Beautiful impressions with very fresh and bright ink and wide margins. Very small traces of foxing on the margins, with holes of biding sealed.
All the different editions of “Proverbios” were posthumous, having been printed since 1864.
Los Proverbios (The Proverbs), also known as Los Disparates (The Follies), is a very enigmatic portfolio of eighteen prints (aquatint and etching, with retouching in drypoint and burin), still studied even today: the last major series etched by Goya and very difficult to explain. The dark and complex compositions have charmed many interpreters and inspired many political commentaries and satires, traditional proverbs and the Spanish carnival. Four works were added later in the last years of the artist’s life.
Reference: Harris, 248/265.
- Creator:Francisco Goya (1746 - 1928, Spanish)
- Creation Year:1875
- Dimensions:Height: 13.39 in (34 cm)Width: 19.18 in (48.7 cm)Depth: 0.08 in (2 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: M-1120991stDibs: LU65037157442
Francisco Goya
Francisco José de Goya y Lucientes (1746-1828) was a Spanish romantic painter and printmaker. He is considered the most important Spanish artist of the late 18th and early 19th centuries. His works often contained a social message, like in his "Disasters of War" series. Immensely successful in his lifetime, Goya is often referred to as both the last of the Old Masters and the first of the moderns. He was also one of the great portraitists of his time.
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