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Joan MiróComposition (Cramer 105), Femmes, Joan Miró1965
1965
About the Item
Héliogravure on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Joan Miró, Femmes, 1965. Published by Maeght Éditeur, Paris; printed by Maeght Éditeur, Paris, November 27, 1965. Excerpted from the folio (translated from French), From this album, which is the original edition of Claude Simon's text, it has been shot 50 head examples, numbered from l to 50 and 10 non-commercial examples, numbered from I to X, all signed by the painter and the writer. These examples include the print of Miró's original engraved woods for the frontispiece and the title and completed pages, as well as a unique print enhanced with colors by the artist of a composition made from 4 original engraved woods hand-drawn on vélin d'Arches by P.A. Benoit. Finished printing on November 27, 1965 in the workshops of Maeght Éditeur.
JOAN MIRO (1893-1983) Joan Miro was a Surrealist Spanish painter who created artwork of imaginative fantasy. Miro was very much against the established painting methods of the time, and is often credited with being the founder of automatic drawing. Automatic drawing is the process of allowing the hand to move randomly on the canvas, leaving the artwork to chance. His dreamlike works contain impressions of playfully distorted animal forms, twisted organic shapes, and odd geometric constructions. A contemporary of Picasso, Miro towers as one of the great masters of modern art, and is amongst the most famous artists of the 20th century.
- Creator:Joan Miró (1893 - 1983, Catalan)
- Creation Year:1965
- Dimensions:Height: 22.008 in (55.91 cm)Width: 17.8 in (45.22 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Auburn Hills, MI
- Reference Number:1stDibs: LU1465215383412
Joan Miró
With his wide-ranging oeuvre, comprising strikingly original paintings, prints, ceramics, sculptures, metal engravings and murals, Catalan modernist Joan Miró was a critical force in moving 20th-century art toward complete abstraction. Although often considered an early Surrealist because of his nonobjective imagery and evocation of the subconscious, he defies neat categorization.
Miró’s identity is largely rooted in the city of his birth: Barcelona. To this day, a number of his public artworks can be found there, including the 72-foot-tall statue Dona i Ocell (Woman and Bird), 1983. Female and avian forms, along with bright colors and the theme of Catalan pride, are recurring elements in his work.
The radical visual world Miró created with his expressive lines, signature symbols and biomorphic shapes influenced such American Abstract Expressionists as Jackson Pollock and Color Field painters like Mark Rothko and Barnett Newman.
Mirò continued to work and experiment until his death at the age of 90 in 1983. Five years before that, he was quoted saying, “I painted these paintings in a frenzy, with real violence so that people will know that I am alive, that I’m breathing, that I still have a few more places to go. I’m heading in new directions.”
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