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Pablo Picasso Estate Hand Signed Lithograph Engraving Fauvist Dove of Peace1982
1982
About the Item
Pablo Picasso (after)
"Etudes des Mains et Colombe"
limited edition print on Arches paper,
Hand signed by Marina Picasso lower right and numbered 482/500 lower left
From the estate of Pablo Picasso with an embossed blindstamp in the lower right side of the piece.
After Pablo Picasso's death in 1973, his granddaughter Marina authorized the printing of these original lithographs, which have come to be known as the Picasso Estate Collection. The lithographs were meticulously created after the original works (Oil Paintings, Watercolors, Pastels, Charcoal Drawings, etc.) by Master Chromist Marcel Salinas, who worked closely with Picasso in his lifetime. They are printed in an edition of 500 on Arches paper. Embossed with the estate and chromist's stamp seals, along with the legend on the reverse "Approved by the heirs of Pablo Picasso".
Image: 16 1/2" x 21 3/4". Paper: 22" x 29 1/2".
Pablo Ruiz Picasso (1881 – 1973) was a Spanish painter, sculptor, printmaker, ceramicist, stage designer, poet and playwright who spent most of his adult life in France. Regarded as one of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907), and Guernica (1937), a dramatic portrayal of the bombing of Guernica by the German and Italian air forces during the Spanish Civil War.
Picasso demonstrated extraordinary artistic talent in his early years, painting in a naturalistic manner through his childhood and adolescence. During the first decade of the 20th century, his style changed as he experimented with different theories, techniques, and ideas. After 1906, the Fauvist work of the slightly older artist Henri Matisse motivated Picasso to explore more radical styles, beginning a fruitful rivalry between the two artists, who subsequently were often paired by critics as the leaders of modern art.
Picasso's work is often categorized into periods. While the names of many of his later periods are debated, the most commonly accepted periods in his work are the Blue Period (1901–1904), the Rose Period (1904–1906), the African-influenced Period (1907–1909), Analytic Cubism (1909–1912), and Synthetic Cubism (1912–1919), also referred to as the Crystal period. Much of Picasso's work of the late 1910s and early 1920s is in a neoclassical style, and his work in the mid-1920s often has characteristics of Surrealism. His later work often combines elements of his earlier styles.
In 1907, Picasso joined an art gallery that had recently been opened in Paris by Daniel-Henry Kahnweiler. Kahnweiler was a German art historian and art collector who became one of the premier French art dealers of the 20th century. He was among the first champions of Pablo Picasso, Georges Braque and the Cubism that they jointly developed. Kahnweiler promoted burgeoning artists such as André Derain, Kees van Dongen, Fernand Léger, Juan Gris, Maurice de Vlaminck and several others who had come from all over the globe to live and work in Montparnasse at the time. Picasso participated in the School Prints, to bring art to the masses in the 1940's. A magnificent European series, made possible by plastic portable plates, which, in addition to Henry Moore, featured Henri Matisse, Pablo Picasso, Fernand Leger, Raoul Dufy and Georges Braque.
- Creation Year:1982
- Dimensions:Height: 22 in (55.88 cm)Width: 29.5 in (74.93 cm)
- Medium:
- Movement & Style:
- After:Pablo Picasso (1881-1973, Spanish)
- Period:
- Condition:good. never framed. very minor wear. please see photos.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38211475142
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View AllLebanese Arabic Modernist Abstract Etching Color Engraving Arab Art Halim Jurdak
Located in Surfside, FL
Halim Jurdak, (1927-2020)
Color etching and engraving
Hand signed 'H. Jurdak' and numbered 3/15 and marked 'E. A.' in pencil on on lower margin. Frame, approx. 23 1/4" x 15 1/2". Plate size, approx. 10" x 8 1/2".
This might be an aquatint or it might have hand applied watercolor painting.
Halim Jurdak, Lebanese Artist. (1927-2020)
Born in 1927 in Ain El Sindianeh, (Shoueir) Matn, North Lebanon, Halim Jurdak began his artistic training at the Lebanese Academy of Fine Art in 1953. He is the first Lebanese artist to work in the medium of etching and engraving on an equal footing with painting and drawing. His work has won many prizes, including the first prize for Engraving at the Annual Exhibition of the École Nationale Supérieure des Beaux-Arts, Paris. He has participated in numerous international and regional exhibitions and began teaching at the Institute of Fine Arts of the Lebanese University in Beirut in 1966. This work bears the influence of Stanley William Hayter and the Atelier 17
Jurdak began his artistic training at the Lebanese Academy of Fine Art in 1953 and went on to receive his Master’s Degree in Fine Arts from “Ecole Nationale Supérieure des Beaux-Arts” in Paris. He attended the Atelier Brianchon pour la peinture, et Atelier Cami et Bercier pour la gravure. He also frequented l’atelier of Surrealist Henri Bernard Goetz and l’atelier Yves Brayer at the Académie de la grande Chaumière. He also studied at L’Académie Andre Lhote.
He travelled extensively, visiting Munich, Stuttgart, Basel, Dornoch, London, Bruges, Rome, Athens, Quebec, Montreal, Los Angles, Chicago, Milwaukee and New York. Made contacts with artists and galleries and showed regularly. He also began making abstract sculpture.
Select Solo Exhibitions
1959: Alumni Club of the American University of Beirut.
1961: The hall of Rudolf Steiner House in Stuttgart – Germany.
1962: Gallery Maison des Beaux-Arts Rue des Beaux-Arts, Paris.
1963: «Gallery Triades Rue de la Grande Chaumière, Paris.
1963: «Gallery Michel Harmouche Starko Center, Beirut.
1970: House of Art and Literature (Dar El Fan Wal Adeb), Beirut.
1987: Gallery Janine Rubeiz, Beirut.
1991: The hall of Goethe Institute , Beirut.
2002: Studio – Gallery of the painter George Khayralla, El – Mtayn – Lebanon.
2009: Mar Mikhael, Bikfaya, Lebanon.
Represented Lebanon at the following Art Festivals and Exhibitions:
1967: Exhibition of Peintres-Graveurs de l’Ecole de Paris organized by Brigitte Chehadeh, in honor of the late French painter George Cyr who lived in Beirut. The exhibition included works for the following artists: Antoni Clavé, Massimo Campigli, Marcel Fiorini, James Guitet, Aurelien Ortega,
Pierre Louis Maurice Courtin, Marino Marini, Arthur Luiz Piza, Kumi Sugai, Johnny Friedlander, Ossip Zadkine and Amedeo Modigliani.
1974: Festival International de la Jeunesse Francophone in the city of Quebec - Canada.
1994: Exhibition of The love encounter of the Arab Plastic Artists in the city of Latakia under the patronage of the syrian Prime Minister Mahmoud El Zuoubi and Madame Najat El Attar Minister of culture. From each Arab Country, one artist was chosen for this encounter.
Arabic Biennales and Exhibitions:
1967: Arab Art Exhibition organized by the British company for tobacco Eight paintings were chosen for eight artists belonging to each of the following arab countries: Lebanon, Syria, Jordan, Irak, Kuwait, Bahrain and Egypt. The exhibition took place successively in London, Paris, Rome, Cairo, Manameh, Amman, Kuwait, Baghdad, Damascus and Beirut.
Jurdak’s style has evolved greatly over his long career, from academic realism to cubism, from figurative abstraction, to non-figurative abstraction, in which he focused on forms, patterns, colour and composition. His most recent works have centered on the elemental qualities of the human figure. Jurdak has written numerous artistic and literary articles and has written several books on art theory, including The Metamorphosis of Line and Colour in 1975 (dealing with the psychological reasons underlying modern and contemporary fine art movements) and The Eye of Contentment, published in 1995. His work is held in many private and public collections such as the Ministry of Culture and Fine Arts” - UNESCO Palace, Beirut; King Khaled collection of Islamic art, Riyadh, Saudi Arabia; Academie Libanaise des Beaux-Arts, Beirut; Institut du Monde Arabe, Paris and AUB, Beirut.
He is included in Arab Print volume IV, Showcasing a variety of techniques such lithography, etching, engraving and photogravure, included are works by Shafic Abboud, Etel Adnan, Huguette Caland...
Category
20th Century Modern Abstract Prints
Materials
Engraving, Etching
French Modernist Mourlot Lithograph Vintage Air France Poster Roger Bezombes
By Roger Bezombes
Located in Surfside, FL
Vintage French Travel Poster, Air france
Roger Bezombes
(1913-1994) French
Bezombes was a painter, sculptor, medalist, and designer. He studied in Paris, at the École des Beaux-Arts, and was much influenced by his friendship with Maurice Denis. Heavily influenced by surrealism, He worked principally as a painter, adopting the saturated Fauvist colors of Henri Matisse in landscapes and figure studies often based on observation of “exotic” cultures, notably Mediterranean and North African. Constrained, because a very young orphan, to all kinds of professions which provide him with the material means to devote himself to painting - he participated in 1930 in the installation of the exhibition of the Bauhaus at the Grand Palais-, Roger Bezombes is student of the National School of Fine Arts in Paris. (Ecole des Beaux Artes) He was trained in the art of fresco by Paul Baudoüin, René Barotte nonetheless restores that the young man's preference goes to the practice of "truancy" which he uses to make copies at the Louvre Museum. It’s the time when Paul Gauguin’s paintings, Vincent Van Gogh and Henri Matisse are revealed to him by Maurice Denis with whom he will remain close until his accidental death, painting him on his funeral bed on November 14, 1943. He executed surrealist tapestry designs for Aubusson and Gobelin tapestries, posters (winning the Grand Prix de l'Affiche Francaise in 1984), costumes and sets for ballets at the Metropolitan Opera House in New York, reliefs and murals. In 1965 he took up medal-making, expressing in his numerous metallic works for the Paris Mint that obsession with found objects which is also evident in his large-scale sculpture and in his posters.
He designed posters for Air France and for the French national railways.
Roger Bezombes went to Africa for the first time in 1936 thanks to a travel grant and received the same year the second grand prize of Rome . In 1937 he traveled around Morocco where he became friends with Albert Camus. The year 1938 offered him both his first solo exhibition at the Charpentier gallery in Paris with paintings and gouaches on the theme of Morocco and the attribution of the national grand prize for the arts, earning him a great journey which , from Dakar to Algiers , takes it through Chad , Tamanrasset and Hoggar.
Roger Bezombes became a professor at the Julian Academy in 1950. For him, 1951 was the year of a trip to Greece and the year where he began his relationship with tapestry work.
Roger Bezombes visited Israel in 1953, Tunisia and Egypt in 1954. He was appointed official painter of the Navy in 1955. Pierre Mazars analyzes that “after a period where we notice the influence of Van Gogh and GeorgesBraque, particularly in his landscapes of Provence, he came to a more schematic writing, the colored spots and the thicknesses of material taking more of importance as the subject. He even performed composite works, half-watercolors, half-pasted papers, in which he incorporated pieces of newspapers”. He was elected titular to the Academy of Overseas Sciences in 1978. "The range of Bezombes' talent forms is remarkable,” writes Lynne Thornton, “ranging from paintings, murals, travel posters, tapestry cartons, book illustrations, monumental ceramic decorations, ballet and theater sets, totem sculptures, sculpture objects, jewelry and medallions”. He was part of the mid century mod School of Paris that included Leon Zack, Bernard Lorjou, Paul Augustin Aizpiri, Gabriel Godard, Michel Henry, Hans Erni, Bengt Lindstrom, Alfred Manessier, Andre Hambourg, Raymond Legueult and Jean Rigaud.
Select Solo Exhibitions:
1938: Galerie Charpentier, Paris
1950, '53, '55, '57: Galerie Andre Weil, Paris
1953:Wildenstein Gallery, London
1954: Institut Francais, Cologne
1956: Galerie Matarasso, Nice
1957: Horn Gallery, Luxembourg; Guilde de la Gravure, Paris
1958: Denys-Puech Museum, Rodez
1962: Musee de l'Athenee, Geneva;
Chateau Grimaldi, Cagnes-sur-Mer
1966: Galerie des Ponchettes, Nice
1967: Galerie Martel, Montreal
1968: Romanet-Vercel Gallery, New York;
Reattu Museum, Arles; Le Corbusier Center, Firminy
1969: Galerie Philippe...
Category
1980s Modern Abstract Prints
Materials
Lithograph, Offset
French Modernist Mourlot Lithograph Vintage Air France Poster Roger Bezombes
By Roger Bezombes
Located in Surfside, FL
Vintage French Travel Poster, Air france
Roger Bezombes
(1913-1994) French
Bezombes was a painter, sculptor, medalist, and designer. He studied in Paris, at the École des Beaux-Arts, and was much influenced by his friendship with Maurice Denis. Heavily influenced by surrealism, He worked principally as a painter, adopting the saturated Fauvist colors of Henri Matisse in landscapes and figure studies often based on observation of “exotic” cultures, notably Mediterranean and North African. Constrained, because a very young orphan, to all kinds of professions which provide him with the material means to devote himself to painting - he participated in 1930 in the installation of the exhibition of the Bauhaus at the Grand Palais-, Roger Bezombes is student of the National School of Fine Arts in Paris. (Ecole des Beaux Artes) He was trained in the art of fresco by Paul Baudoüin, René Barotte nonetheless restores that the young man's preference goes to the practice of "truancy" which he uses to make copies at the Louvre Museum. It’s the time when Paul Gauguin’s paintings, Vincent Van Gogh and Henri Matisse are revealed to him by Maurice Denis with whom he will remain close until his accidental death, painting him on his funeral bed on November 14, 1943. He executed surrealist tapestry designs for Aubusson and Gobelin tapestries, posters (winning the Grand Prix de l'Affiche Francaise in 1984), costumes and sets for ballets at the Metropolitan Opera House in New York, reliefs and murals. In 1965 he took up medal-making, expressing in his numerous metallic works for the Paris Mint that obsession with found objects which is also evident in his large-scale sculpture and in his posters.
He designed posters for Air France and for the French national railways.
Roger Bezombes went to Africa for the first time in 1936 thanks to a travel grant and received the same year the second grand prize of Rome . In 1937 he traveled around Morocco where he became friends with Albert Camus. The year 1938 offered him both his first solo exhibition at the Charpentier gallery in Paris with paintings and gouaches on the theme of Morocco and the attribution of the national grand prize for the arts, earning him a great journey which , from Dakar to Algiers , takes it through Chad , Tamanrasset and Hoggar.
Roger Bezombes became a professor at the Julian Academy in 1950. For him, 1951 was the year of a trip to Greece and the year where he began his relationship with tapestry work.
Roger Bezombes visited Israel in 1953, Tunisia and Egypt in 1954. He was appointed official painter of the Navy in 1955. Pierre Mazars analyzes that “after a period where we notice the influence of Van Gogh and GeorgesBraque, particularly in his landscapes of Provence, he came to a more schematic writing, the colored spots and the thicknesses of material taking more of importance as the subject. He even performed composite works, half-watercolors, half-pasted papers, in which he incorporated pieces of newspapers”. He was elected titular to the Academy of Overseas Sciences in 1978. "The range of Bezombes' talent forms is remarkable,” writes Lynne Thornton, “ranging from paintings, murals, travel posters, tapestry cartons, book illustrations, monumental ceramic decorations, ballet and theater sets, totem sculptures, sculpture objects, jewelry and medallions”. He was part of the mid century mod School of Paris that included Leon Zack, Bernard Lorjou, Paul Augustin Aizpiri, Gabriel Godard, Michel Henry, Hans Erni, Bengt Lindstrom, Alfred Manessier, Andre Hambourg, Raymond Legueult and Jean Rigaud.
Select Solo Exhibitions:
1938: Galerie Charpentier, Paris
1950, '53, '55, '57: Galerie Andre Weil, Paris
1953:Wildenstein Gallery, London
1954: Institut Francais, Cologne
1956: Galerie Matarasso, Nice
1957: Horn Gallery, Luxembourg; Guilde de la Gravure, Paris
1958: Denys-Puech Museum, Rodez
1962: Musee de l'Athenee, Geneva;
Chateau Grimaldi, Cagnes-sur-Mer
1966: Galerie des Ponchettes, Nice
1967: Galerie Martel, Montreal
1968: Romanet-Vercel Gallery, New York;
Reattu Museum, Arles; Le Corbusier Center, Firminy
1969: Galerie Philippe...
Category
1980s Modern Abstract Prints
Materials
Lithograph
French Modernist Mourlot Lithograph Vintage Air France Poster Roger Bezombes
By Roger Bezombes
Located in Surfside, FL
Vintage French Travel Poster, Air France
Roger Bezombes
(1913-1994) French
Bezombes was a painter, sculptor, medalist, and designer. He studied in Paris, at the École des Beaux-Arts, and was much influenced by his friendship with Maurice Denis. Heavily influenced by surrealism, He worked principally as a painter, adopting the saturated Fauvist colors of Henri Matisse in landscapes and figure studies often based on observation of “exotic” cultures, notably Mediterranean and North African. Constrained, because a very young orphan, to all kinds of professions which provide him with the material means to devote himself to painting - he participated in 1930 in the installation of the exhibition of the Bauhaus at the Grand Palais-, Roger Bezombes is student of the National School of Fine Arts in Paris. (Ecole des Beaux Artes) He was trained in the art of fresco by Paul Baudoüin, René Barotte nonetheless restores that the young man's preference goes to the practice of "truancy" which he uses to make copies at the Louvre Museum. It’s the time when Paul Gauguin’s paintings, Vincent Van Gogh and Henri Matisse are revealed to him by Maurice Denis with whom he will remain close until his accidental death, painting him on his funeral bed on November 14, 1943. He executed surrealist tapestry designs for Aubusson and Gobelin tapestries, posters (winning the Grand Prix de l'Affiche Francaise in 1984), costumes and sets for ballets at the Metropolitan Opera House in New York, reliefs and murals. In 1965 he took up medal-making, expressing in his numerous metallic works for the Paris Mint that obsession with found objects which is also evident in his large-scale sculpture and in his posters.
He designed posters for Air France and for the French national railways.
Roger Bezombes went to Africa for the first time in 1936 thanks to a travel grant and received the same year the second grand prize of Rome . In 1937 he traveled around Morocco where he became friends with Albert Camus. The year 1938 offered him both his first solo exhibition at the Charpentier gallery in Paris with paintings and gouaches on the theme of Morocco and the attribution of the national grand prize for the arts, earning him a great journey which , from Dakar to Algiers , takes it through Chad , Tamanrasset and Hoggar.
Roger Bezombes became a professor at the Julian Academy in 1950. For him, 1951 was the year of a trip to Greece and the year where he began his relationship with tapestry work.
Roger Bezombes visited Israel in 1953, Tunisia and Egypt in 1954. He was appointed official painter of the Navy in 1955. Pierre Mazars analyzes that “after a period where we notice the influence of Van Gogh and GeorgesBraque, particularly in his landscapes of Provence, he came to a more schematic writing, the colored spots and the thicknesses of material taking more of importance as the subject. He even performed composite works, half-watercolors, half-pasted papers, in which he incorporated pieces of newspapers”. He was elected titular to the Academy of Overseas Sciences in 1978. "The range of Bezombes' talent forms is remarkable,” writes Lynne Thornton, “ranging from paintings, murals, travel posters, tapestry cartons, book illustrations, monumental ceramic decorations, ballet and theater sets, totem sculptures, sculpture objects, jewelry and medallions”. He was part of the mid century mod School of Paris that included Leon Zack, Bernard Lorjou, Paul Augustin Aizpiri, Gabriel Godard, Michel Henry, Hans Erni, Bengt Lindstrom, Alfred Manessier, Andre Hambourg, Raymond Legueult and Jean Rigaud.
Select Solo Exhibitions:
1938: Galerie Charpentier, Paris
1950, '53, '55, '57: Galerie Andre Weil, Paris
1953:Wildenstein Gallery, London
1954: Institut Francais, Cologne
1956: Galerie Matarasso, Nice
1957: Horn Gallery, Luxembourg; Guilde de la Gravure, Paris
1958: Denys-Puech Museum, Rodez
1962: Musee de l'Athenee, Geneva;
Chateau Grimaldi, Cagnes-sur-Mer
1966: Galerie des Ponchettes, Nice
1967: Galerie Martel, Montreal
1968: Romanet-Vercel Gallery, New York;
Reattu Museum, Arles; Le Corbusier Center, Firminy
1969: Galerie Philippe...
Category
1980s Modern Abstract Prints
Materials
Lithograph, Offset
Square Variables I
By Todd Smith
Located in Surfside, FL
Early graphic work by the photographer Todd Smith during his period at Pratt Institute in the early 1970s. Edition of 250, unsigned and unnumbered, as issued.
Category
20th Century Modern Abstract Prints
Materials
Lithograph
Pablo Picasso Estate Hand Signed Fauvist Lithograph Woman Portrait Marie Therese
By Pablo Picasso
Located in Surfside, FL
Pablo Picasso (after)
"Portrait de Marie Therese"
limited edition print on Arches paper,
Hand signed by Marina Picasso lower right and numbered 274/500 lower left
From the estate of Pablo Picasso with an embossed blindstamp in the lower right side of the piece.
After Pablo Picasso's death in 1973, his granddaughter Marina authorized the printing of these original lithographs, which have come to be known as the Picasso Estate Collection. The lithographs were meticulously created after the original works (Oil Paintings, Watercolors, Pastels, Charcoal Drawings, etc.) by Master Chromist Marcel Salinas, who worked closely with Picasso in his lifetime. They are printed in an edition of 500 on Arches paper. Embossed with the estate and chromist's stamp seals, along with the legend on the reverse "Approved by the heirs of Pablo Picasso".
Image: 19 1/2" x 15". Paper: 28" x 20 3/4".
Pablo Ruiz Picasso (1881 – 1973) was a Spanish painter, sculptor, printmaker, ceramicist, stage designer, poet and playwright who spent most of his adult life in France. Regarded as one of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907), and Guernica (1937), a dramatic portrayal of the bombing of Guernica by the German and Italian air forces during the Spanish Civil War...
Category
20th Century Modern Abstract Prints
Materials
Lithograph
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