Items Similar to "Ten Days" limited edition lithograph by James Rosenquist
Want more images or videos?
Request additional images or videos from the seller
1 of 10
James Rosenquist"Ten Days" limited edition lithograph by James Rosenquist1973
1973
About the Item
JAMES ROSENQUIST
"Ten Days, from The New York Collection for Stockholm"
Lithograph in colors on paper,1973
9 x 12 inches (22.9 x 30.5 cm) (sheet)
Ed. 114/300
Signed, numbered, and dated in pencil along lower edge
Published by Experts in Art and Technology, New York
Printed by Styria Studio, New York
James Rosenquist, born in 1933 in Grand Forks, North Dakota, is one of the most important American artists of our time. In 1955 Rosenquist left the Midwest for New York City, where he received his artistic training at the Art Students League amidst the popularity of Abstract Expressionism and artists such as Willem de Kooning. His artistic education led to a brief, but significant, career as a billboard painter, where he spent his days perched on scaffolding high above Times Square.
In the 1960’s Rosenquist transformed the visual language of commercial painting onto his canvases, filling his large-scale pictures with fragmented advertising imagery in bright Day-Glo colors. Rosenquist’s paintings of this era, such as the iconic F-111 (1965) in the permanent collection of the Museum of Modern Art in New York, are pictorial critiques of contemporary American culture and he is considered a pioneer of the Pop Art movement along with fellow artists Robert Rauschenberg, Jasper Johns, Andy Warhol and Roy Lichtenstein. Rosenquist’s paintings since the 1970’s have retained his trademark aesthetic and focus primarily on geo-political, existential and environmental themes.
The work of James Rosenquist is represented in major private and public collections worldwide, including the Metropolitan Museum of Art, the Los Angeles Museum of Contemporary Art and the Tate Modern in London. Aside from his many gallery and museum exhibitions, James Rosenquist has had more than fifteen retrospectives, with two at the Whitney Museum of American Art. In 2003-2004 the Guggenheim Museum organized a retrospective that traveled to Houston, New York, Bilbao and Wolfsburg. His 2009 autobiography Painting Below Zero: Notes on a Life in Art is a best-seller.
- Creator:James Rosenquist (1933, American)
- Creation Year:1973
- Dimensions:Height: 19.5 in (49.53 cm)Width: 23 in (58.42 cm)Depth: 2 in (5.08 cm)
- More Editions & Sizes:Impression 114 of 300Price: $2,950
- Medium:
- Movement & Style:
- Period:
- Condition:This piece is in a brand new custom frame with uv protective plexiglass.
- Gallery Location:Hinsdale, IL
- Reference Number:Seller: 22641stDibs: LU138428183242
James Rosenquist
Although he insisted that he and his fellow Pop artists developed their art-making styles independently, American painter James Rosenquist belonged at the table with Andy Warhol and Roy Lichtenstein.
Known for his distinctive use of visual montage, Rosenquist produced large, vibrantly colored tableaux marked by fragmentation and overlap. He often employed familiar motifs and objects drawn from popular contemporary culture — hot dogs, lipstick tubes, American flags — which he manipulated to form disorienting compositions whose constituent elements are nearly unrecognizable.
Born in North Dakota to Swedish parents, Rosenquist was encouraged to pursue painting by his mother, who was also an artist. He studied painting for two years at the University of Minnesota, but dropped out at the age of 21 to attend the Art Students League in New York on a scholarship. A job as a billboard painter in the late 1950s set him up to pursue his signature style, which borrowed its bold graphics and remixed kitschy aesthetic from the visual vocabulary of advertising. Works like Flamingo Capsule (1983) embody his trademark visual dissonance, drawing cigarette-ad motifs into conversation with stripes from the American flag and aluminum foil wrappers.
In addition to enormous paintings, Rosenquist created drawings, prints and collages. The 2011 lithograph The Memory Continues but the Clock Disappears is a montage of melting clocks and confetti, all submerged in a pool of water. While wryly hinting at the inevitability of decay and deterioration — suggesting that life is a ticking clock — the composition also alludes to Salvador Dalí's signature motif, the defining symbol of Surrealism. Such compositions demonstrate how Rosenquist masterfully combined seemingly incongruous elements into a harmonious and poetic whole.
Find James Rosenquist art today on 1stDibs.
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Established in 1994
1stDibs seller since 2020
42 sales on 1stDibs
Typical response time: 4 hours
- ShippingRetrieving quote...Shipping from: Hinsdale, IL
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View All"Woman in the Sun" by James Rosenquist, 1991
By James Rosenquist
Located in Hinsdale, IL
JAMES ROSENQUIST
(B. 1933)
"Woman in the Sun"
15 color lithograph from aluminum plate on mould-made paper, white Rives BFK, 1991
Catalog #225
She...
Category
1990s Pop Art Abstract Prints
Materials
Lithograph
"Sunglass Lens - Landing Net - Triangle" by James Rosenquist
By James Rosenquist
Located in Hinsdale, IL
JAMES ROSENQUIST
(B. 1933)
Sunglass Lens-Landing Net-Triangle
Original etching, 1974
Catalog #80
Sheet size: 19 1/2” x 35 1/4”
Edition number 11 of 80
Signed, numbered, and date...
Category
1970s Pop Art Abstract Prints
Materials
Etching
"Flower Garden" original color lithograph by James Rosenquist
By James Rosenquist
Located in Hinsdale, IL
JAMES ROSENQUIST
(B. 1933)
"Flower Garden"
Lithograph in colors on Hodgkin handmade paper, 1972
22” x 28 5/8” (55.9 x 72.7 cm) (image)
30 ½” x 36 ¼” (77.5 x 92.1 cm) (sheet)
Edi...
Category
1970s Abstract Expressionist Abstract Prints
Materials
Lithograph
Joan Miro "Maravillas con Variaciones Acrosticas en el Jardin de Miro"
By Joan Miró
Located in Hinsdale, IL
JOAN MIRO
(1893 – 1983)
Maravillas con Variaciones Acrosticas en el Jardin de Miro
Lithograph in colors on Arches paper c. 1975
Signed in pencil by artist, lower margin
Impression...
Category
1970s Abstract Abstract Prints
Materials
Lithograph
"American - La France Variation VIII"
By Robert Motherwell
Located in Hinsdale, IL
Robert Motherwell
American - La France Variation VIII
Lithograph in colors from five aluminum plates with collage in Arches, 1984
Arches collaged on Oatmeal Australian Bemboka hand...
Category
1980s Abstract Expressionist Abstract Prints
Materials
Lithograph
"Dusk in August" from the Portfolio of Nine
By Louise Nevelson
Located in Hinsdale, IL
NEVELSON, LOUISE
(1899-1988)
"Dusk in August"
Lithograph in colors, 1967
Signed, dated, titled, and numbered in pencil lower margin
This impression is XVIII/XX
Sheet Size: 17” x 22”
Published by Hollander’s Workshop with their blindstamp
This lithograph by Louise Nevelson was made in collaboration with eight other artists in 1967. The other artists included in this portfolio collaboration are Roy Lichtenstein, Louise Nevelson, Willem de Kooning, Robert Motherwell, Henry Pearson, Sam Francis, Richard Lindner, and Saul Steinberg.
Louise Nevelson is one of American’s foremost artists, Nevelson’s sculpted wood assemblages transcended space and transformed the viewer’s perception of art. She was an American sculptor best known for her monochromatic wooden assemblages. During the 1950s, she began to create unique arrangements contained in wooden frames amassed from a range of found objects—usually woodcuts or bits of furniture—that were then painted a uniform black, white, or gold, as seen in her seminal work Royal Tide I (1960). Louise Nevelson emerged in the art world amidst the dominance of the Abstract Expressionist movement. In her most iconic works, she utilized wooden objects that she gathered from urban debris piles to create her monumental installations - a process clearly influenced by the precedent of Marcel Duchamp's found object sculptures and "readymades."
Nevelson’s prints share with her sculpture an interest in silhouetted forms and the layering of elements, but distinguish themselves by their vivid color, depth and movement.. Louise Nevelson experimented in several different print mediums. A 1963 Ford Foundation grant enabled June Wayne of the Tamarind Lithography Workshop, Los Angeles, to extend an invitation to Nevelson. This initial collaboration led to twenty six lithographs, mostly black with dark blue or red, which combined hand-drawn elements with printed lace. Nevelson returned to Tamarind in 1967 to complete sixteen large scale lithographs know as Double Imagery. In these lithographs Nevelson played with landscapes of shadows and reflections using irregular shaped papers and a limited palette of black, red, grey and blue.
For her brilliant compositions in varied mediums critics hailed her as the leading sculptor of the twentieth century. A pioneering grand dame of the art works, Nevelson’s iconic persona was characterized by her skilled mixing and matching of ethnic clothing...
Category
1960s Abstract Expressionist Abstract Prints
Materials
Lithograph
You May Also Like
Abstract Minimalist Color Silkscreen Print Will Insley On The Bowery Pop Art
Located in Surfside, FL
Will Insley
On the Bowery, 1969 - 1971
silkscreen on Schoeller's Parole Paper, edition of 100 + 20 A.P.
25.5 x 25.5 inches, signed, numbered 21/100
Screenprint in color on wove paper
Hand signed, published by Edition Domberger, Bonlanden, West Germany (with their blindstamp)
Provenance: Collection of Tom Levine
On the Bowery, 1971. The portfolio consists of nine screenprints in colors (one with mylar collage), on wove paper, by representative artists of the Pop Art period. Cy Twombly, Robert Ryman, Will Insley, Robert Indiana, Les Levine, John Willenbecher...
Category
1960s Pop Art Abstract Prints
Materials
Lithograph, Screen
Abstract Minimalist Color Silkscreen Print Richard Smith On The Bowery Pop Art
By Richard Smith
Located in Surfside, FL
Richard Smith
On the Bowery, 1969 - 1971
silkscreen on Schoeller's Parole Paper, edition of 100 + 20 A.P.
25.5 x 25.5 inches, signed, numbered 21/100
Screenprint in color on wove paper
Hand signed, published by Edition Domberger, Bonlanden, West Germany (with their blindstamp)
Provenance: Collection of Tom Levine
On the Bowery, 1971. The portfolio consists of nine screenprints in colors (one with mylar collage), on wove paper, by representative artists of the Pop Art period. Cy Twombly, Robert Ryman, Will Insley, Robert Indiana, Les Levine, John Willenbecher...
Category
1960s Pop Art Abstract Prints
Materials
Lithograph, Screen
Color Silkscreen Pop Art Lithograph Print Les Levine Canadian Pop Art Portrait
By Les Levine
Located in Surfside, FL
Les Levine
On the Bowery, 1969 - 1971
Screenprint in color
25.5 x 25.5 inches, signed, numbered 21/100
Hand signed, published by Edition Domberger, Bonlanden, West Germany (with their blindstamp)
Provenance: Collection of Tom Levine
On the Bowery, 1971. The portfolio consists of nine screenprints in colors (one with mylar collage), on wove paper, by representative artists of the Pop Art period. Cy Twombly, Robert Ryman, Will Insley, Robert Indiana, Les Levine, John Willenbecher...
Category
1960s Pop Art Abstract Prints
Materials
Lithograph, Screen
Abstract Minimalist Color Silkscreen Print John Willenbecher The Bowery Pop Art
Located in Surfside, FL
John Willenbecher
On the Bowery, 1969 - 1971
silkscreen on Schoeller's Parole Paper, edition of 100 + 20 A.P.
25.5 x 25.5 inches, signed, numbered 2...
Category
1960s Pop Art Abstract Prints
Materials
Lithograph, Screen
Vintage Modern Lithograph Poster 1960s Pop Art Mod Figure Pencil Signed
By Richard Lindner
Located in Surfside, FL
Richard Lindner was born in Hamburg, Germany. In 1905 the family moved to Nuremberg, where Lindners mother was owner of a custom-fitting corset business and Richard Lindner grew up and studied at the Kunstgewerbeschule (Arts and Crafts School since 1940 Academy of Fine Arts). From 1924 to 1927 he lived in Munich and studied there from 1925 at the Kunstakademie. In 1927 he moved to Berlin and stayed there until 1928, when he returned to Munich to become art director of a publishing firm. He remained there until 1933, when he was forced to flee to Paris, where he became politically engaged, sought contact with French artists and earned his living as a commercial artist. He was interned when the war broke out in 1939 and later served in the French Army. In 1941 he went to the United States and worked in New York City as an illustrator of books and magazines (Vogue, Fortune and Harper's Bazaar). He began painting seriously in 1952, holding his first one-man exhibit in 1954. His style blends a mechanistic cubism with personal images and haunting symbolism. LIndner maintained contact with the emigre community including New York artists and German emigrants (Albert Einstein, Marlene Dietrich, Saul Steinberg). Though he became a United States citizen in 1948, Lindner considered himself a New Yorker, but not a true American. However, over the course of time, his continental circus women became New York City streetwalkers. New York police uniforms replaced European military uniforms as symbols of authority.At a time when Abstract Expressionism was all the rage, Lindner’s painting went against the current and always kept its distance. His pictorial language of vibrant colours and broad planes of colour and his urban themes make him a forerunner of American Pop Art. At the same time, he owes the critical tone of his paintings to the influence of European art movements such as Neue Sachlichkeit and Dada. His first exhibition did not take place until 1954, by which time he was over fifty, and, interestingly, it was held at the Betty Parsons Gallery in New York, a venue associated with the American Expressionists. From 1952 he taught at the Pratt Institute, Brooklyn, from 1967 at Yale University School of Art and Architecture, New Haven. In 1957 Lindner got the William and Norma Copley Foundation-Award. In 1965 he became Guest Professor at the Akademie für Bildende Künste, Hamburg. His Ice (1966, Whitney Museum of American Art) established a connection between the metaphysical tradition and pop art. The painting shows harsh, flat geometric shapes framing an erotic but mechanical robot-woman.His paintings used the sexual symbolism of advertising and investigated definitions of gender roles in the media. While influencing Pop Art (Tom Wesselman and Claes Oldenburg amongst others) his highly colourful, hard-edge style seems to have brought him close to Pop Art, which he rejected. Nevertheless, he is immortalised on the cover of the Beatles record...
Category
1960s Pop Art Abstract Prints
Materials
Lithograph
Joe Tilson British Pop Art Screenprint, Color Lithograph 4 Seasons 4 Elements
By Joe Tilson
Located in Surfside, FL
Silkscreen screenprint or Lithograph
Hand signed and numbered. An esoteric, mystical, Kabbala inspired print with Hebrew as well as other languages.
Joseph Charles Tilson RA (born 2...
Category
1970s Pop Art Abstract Prints
Materials
Screen, Lithograph
