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Claes Oldenburg
Study for a Monument in the Heroic/Erotic/Academic/Comic Style Claes Oldenburg

1975

About the Item

This sensuous and playful scene is characteristic of Oldenburg’s printmaking ouevre: a veritable heap of women displaying various expressions of ecstasy and repose. The loose sketches were drawn directly onto the plate by the artist, a master draftsman whose erotic etchings are largely unknown. The composition is based on the drawing: Clinical Study, Towards a Heroic-Erotic Monument in the Academic/Comic Style, 1965, ball-point pen on paper, 20 x 40 in. / 60 x 101.6 cm. Oldenburg had an interest in imaginary monuments: he famously conceptualized works such as “Ball”, an unbuilt monument conceived of in 1967 which imagined two ballcocks – the round mechanism in a toilet tank – floating in London’s river Thames, regulating the flow of water usually controlled by the tide, and blocking maritime traffic. Study for a Monument in the Heroic/Erotic/Academic/Comic Style, 1975. Etching in one color on white, thick, lightly textured (2) Wookey Hole hand-made paper Plate: 25½ × 32 ½ in. / 64.8 x 82.9 cm Sheet: 37¾ x 41¾ in. / 94.5 x 106 cm Edition of 60 with 12 Artist’s Proofs (2 copies in each of all six colors. Includes 10 prints in each of 6 different ink colors: Indigo blue, Mauve, Burnt sienna, Astral blue, Yellow-ochre, Vermilion) Signed in graphite, lower right, dated in pencil, lower right, numbered in graphite, lower left; copyright blind stamp, lower right. Printed by Maurice Payne at Petersburg Press, London. Published by Petersburg Press, London and New York. Condition: Some wear on paper edges, various small creases, and waviness/aging of paper tone commensurate with age Catalogue reference: Printed Stuff: Prints, Posters and Ephemera by Claes Oldenburg A Catalogue Raisonné 1958-1996 Hudson Hills Press in association with Madison Art Center Wisconsin, New York, 1997. Illustrated no. 122 Literature: Boorsch. Suzanne. "New Editions: Claes Oldenburg.” Art News 74. no. 7 (September 1975). P. 51; Frackman. Noel. "Review: Oldenburg at Petersburg Press.” Arts Magazine 50, no. 3 (November 1975), pp. 13-14; Drawings—Stedelijk, pp. 49; Drawings—Pompidou, p. 49 Exhibition History: Oldenburg: New Editions (1975)
  • Creator:
    Claes Oldenburg (1929, American, Swedish)
  • Creation Year:
    1975
  • Dimensions:
    Height: 37.75 in (95.89 cm)Width: 41.75 in (106.05 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    Some wear on paper edges, various small creases, and waviness/aging of paper tone commensurate with age, as photographed.
  • Gallery Location:
    New York, NY
  • Reference Number:
    1stDibs: LU1211212201092

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This etching features a nude woman in high heels. Whipping her head to the left, she gazes intently past the viewer through a wild tangle of tresses. A sunhat with a bow nearly floats off her head, a tongue-in-cheek nod to modesty. Taking a wide stance, she straddles a comically large phallus, which springs up eagerly from the ground like a plant. Unusually, this etching was drawn directly onto the plate from the artist’s imagination and not from a life model. This spontaneity is visible around the woman’s bust and arms, where Oldenburg sketched several variations of her anatomy, giving the impression of a figure in movement. Beside her left breast, Oldenburg extends this halo of lines by cheekily doodling a small, floating phallus. Paper 36 x 27.5 in. / 91.4 x 69.2 cm. Plate 23.5 x 17.7 in. / 59.7 x 45.1 cm. Etching in one color on white, thick, slightly textured Wookey Hole handmade paper watermarked with the artist’s signature. Signed by the artist and dated 1975 lower right in pencil. The edition of 60 includes ten prints in each of six different ink colors: Indigo blue, vermilion, mauve, burnt sienna, astral blue, and yellow-ochre. A copy of each color is available: this listing is for one copy in the color of your choice. As recorded in the artist’s unpublished notes: “In 1974 an ambitious project for a suite of large-scale etchings was hatched with Paul Cornwall-Jones, for production by Maurice Payne in Petersburg Press’s new Pembroke studios in London. The project would consist of meticulous transcriptions of a certain group of drawings...
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