Items Similar to Living Painting - Colour Pochoir
Want more images or videos?
Request additional images or videos from the seller
1 of 6
(after) Sonia DelaunayLiving Painting - Colour Pochoir1969
1969
About the Item
Full-page, colour pochoir of costume designs by Sonia Delaunay
Edition 331/500 copies on Velin Aussedat
Dimensions: 28.5 x 19.5 cm.
From 27 Living Paintings. [Milano, Edizioni del Naviglio, 1969]. Jacques Damase. Robes Poèmes, Introduction. Text by Guillaume Apollinaire and Blaise Cendrars.
Sonia Delaunay was known for her vivid use of color and her bold, abstract patterns, breaking down traditional distinctions between the fine and applied arts as an artist, designer and printmaker.
Born Sarah Stern on November 14, 1885 in Gradizhsk, Ukraine, she was adopted in 1890 by her maternal uncle, Henri Terk, a lawyer in St. Petersburg, where she grew up, exposed to music and art, and learning several foreign languages. In 1903, she moved to Germany to study drawing with Ludwig Schmidt-Reutler (1863–1909) at the Karlsruhe academy of fine arts; Arnold Schoenberg (1874–1951), composer-to-be, was among her classmates there. In 1905, she traveled to Paris where she attended art classes at the Académie de la Palette, learned printmaking from Rudolf Grossman (1889–1941), and met Amédée Ozenfant (1886–1966), André Dunoyer de Segonzac (1884–1974), and Jean-Louis Boussingault (1883–1943). Sonia spent much of her time at exhibitions and galleries in Paris, which showed works by Paul Cézanne, Vincent Van Gogh, Pierre Bonnard, and Edouard Vuillard, as well as Les Fauves, Henri Matisse and André Derain. She did, however, maintain contact with Germany, exhibiting at the Galerie Der Sturm, Berlin, in 1913, 1920 and 1921.
During her first year in Paris, Sonia met the German collector and art-dealer, Wilhelm Uhde (1874–1947), whom she married on December 5, 1908, and whose Montparnasse gallery, the Galerie Notre-Dame des Champs, showed her first solo exhibition. Through Uhde, Sonia encountered many painters, including Pablo Picasso, Georges Braque, Maurice de Vlaminck, and Robert Delaunay (1885–1941). In 1910, Sonia divorced Uhde by mutual agreement, married Delaunay that same year, and gave birth to their son, Charles, in January 1911.
Together Sonia and Robert Delaunay pursued the study of color, influenced by theories of Michel-Eugène Chevreul (1786–1889). Sonia’s interest in simultaneous contrast, as evidenced in her early collages, book bindings, small painted boxes, cushions, waistcoats and lampshades, led to one of her first large-scale works, the painting of the Bal Bullier (1912–1913), a popular Parisian dance-hall. Sonia’s first “simultaneous dresses,” a mix of squares and triangles of taffeta, tulle, flannelette, moiré, and corded silk, date from this period.
Friendship with the poet Blaise Cendrars (1887–1961) resulted in Sonia’s colored-squares fabric binding for his poem Pâques à New York (1912), and her collaboration on an accordion-type book of Cendrars’ long 207 verse poem, La Prose du Transsibérien et de la Petite Jehanne de France (1913), whose unique format, a vertical scroll almost two meters long, is said to have been inspired by the Delaunays’ fascination with the Eiffel Tower. Other aspects of modern urban life that inspired Sonia’s work included electric street lights (Prismes électriques, 1914) and publicity, though the various studies that she did for projects for Chocolat, Zenith, and Le Rêve gas stoves all remained unrealized.
When World War I was declared in 1914, Sonia Delaunay was in the Basque border town of Fuenterrabía with her husband, and they did not return to Paris until 1920. During this period, they traveled to Madrid and to the village of Vila do Condo in Portugal, and Valença da Minho, where she painted still-lifes and market scenes. While in Madrid, she had become interested in Flamenco singers, and continued to do versions of this subject in Portugal (Flamenco Singer, 1916). Sonia Delaunay claimed that living in the Iberian Peninsula had opened her eyes to the very origin of light.
Settled in Madrid, she started to engage in interior decoration (Casa Sonia) in addition to designing clothes and costumes. In 1918, Serge Diaghilev (1872–1929) commissioned her to do the costumes for a Ballets Russes production of Cléopatre, which opened in London. The soprano Aga Lahovska persuaded Delaunay to design the costumes for a production of the opera Aida at the Liceo in Barcelona. Following the Aida, she was invited to decorate a new nightclub, the Petit Casino, scheduled to open in a remodeled theatre in Madrid. She virtually gave up painting between 1918 and 1935 when she lost the financial support of her relatives in St. Petersburg with the outbreak of the Russian Revolution in 1917.
When Sonia and Robert Delaunay returned to Paris in 1920, they took an apartment at 19 boulevard Malesherbes, which Sonia completely redecorated with furniture that she designed herself—most pieces now in the Musée des Arts Décoratifs in Paris. The Delaunay home was open to members of Dada and Surrealist groups: Tristan Tzara (1896–1963), Philippe Soupault (1897–1990), André Breton (1896–1982), Louis Aragon (1897–1982), René Crevel (1900–1935), etc. Delaunay’s friendship with Tzara lasted more than forty years: they launched the famous ‘poem-dresses’ (words and colors in ever new relationships through body movement), and in July 1923 Delaunay designed the costumes for Tzara’s play, Coeur à gaz, which was produced as part of an evening of experimental theatre, with music by Georges Auric (1899–1983), and Crevel in one of the parts.
Delaunay’s involvement in fabrics began as early as 1923 with the more than fifty designs that she provided a silk manufacturer in Lyon. In 1924, she founded her own company with four directors, among them the prominent couturier and furrier, Jacques Heim (1899–1967). Her greatest success came in 1925, at the Exposition Internationale des Arts Décoratifs et Industriels Modernes, for which she designed and decorated her Boutique Simultanée, run with the help of Heim.
Sonia Delaunay was extraordinarily prolific up to the 1930 world Depression; her work became known in London at Liberty’s and in department stores in New York, not to mention her profitable collaboration with the Amsterdam department store of Metz & Co., begun in 1925. She was designing not only fabrics and fashion, but carpets and panels and handbags, and also costumes for two films: Vertige, directed by Marcel L’Herbier (1888–1979), and Le p’tit Parigot by René Le Somptier (both 1926). Her renown for her fabrics and clothing brought her an invitation to speak at the Sorbonne, January 27, 1927, on “The Influence of Painting on the Art of Clothing,” where she introduced the revolutionary idea of prêt-à-porter (ready-to-wear).
During the 1930s, Sonia Delaunay’s life was divided between fashion design, articles in magazines, interior decorating, and projects for window displays and posters. In 1937, the Exposition Internationale des Arts et Techniques dans la Vie Moderne, backed by Léon Blum’s (1872–1950) Popular Front government, solicited the participation of the Delaunays in the decoration of two temporary exhibition buildings: the Pavillon des Chemins de Fer and the Palais de l’Air. Voyages lointains and Portugal, which Sonia painted for the railroad pavilion, were awarded a gold medal.
The Delaunays were ardent promoters of abstract art: they became members of the Abstraction-Création group in 1931 and organized the first Salon des Réalités Nouvelles in 1939. After her husband’s death in 1941, Sonia continued her energetic support of abstract art, while reestablishing Robert’s reputation with a number of exhibitions of his work and bequests of his work and hers to public institutions. By the 1950s, Delaunay was beginning to exhibit her own work again, particularly in the gallery in Auteuil of Colette Allendy. In 1953 the Galerie Bing mounted a solo show, which brought her renewed attention, and she was also represented in exhibitions in Paris (Musée National d’Art Moderne and Galerie Suzanne Michel) and Rome. In 1955 the Rose Fried Gallery in New York gave her her first solo show in the United States. The following year she had exhibitions in Grenoble, Havana, Venice, Rome and Milan. In 1958 the Städtisches Kunsthaus in Bielefeld organized a large exhibition of her works, comprising some 260 pieces, and thereafter she participated regularly in exhibitions devoted to the work of the Moderns.
In 1964 Delaunay became the first living female artist to have a retrospective exhibition at the Louvre, thanks to her donation of 117 works by herself and Robert (Donation Delaunay). In March 1965 she sent a gouache and an oil to Salon des femmes peintres, a show exclusive to women painters. And in July 1965 she began collaboration with Jacques Damase (b. 1931) on a book of poems and pochoirs, using documents in her possession from Robert’s collection of poems by his friends. It appeared under the title Rhythmes-Couleurs, with a preface by Michel Hoog.
One of the first important exhibitions of Delaunay’s work, which took place in Paris in 1965 after her meeting Damase, was called ‘L’Expo 1925,’ at the Musée des Arts Décoratifs, where an entire room was devoted to her fabric designs and dresses. In 1967, with Damase’s help, she enjoyed what may have been her greatest tribute, a full-scale retrospective of her work, consisting of almost two hundred pieces, at the Musée National d’Art Moderne.
By the time Sonia Delaunay died at home in Paris on December 5, 1979, she had received the Légion d’honneur and painted the poster for the International Women’s Year of UNESCO (both 1975), collaborated in costume designs for a production at the Comédie-Française (Luigi Pirandello’s Six Characters in Search of an Author, 1978), and taken part in the Paris-Moscow Exhibition at the Centre Pompidou (1979), to which she had donated her entire graphic work in 1976. Her recognition as an artist was such that President Georges Pompidou (1911–1974), on an official visit to the United States, brought one of Sonia Delaunay’s paintings as a gift from the French governmen
- Creator:(after) Sonia Delaunay (1885, French)
- Creation Year:1969
- Dimensions:Height: 11.23 in (28.5 cm)Width: 7.68 in (19.5 cm)Depth: 0.04 in (1 mm)
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Collonge Bellerive, Geneve, CH
- Reference Number:1stDibs: LU16121805913
(after) Sonia Delaunay
Sonia Delaunay was a 19th century French Ukrainian painter who was well known for her exploration with simultanism and her contributions to the Orphism movement. Simultanism that is, the simultaneous nature of the contrast of colors is a sub category of Orphism that Sonia and her husband, specialized in. Their abstract and Cubist art style often experimented with the perception of colors in different lightings, layerings, and mediums. Guillaume Appollinaire, a famous art critic, applauded Mrs Delaunay’s art for its, as he described, musical and poetic qualities - qualities that are by nature definitive of the Orphism movement. Delaunay decorated a home, designed furniture, and even had a boutique decorated in her fashions. She also created some once very popular textile patterns - her style heavily inspired by Ukrainian garments and culture was lauded by many. Indeed, she was so recognized that she was one of the first women to hold a ‘retrospective exhibit’ (Tate Modern, 2021) in the Louvre in 1964. Two of her more notable pieces are Electric Prisms from 1914 and Yellow Nude from 1908. Ignoring the need to please her audience with normative beauty aesthetics, Delaunay focuses on enrapturing her audience with her bold use of color and vivid contrasts.
About the Seller
4.9
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 2015
1stDibs seller since 2015
952 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Shipping from: Collonge Bellerive, Geneve, Switzerland
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllSonia Delaunay - Living Painting - Colour Pochoir
By (after) Sonia Delaunay
Located in Collonge Bellerive, Geneve, CH
Full-page, colour pochoir of costume designs after Sonia Delaunay-Terk's original drawings.
Edition 331/500 copies on Velin Aussedat
Dimensions: 28.5 x 19.5 cm.
From 27 Living Paint...
Category
1960s Abstract Geometric Figurative Prints
After Delaunay - Color Compositions - Pochoir
By (after) Sonia Delaunay
Located in Collonge Bellerive, Geneve, CH
After Sonia Delaunay - Color Compositions - Pochoir
Dimensions: 32 x 24 cm.
From DELAUNAY, Sonia (1885-1979). Compositions couleurs idées. Paris
Éditions d'Art Charles Moreau.
Sonia Delaunay was known for her vivid use of color and her bold, abstract patterns, breaking down traditional distinctions between the fine and applied arts as an artist, designer and printmaker.
Born Sarah Stern on November 14, 1885 in Gradizhsk, Ukraine, she was adopted in 1890 by her maternal uncle, Henri Terk, a lawyer in St. Petersburg, where she grew up, exposed to music and art, and learning several foreign languages. In 1903, she moved to Germany to study drawing with Ludwig Schmidt-Reutler (1863–1909) at the Karlsruhe academy of fine arts; Arnold Schoenberg (1874–1951), composer-to-be, was among her classmates there. In 1905, she traveled to Paris where she attended art classes at the Académie de la Palette, learned printmaking from Rudolf Grossman (1889–1941), and met Amédée Ozenfant (1886–1966), André Dunoyer de Segonzac (1884–1974), and Jean-Louis Boussingault (1883–1943). Sonia spent much of her time at exhibitions and galleries in Paris, which showed works by Paul Cézanne, Vincent Van Gogh, Pierre Bonnard, and Edouard Vuillard, as well as Les Fauves, Henri Matisse and André Derain. She did, however, maintain contact with Germany, exhibiting at the Galerie Der Sturm, Berlin, in 1913, 1920 and 1921.
During her first year in Paris, Sonia met the German collector and art-dealer, Wilhelm Uhde (1874–1947), whom she married on December 5, 1908, and whose Montparnasse gallery, the Galerie Notre-Dame des Champs, showed her first solo exhibition. Through Uhde, Sonia encountered many painters, including Pablo Picasso, Georges Braque, Maurice de Vlaminck, and Robert Delaunay (1885–1941). In 1910, Sonia divorced Uhde by mutual agreement, married Delaunay that same year, and gave birth to their son, Charles, in January 1911.
Together Sonia and Robert Delaunay pursued the study of color, influenced by theories of Michel-Eugène Chevreul (1786–1889). Sonia’s interest in simultaneous contrast, as evidenced in her early collages, book bindings, small painted boxes...
Category
1960s Abstract Geometric Figurative Prints
Pablo Picasso - Seated Woman - Original Etching
By Pablo Picasso
Located in Collonge Bellerive, Geneve, CH
Pablo Picasso - Seated Woman - Original Etching
Signed and dated in the plate
1943
Edition: 200
Dimensions: 18.5 x 28 cm
Platemark size : 13.2 x 24.5
Material: LaFuMa paper, watermark on the lower right
Reference: Bloch 362; Baer 689Bb; Cramer 39;
Elliott, Picasso on Paper, National Galleries of Scotland, 2007, illustrated p.84
Pablo Picasso
Picasso is not just a man and his work. Picasso is always a legend, indeed almost a myth. In the public view he has long since been the personification of genius in modern art. Picasso is an idol, one of those rare creatures who act as crucibles in which the diverse and often chaotic phenomena of culture are focussed, who seem to body forth the artistic life of their age in one person. The same thing happens in politics, science, sport. And it happens in art.
Early life
Born in Malaga, Spain, in October of 1881, he was the first child born in the family. His father worked as an artist, and was also a professor at the school of fine arts; he also worked as a curator for the museum in Malaga. Pablo Picasso studied under his father for one year, then went to the Academy of Arts for one year, prior to moving to Paris. In 1901 he went to Paris, which he found as the ideal place to practice new styles, and experiment with a variety of art forms. It was during these initial visits, which he began his work in surrealism and cubism style, which he was the founder of, and created many distinct pieces which were influenced by these art forms.
Updates in style
During his stay in Paris, Pablo Picasso was constantly updating his style; he did work from the blue period, the rose period, African influenced style, to cubism, surrealism, and realism. Not only did he master these styles, he was a pioneer in each of these movements, and influenced the styles to follow throughout the 20th century, from the initial works he created. In addition to the styles he introduced to the art world, he also worked through the many different styles which appeared, while working in Paris. Not only did he continually improve his style, and the works he created, he is well known because of the fact that he had the ability to create in any style which was prominent during the time.
Russian ballet
In 1917, Pablo Picasso joined the Russian Ballet, which toured in Rome; during this time he met Olga Khoklova, who was a ballerina; the couple eventually wed in 1918, upon returning to Paris. The couple eventually separated in 1935; Olga came from nobility, and an upper class lifestyle, while Pablo Picasso led a bohemian lifestyle, which conflicted. Although the couple separated, they remained officially married, until Olga's death, in 1954. In addition to works he created of Olga, many of his later pieces also took a centralized focus on his two other love interests, Marie Theresa Walter and Dora Maar. Pablo Picasso remarried Jacqueline Roque in 1961; the couple remained married until his death 12 years later, in 1973.
Work as a pacifist
Pablo Picasso was a pacifist, and large scale paintings he created, showcased this cry for peace, and change during the time. A 1937 piece he created, after the German bombing of Guernica, was one such influential piece of the time. Not only did this become his most famous piece of art work, but the piece which showed the brutality of war, and death, also made him a prominent political figure of the time. To sell his work, and the message he believed in, art, politics, and eccentricity, were among his main selling points.
Conflicting with social views
Many things Pablo Picasso did during the 1950s, conflicted with the general public. Viciousness towards his children, exaggerated virility towards women, and joining the Communist party, were some of the many scandals which he was involved in during his lifetime. Although most of the things he did were viewed negatively by a minority of the general public, admirers of Pablo Picasso turned a blind eye, and still accepted him as a prominent figure in their society. Following the end of WWII, Pablo Picasso turned back towards his classic style of work, and he created the "Dove of Peace." Even though he became a member of the Communist party, and supported Stalin and his political views and rule, Pablo Picasso could do no wrong. In the eyes of his admirers and supporters, he was still a prominent figure, and one which they would follow, regardless of what wrongs he did. He was not only an influence because of the works he created, but he was also an influential figure in the political realm.
Influence outside of art
Although Pablo Picasso is mainly known for his influence to the art world, he was an extremely prominent figure during his time, and to the 20th century in general. He spread his influences to the art world, but also to many aspects of the cultural realm of life as well. He played several roles in film, where he always portrayed himself; he also followed a bohemian lifestyle, and seemed to take liberties as he chose, even during the later stages of his life. He even died in style, while hosting a dinner party in his home.
Collection of work
Pablo Picasso is recognized as the world's most prolific painter. His career spanned over a 78 year period, in which he created: 13,500 paintings, 100,000 prints and engravings, and 34,000 illustrations which were used in books. He also produced 300 sculptures and ceramic pieces during this expansive career. It is also estimated that over 350 pieces which he created during his career, have been stolen; this is a figure that is far higher than any other artist throughout history.
Sale of his works
Pablo Picasso has also sold more pieces, and his works have brought in higher profit margins, than any other artist of his time. His pieces rank among the most expensive art...
Category
1940s Modern Figurative Prints
Materials
Etching
Jean Cocteau - Young Woman - Drawing
By Jean Cocteau
Located in Collonge Bellerive, Geneve, CH
Jean Cocteau - Young Woman - Drawing
Circa 1912
27 x 21 cm
Unsigned
With an attestation of authenticity by Annie Guédras,
Jean Cocteau
Writer, artist and film director Jean Cocte...
Category
1920s Modern Figurative Prints
Materials
Ink
Leonard Foujita - House of Delights - Original Signed Lithograph
By Léonard Tsugouharu Foujita
Located in Collonge Bellerive, Geneve, CH
Leonard Tsugouharu FOUJITA (1886 - 1968)
House of Delights
Hand-Signed
Circa 1960
Edition : EA
Dimensions: 37 x 29 cm.
Category
1960s Modern Portrait Prints
Materials
Lithograph
Jean Cocteau (after) - Europe's Colors - Lithograph
By Jean Cocteau
Located in Collonge Bellerive, Geneve, CH
Lithograph after a drawing by Jean Cocteau
Title: Profil
Signed in the plate
Dimensions: 33 x 46 cm
Edition: 600
Luxury print edition from the portfolio of Sciaky
1961
Category
1960s Surrealist Figurative Prints
Materials
Lithograph
You May Also Like
The Puppet Man, 1960. E. A
By Alexander Calder
Located in Miami Beach, FL
"The Puppet Man, 1960. By Alexander Calder. Handwriting by artist "EA" down left.
Image size: 42.25 x 19 in.
Frame size: 50.25 x 27 in.
Silver Frame
Ha...
Category
1660s Abstract Geometric Portrait Prints
Materials
Archival Paper, Lithograph
Original 'Secret Ceremony' or "Ceremonie Secrete" vintage movie poster
By René Ferracci
Located in Spokane, WA
Original linen-backed Secret Ceremony vintage film poster. French, archival linen backed in fine condition, ready to frame.
A woman and the girl s...
Category
1960s Abstract Geometric Portrait Prints
Materials
Offset
1920 German Expressionist Figurative Etching Daniel with Lion Paul Kleinschmidt
By Paul Kleinschmidt
Located in Surfside, FL
Paul Kleinschmidt, (1883–1949)
"Daniel" Etching
1920
Frame: 21" X 17"
Image: 9.5" X 7.5"
Daniel in the Lions Den
Rare Artist's second proof
Provenance: bears labels from ACA Gallerie...
Category
1920s Abstract Figurative Prints
Materials
Etching
"The Devil at the Keyboard" 1976 hand-signed lithograph by Willem de Kooning
By Willem de Kooning
Located in Boca Raton, FL
"The Devil at the Keyboard" 1976 color lithograph artist proof. Abstract portrait of Thelonious Monk by Willem de Kooning. Hand signed de Kooning and numbered A/P in front lower righ...
Category
1970s Abstract Portrait Prints
Materials
Lithograph
Valerio Adami Italian Artist 1976 Original Poster lithograph Galerie Maeght
By Valerio Adami
Located in Miami, FL
"Valerio Adami (Italy, 1935)
'Moments musicaux de six a huit', 1976
Original poster from 1976
lithograph on paper
26 x 18.2 in. (66 x 46 cm.)
Unframed
Ref: ADA100-202
Valerio Adami
...
Category
1970s Abstract Figurative Prints
Materials
Lithograph
V As in Victor
By Michael Kagan
Located in Hollywood, FL
Artist: Michael Kagan
Title: V As In Victor
Size: 38 1/5 x 29 1/10 Inch (97 x 73.8 cm)
Medium: Screen print with high gloss texture varnish on rad wh...
Category
2010s Abstract Portrait Prints
Materials
Screen
$8,000 Sale Price
46% Off
Recently Viewed
View AllMore Ways To Browse
Vintage Living Art
Vintage 1930S Color Palette
Metz And Co
Metz Co
1964 Vintage Clothing
1950s Clothing Women
Vintage Taffeta Fabric
Vintage 1976 Dress
Used Electric Meter
Used Electric Meters
B Wilhelm
Electric Meter Vintage
1963 Vintage Clothing
Petite Vintage Dresses
Taffeta Long Dress
Ballet Box
1950s Taffeta
French Foreign Legion Posters