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Emilio GrecoAttesa (The Wait) - Etching by E. Greco - 19691969
1969
About the Item
Attesa (The Wait) is an etching realized by Emilio Greco in 1969. Hand signed and dated in pencil on the lower right margin, "Attesa" is written in pencil on the lower central margin.
Edition 12/90, on ocher China sheet.
Very good conditions.
The artwork represents a lying female figure in profile. Very interesting is the contrast between the face of the woman and her naked body. The woman's shapes are round and very soft. Greco produced many female portraits with the use of simple and minimal contour lines.
Ref: Maurizio Calvesi, "Emilio Greco Incisioni e Litografie", Cigno Edizioni, Roma, 1995, n. 42, p. 179.
Emilio Greco (Catania, 1913 - Roma, 1995) was a popular Italian artist, engraver and designer. He was famous especially for the graphic works; he started with an apprentice in a Sicilian stonemason's shop and then he moved to Rome where he lived with other artists in Villa Massimo and where he exhibited his artworks for the first time. In 1948, he became a teacher at the famous artistic high school of Via Ripetta, in Rome; Greco became famous for his monument "Pinocchio and la Fatina" in Collodi's village and for his portraits of women. Picasso said about him "Greco is the greatest designer in Europe". He was a regular traveler and he is still today considered one of the greatest sculptors of the 20th century.
- Creator:Emilio Greco (1913 - 1995, Italian)
- Creation Year:1969
- Dimensions:Height: 19.69 in (50 cm)Width: 27.56 in (70 cm)Depth: 0.08 in (2 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: J-523021stDibs: LU65037801512
Emilio Greco
Emilio Greco, (born Oct. 11, 1913, Catania, Italy—died April 5, 1995, Rome), Italian sculptor of bronze and marble figurative works, primarily female nudes and portraits. At the age of 13, Greco was apprenticed to a stonemason, and he later studied at the Academy of Art in Palermo. Though he began exhibiting in Rome in 1943, he was not well-established until after World War II. His first solo exhibition was held in 1946, and in 1948 he became a teaching assistant at the Artistic Secondary School in Rome. His subject matter varied little throughout his career. In their refined, elongated forms and assertive balance, his sculpted figures reflect the Mannerist tradition in Italian art (e.g., Bather No. 2, 1956–57). The expressive, luminous surface treatment in some pieces, however, strikes a clear parallel with the work of Giacomo Manzù and Marino Marini. He designed one of the bronze doors of the Cathedral at Orvieto (1961–64) and the monument to Pope John XXIII in Saint Peter’s (1965–67). In 1974 a Greco Garden, dedicated to his works, was opened at the Open Air Museum, Hakone, Japan. In 1991 a group of Greco’s works, donated by the artist to the city of Orvieto, was placed on permanent exposition at the Palazzo Soliano. Source: "Emilio Greco," Encyclopedia Britannica, 2017
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