Items Similar to Des Ongles et Du Bec (abstract female portrait)
Want more images or videos?
Request additional images or videos from the seller
1 of 13
Georges RouaultDes Ongles et Du Bec (abstract female portrait)1948
1948
About the Item
Artist Georges Rouault
(1871, France - 1958, France)
Main title
"Des ongles et du bec"
Etching and aquatint on wove paper.
Creation date
1926 / 1948
Publisher: Etoile Filante, Paris
Is part of the set: Miserere Portfolio (Dissociable set of artworks). Portfolio of one hundred and twenty-four elements including fifty-eight plates in a box.
Canvas casing with a copper clasp and text printed on the edge.
1948
Etching and aquatint on wove paper.
25 3/5 × 19 9/10 inches (plate)
25.2 x 30.2 inches framed
Techniques
Eau-forte et aquatinte sur papier vélin d'Arches
Edition of 450 prints, belonging to the suite “Miserere”, considered as the most important religious graphic work of XX century.
The single prints, realized with a sophisticated mixed technique, were designed between 1916 and 1927, and finally published as a suite in 1948.
Vintage water gilt gold leaf frame produced by Brentano's, NYC.
The artist's preface to the complete portfolio set reads as follows:
Preface by Georges Rouault, 1948
“I dedicate this work to my master, Gustave Moreau, and to my valiant and beloved mother who with unstinting patience watched over and aided my early efforts when I wandered at the crossroads, an ill-equipped young pilgrim of art. Let me add that both, in their own way, were endowed with the same smiling and encouraging nature, seldom found in these times of bitterness and offense in which we seem to live today.
Most of the subjects date from 1914-1918. They were first executed in the form of drawings in India ink, and later transformed into paintings in at the request of Ambroise Vollard. He then had all the subjects transferred on to copper. It was desirable, apparently, that the copper should first receive the impression of my drawing. From that point on, I painstakingly tried to preserve the initial rhythm and draughtsmanship.
On each plate, more or less felicitously, without ceasing or pausing, I worked with different tools; there is no secret about my methods. Never satisfied, I resumed each subject endlessly, sometimes in as many as twelve or fifteen successive states; I should have liked them all to be of equal quality. I readily admit that I became attached to them, and that I was not insensitive to the desire of an American ambassador who wished to have some of the copper plates plated with gold and set in the wall at the embassy.
The impressions, which I carefully supervised, were completed in 1927, and later Ambroise Vollard had the plates cancelled.
After waiting twenty long years for their publication, which was delayed for various circumstances, I was fortunate enough to recover the engravings in 1947, and entrusted their publication to the Etoile Filante in Paris. It was planned that Andre Suares should write an accompanying text, unfortunately he was unable to do so.
The death of Ambroise Vollard, the war, the occupation and its consequences, and finally my lawsuit were all the causes of indefinite delay. Though ever hopeful, there have been dark times when I despaired that these engravings, to which I have always attached a great significance, would ever be published. I rejoice that this has come to pass before I vanish from this planet.
If injustice has been shown toward Ambroise Vollard, let us agree that he had taste and a passion for making beautiful books, regardless of time; but it would have taken three centuries to complete the various works and paintings with which, in utter disregard of earthly limitations, he wished to burden the pilgrim.
Form, color, harmony
Oasis or mirage
For the eyes, the heart, and the spirit
Toward the moving ocean of pictorial appeal
“Tomorrow will be beautiful,” said the shipwrecked man
Before he disappeared beneath the sullen horizon
Peace seems never to reign
Over this anguished world
Of shams and shadows
Jesus on the cross will tell you better than I
Jeanne in her brief and sublime replies at her trial
As well as other saints and martyrs
Obscure or consecrated
Paris 1948
Georges Rouault”
- Creator:Georges Rouault (1871-1958, French)
- Creation Year:1948
- Dimensions:Height: 30.2 in (76.71 cm)Width: 25.2 in (64.01 cm)Depth: 1.25 in (3.18 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Wilton Manors, FL
- Reference Number:1stDibs: LU24526666032
Georges Rouault
Executed in 1937, Carlotta belongs to a group of portraits of members of society. Unlike Picasso and Toulouse-Lautrec, who portrayed these individuals with pathos, Rouault’s approach was unapologetic and raw. In the present work several layers of pigment can be discerned; the build-up of translucent and opaque layers of paint creates a three-dimensionality that characterizes the artist’s strongest work. Furthermore, the work is highlighted by the deep swaths of black delineating the subject, representing a signature element of Rouault’s portraiture of this period.
About the Seller
4.9
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 2007
1stDibs seller since 2015
387 sales on 1stDibs
Typical response time: 3 hours
- ShippingRetrieving quote...Shipping from: Wilton Manors, FL
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllMalach
By Jerome Kaplan
Located in Wilton Manors, FL
Jerome Kaplan (1920-1997). Malach (Angel), 1952. Lithograph on wove paper. Image measures 15 x 19 inches; 23 x 28 inches in custom shadowbox frame with custom beveled linen matting. ...
Category
Mid-20th Century Abstract Abstract Prints
Materials
Lithograph
$400 Sale Price
20% Off
Dark Landscape (abstract expressionist)
By Gabor F. Peterdi
Located in Wilton Manors, FL
Gabor Peterdi (1915-2001). Dark Landscape, 1958. Etching, engraving and aquatint with five stenciled colors. Image measures 20 x 24 inches. Signed, date...
Category
Mid-20th Century Abstract Expressionist Abstract Prints
Materials
Engraving, Etching, Aquatint
$350 Sale Price
30% Off
Nude on Balcony
By Raoul Dufy
Located in Wilton Manors, FL
Raoul Dufy (1877-1953).
Nude Figure on a Balcony.
Etching, plate measuring 13 x 18 inches; frame measurement 22 x 28 inches.
Edition authorized by Louvre Museum, Paris.
Vinta...
Category
Mid-20th Century Abstract Nude Prints
Materials
Etching
Untitled (abstract expressionist monoprint)
By David Chamberlain
Located in Wilton Manors, FL
Beautiful 1994 monotype painting by American artist, David Chamberlain (b.1950). Oil on Arches paper, image measures 16.5 x 21.5 inches; sheet measures 22 x 30 inches. The subtle variations of the oil application are quite lovely. Signed by the artist in pencil, lower margin. Printed on Rives heavy wove paper. Excellent, clean condition with no damage or restoration. Unframed: sheet is loose with no backing. Ships rolled in tube with glassine paper.
David Chamberlain (American, b Canton, Ohio 1949) has been a full-time artist since 1977, and has created more than 2000 original works in both two and three dimensions. Over 100 of his works appear in the collections of recognized arts institutions and museums, worldwide.
A serious and passionate musician (a cappella jazz singer with three recording albums and over 700 concerts in this avocation), Chamberlain's artistic approach and imagery is inspired by studies of musical patterns and relationships. Other influences include topology, poetry, design and flying.
His sculptures are noted for their playful explorations of lyrical, melodic edges and harmonious spaces. The surfaces are all one continuous form; the insides become the outsides and vice-versa; the edges are all one line. Mediums include mahogany, bronze, titanium, gold, and ceramic/porcelain.
His paintings reflect an enthusiasm for composition and improvisation. Chamberlain has developed a way to create original oil paintings using methods adapted from monotype processes incorporating a light table and mirrors, an etching press, and a variety of hands-on tools (including fingers, rollers, static electricity and blowing)... but no brushes.
This method, sometimes called the Chamberlain Method, makes possible the intense collaborations he is known for, where he and another artist work on the same painting at the same time. Called Duett Painting, this mutual and simultaneous way for two artists to paint together attempts to involve the backgrounds of each, directly and profoundly. There are no rules, and there is no place to hide whoever the artists are appears in the composition. As each artist's marks influence the other's, the painting takes on a momentum of its own, compelling the artists toward a new direction neither would have pursued on their own.
Chamberlain has worked with over 100 artists, musicians, dancers, poets and creative people from the USA, Asia, Europe, South America and Africa. About half of his paintings are collaborative duetts; half are conventional solo works using these techniques.
His studio is based near Boulder, Colorado. He is married, with two children, a dog and three cats.
EDUCATION
MLA University of Colorado 2002
Landscape Architecture
MFA University of Pennsylvania 1977
Sculpture & Printmaking
BA Princeton University 1971
Architecture & Design
SELECTED
EXHIBITIONS
Consulate of Japan, San Francisco, CA 1999, 1998
Major Shows Muse a Muse' Gallery, Tokyo, Japan 1997, 1999
Retrospective: "Solos, Duets & Concertos" Muskegon Mus. of Art, MI 1996
"Duets" Delaware Museum of Art, Wilmington, DE 1995
MacLaren/Markowitz Gallery, Boulder, CO 1991
Retrospective: McKissick Museum of Art, Columbia, SC 1990
Retrospective: The Art Complex Museum, Duxbury, MA 1988
Pucker Gallery, Boston, MA 1981, 1984, 1988
Gibson Gallery, SUNY at Potsdam, NY 1987
Arlene McDaniel Galleries, Simsbury, CT 1986
Lyme Academy of Fine Arts, Old Lyme, CT 1985, 1986
Gallerie Obussier, Nantucket, MA 1985
New Acquisitions Gallery, Syracuse, NY 1983
Everson Museum of Art, Syracuse, NY 1983
COMMISSIONS:
Operhall Suite; [Series of 6 original works] Muskegon Museum of Art 1994
Symphony Suite; Gibbes Museum & Charleston Symphony Orchestra 1994
Gospel Suite in F; New England Conservatory of Music, Boston, MA 1994
Eroica; Morgridge Auditorium, University of Wisconsin, Madison, WI 1992
Balletté; Southworth Library, Canton College, Canton, NY 1991
A Une Passante; M. C. Wallace Library, Wheaton College, Norton, MA 1991
Festivale; K. B. K. Foundation, Boston, MA 1990
A Une Passante; SUNY Potsdam, Potsdam, NY 1989
Balletté; Ensign-Bickford Corp., Simsbury, CT 1987
Torus; Stratus Computer, Inc., Marlboro, MA 1986
Rondella; BNWC, Brandeis University, Waltham, MA 1985
Viole, Ayre; Asset Management, Inc., Essex, CT 1983
Cantata; Horne Library, Babson College, Wellesley, MA 1981
COLLECTIONS
Museums Art Complex Museum, Duxbury, MA
Ashmolean Museum, Oxford University, England
Asian Art Museum, San Francisco, CA
British Museum, London, England
Columbia Museum of Art, Columbia, SC
Currier Gallery & Museum, Manchester, NH
Danforth Museum, Framingham, MA
Davis Museum of Art, Wellesley, MA
DeCordova Museum, Linclon, MA
Delaware Museum of Art, Wilmington, DE
Denver Art Museum, Denver, CO
Detroit Institute of Arts, Detroit, MI
Everson Museum of Art, Syracuse, NY
Farnsworth Museum of Art, Rockland, ME
Fine Arts Center at Cheekwood, Nashville,TN
Fitzwilliam Museum, Cambridge University, England
Gibbes Museum of Art, Charleston, SC
Gibson Gallery & Museum, SUNY Potsdam, NY
Greenville County Art Msueum, Greenville, SC
Hara Museum of Contemporary Art, Tokyo, Japan
Johnson Museum of Art, Ithaca, NY
McKissick Museum of Art, Columbia, SC
Minneapolis Institute of Art, Minneapolis, MN
Munson-Williams-Proctor Institute of Art, Utica, NY
Museum of Fine Arts, Boston, MA
Museum of Fine Arts, Springfield, MA
Muskegon Museum of Art, Muskegon, MI
National Museum of American Art, Washington, DC
Nelson Museum of Art, Kansas City, MO
New Britain Museum of American Art, New Britain, CT
Portland Museum of Art, Portland, ME
Portland Art Museum, Portland, OR
Princeton University Art Museum, Princeton, NJ
Rose Art Museum, Waltham, MA
San Diego Museum, San Diego, CA
Smith College Museum of Art, Northampton, MA
Taylor Museum/CSFAC, Colorado Springs, CO
University of Michigan Museum of Art, Ann Arbor, MI
Victoria & Albert Museum, London, England
Wadsworth Athenaeum, Hartford, CT
Williams College Museum of Art, Williamstown, MA
Yale University Art Gallery, New Haven, CT
Institutions American Embassy, Tokyo, Japan
[selected] Arjo Wiggins/Arches S.A., Annonay, France
Bank of America, Boston, MA
Boso Yusi Company, Tokyo, Japan
Boston Ballet, Boston, MA
Canadian Foreign Ministry, Ottawa, Canada
Chase Manhattan Bank, Vietnam
Embassy of Japan, Abu Dhabi, United Arab Emirates
FIA Institute, Tokyo, Japan
Fidelity Ventures & Associates, Boston, MA
Frederik Meijer Sculpture Gardens, Grand Rapids, MI
Gauteng Legislature, Gauteng, South Africa
German Embassy to Vietnam, Hanoi, Vietnam
Helix Technology Corporation, Longmont, CO
Ito-En Company, Tokyo, Japan
JAFCO America Ventures, Boston, Palo Alto, Tokyo
Japanese Consulates: Boston, MA; Atlanta, GA; San Francisco, CA
Japanese Foreign Ministry, Tokyo, Japan
Japan External Trade Organization, New York, Tokyo
Kepner-Tregoe Company, Princeton, NJ
Kobe Steel, Ltd Tokyo, Kobe
Mochida Medicines, Inc., Tokyo
Monsanto, European Division, Brussels, Belgium
New England Conservatory of Music, Boston, MA
Nueva Set-Kei, Inc. Tokyo, Japan
Opinion Research Company, Princeton, NJ
PAR Associates, Inc., Boston, MA
Price, Waterhouse & Company, Greenwich, CT
Princeton Club of Japan, Tokyo, Japan
Saint Joseph's Heart Hospital, Lexington, KY
Spencer, Fane & Browne; Shugert & Thomson, Kansas City, MO
Temple Society of Concord, Syracuse, NY
T. Rowe Price, Inc., Colorado Springs, CO
University of Wisconsin School of Business, Madison, WI
Vietnam Embassy to Canada, Ottawa, Canada
Yankelovich, Skelly & White, Stamford, CT
COLLABORATIONS
Johannesburg, South Africa (& Artist Proof Studio) 1997
Duetts with: Kagiso Pat Mautloa, Durant Sihlali, Mmakgabo Sebidi, Dumisane Mabaso, Nhlanhla Xaba, Pepe Abela, Vincent Baloyi, Ntepe Osiah Masekwameng, Gordon Gabashane, Sokhaya Nkosi
Vietnam (& Indochina Arts Project) 1995
Fine Arts Associations, Saigon, Hue and Hanoi; Ecole des Beaux Arts, Hanoi
Duetts with: Do Minh Tam, Hoc Hai, Huy Oanh, Le Anh Van, Le Thong, Le Van Suu, Manh Tuan, Mai Khanh, Nghia Duyen, Thuc Ban, Tran Khan Chuong, Tran Luong
Studio Duetts 1995-2001
With: Yuji Kishimoto (Architect -- Japan/USA), Emi Tajima (Japanese master caligrapher), Nguyen Quynh Nhu (Vietnam), Eduardo Chavez & Arturo Miranda (Mexico), Kyi May Kaung (Burmese Poet), Patrick Moraz (Swiss/American composer/performer), Jingalu (Aboriginal Australian artist), Rungsak Dokbua (Thailand), and Americans Don Grusin (Composer/performer), Dave Grusin (Composer/performer), Harry Skoler (Composer/performer), Sarah Schneider (Dancer/choreographer), Sally Ranney (artist/humanist), Cleo Parker Robinson (Dancer/choreographer)
China (PRC) 2001-2004
Proposal for an Artistic Collaboration with China, 2001-2004 (38 pages). Involving ten Chinese Artists, streaming on the internet, development of 160 museum-quality Duett paintings for world-wide exhibition; budget 1.6 million USD.
HIGHER EDUCATION
Visiting Artist [Associate Professor One-year appointment] 1990/1991
Art Department, University of South Carolina
Adjunct Professor 1991-1994
Art Department, Rivier College, Nashua, NH
Fellow/Panelist
The Aspen Institute Aspen, CO 2000
Conference on World Affairs [Univ of Colo, Boulder] 1990-1998
Visiting Artist
Haverford School, Bryn Mawr, PA 1999
Clemson University, Clemson, SC 1997, 1998
African Institute of Art, FUNDA Soweto, South Africa 1997
Princeton University 1996
Williams College 1995
Bradford College 1994, 1998
College of Charleston 1994
University of Pennsylvania 1993
University of South Carolina 1990, 1994
SUNY Albany 1992, 1993
Pine Manor College 1987, 1989
Bentley College 1988
Simon's Rock/Bard College 1988
Brandeis University 1986
Lyme Academy of Fine Arts 1985, 1986
Emerson College 1985
Harvard University 1984, 1985
Mount Holyoke College 1984
Syracuse University 1983
Colorado College 1977
Director; Artist in Residence 1974-1977
Arts College House, University of Pennsylvania
Taught Drawing (figure & still-life) and Photography
Initiated Interdisciplinary Program: Dance, Music, Poetry, Theatre, Film, Architecture, Art
SCHOOLS & PROGRAMS
Instructor, Photography & Visual Arts 1974-1976
Adirondack Lakes Center for the Arts
Chair, Performing Arts Department 1971-1974
Purnell School
Instructor, Visual Arts Department 1970-1974
Purnell School [Taught (& developed syllabi for) 21 Studio arts courses]
Juror, College Entrance Examination Board Area: Fine Arts 1972
AWARDS
Selection Who's Who: in American Art; in the East; in the World
Grants Krasner-Pollack Foundation Emergency Grant, 1999
Indochina Arts Project (Ford Foundation) 1994
Individual Artist Grant, South Carolina Arts Commission 1991
K. B. K. Foundation, 1991, 1994
High Meadow Foundation, 1990
Ford Venture Fund Grant [Univ. of Pennsylvania] 1975-1977
Haas Memorial Fund Fellowship, 1976
GRANTS IN KIND
Kodak, Rochester, NY
Papeteries Canson & Montgolfier, Annonay, France; Royal
Talens BV Oil Paints, Apeldoorn, Holland
Takach Etching Press Corp., Albuquerque, NM
South African Airlines; American Airlines
Korean Airline;
Trans World Airlines
PUBLICATIONS
Film segmant Video Jukebox DeCordova Museum of Art, Linclon, MA 1999
Film David Chamberlain: Artistry in Motion {30 minutes} SC-ETV/PBS 1992
Book Melodic Forms: The Sculpture of David Chamberlain {75 pages, color} 1990
David Godine, Publisher Boston, MA
Videotape Search for Perfection; {16 minutes} FIS/Pucker Safrai 1982
Award: Red Ribbon Category: The Arts American Film Festival, New York
INTERVIEWS
All Things Considered, National Public Radio
Weekend Edition, Monitor Radio & Public Radio International
CNN Headline News, Atlanta, GA
International News Scene, Reuters Press International, New York/Hong Kong
Terra Infirma, Corp. for Public Broadcasting
BBC World, London
Art Scene, S. Carolina Public Radio
Jazz Times, Blue Lakes Public Radio, Grand Rapids, MI
Conversations with Jean Feraca, Wisc. Public Radio, Madison, WI
WBZ-TV Boston, MA
WCNY-TV Syracuse, NY
WNPE-TV Watertown, NY
WSBK-TV Boston, MA
WERS-Radio Boston, MA
RELATED EXPERIENCE
Designs Arts College House (Program) ; University of Pennsylvania, Philadelphia, PA 1975
Performing Arts Center (Architectural); Purnell School, Pottersville, NJ 1973
Fine Arts Center (Architectural); Purnell School, Pottersville, NJ 1971
Diplome Centre Audio Visuel Langues Modernes, Vichy, France 1973
School for International Training, Experiment in International Living, Putney, VT 1973
Graduate Credits Teaching Studio Art Institute, Colorado College, 1972
Consultant Sculpture Walk Project Univ. of South Carolina, Architectural Facilities Planning 1990/91
"How to create, fund and impliment a self-sufficient world-class sculpture collection"
Speaker "[Man] In The Arena" , Haverford School, Haverford, PA 2000
"Architecture & Painting" Clemson University Dept of Art & Architecture, AIA Lecture 1997 Reflections on Creativity" Am. Inst. of Architects Convention, Highlands, NC 1994
"Neurons, Notes & Sketches", Conference on Art & Mathematics Albany, NY 1993
"Music into Sculpture", Conference on Art & Mathematics Albany, NY 1992
"On the Creative Process", Empire State Plaza Art Collection Albany, NY 1993
"Creativity and Fullfillment", Conference on Health & Spirituality Boston, MA 1991
Vocalist & Cahoots (jazz a cappella quartet) 1974-present Album Recordings: "Released" (1993) ;
Arranger "Haven't We Met" (1991); All Good Children (octet) 1972-74 Album: "All Good
Children" (1980); Canto Ergo Sum (sextet) 1971-72; The Footnotes (double sextet)
1967-1971 Album: "Another Summer...
Category
Late 20th Century Abstract Expressionist Abstract Prints
Materials
Monoprint
Summer Blues (abstract expressionist monoprint)
By David Chamberlain
Located in Wilton Manors, FL
Beautiful 1994 monotype painting by American artist, David Chamberlain (b.1950). Oil on Arches paper, image measures 16.5 x 21.5 inches; sheet measures 22 x 30 inches. The subtle variations of the oil application are quite lovely. Titled and signed by the artist in pencil, lower margin and on reverse. Excellent, clean condition with no damage or restoration. Unframed: sheet is loose with no backing.
SHIPS ROLLED IN TUBE
David Chamberlain (American, b Canton, Ohio 1949) has been a full-time artist since 1977, and has created more than 2000 original works in both two and three dimensions. Over 100 of his works appear in the collections of recognized arts institutions and museums, worldwide.
A serious and passionate musician (a cappella jazz singer with three recording albums and over 700 concerts in this avocation), Chamberlain's artistic approach and imagery is inspired by studies of musical patterns and relationships. Other influences include topology, poetry, design and flying.
His sculptures are noted for their playful explorations of lyrical, melodic edges and harmonious spaces. The surfaces are all one continuous form; the insides become the outsides and vice-versa; the edges are all one line. Mediums include mahogany, bronze, titanium, gold, and ceramic/porcelain.
His paintings reflect an enthusiasm for composition and improvisation. Chamberlain has developed a way to create original oil paintings using methods adapted from monotype processes incorporating a light table and mirrors, an etching press, and a variety of hands-on tools (including fingers, rollers, static electricity and blowing)... but no brushes.
This method, sometimes called the Chamberlain Method, makes possible the intense collaborations he is known for, where he and another artist work on the same painting at the same time. Called Duett Painting, this mutual and simultaneous way for two artists to paint together attempts to involve the backgrounds of each, directly and profoundly. There are no rules, and there is no place to hide whoever the artists are appears in the composition. As each artist's marks influence the other's, the painting takes on a momentum of its own, compelling the artists toward a new direction neither would have pursued on their own.
Chamberlain has worked with over 100 artists, musicians, dancers, poets and creative people from the USA, Asia, Europe, South America and Africa. About half of his paintings are collaborative duetts; half are conventional solo works using these techniques.
His studio is based near Boulder, Colorado. He is married, with two children, a dog and three cats.
EDUCATION
MLA University of Colorado 2002
Landscape Architecture
MFA University of Pennsylvania 1977
Sculpture & Printmaking
BA Princeton University 1971
Architecture & Design
SELECTED
EXHIBITIONS
Consulate of Japan, San Francisco, CA 1999, 1998
Major Shows Muse a Muse' Gallery, Tokyo, Japan 1997, 1999
Retrospective: "Solos, Duets & Concertos" Muskegon Mus. of Art, MI 1996
"Duets" Delaware Museum of Art, Wilmington, DE 1995
MacLaren/Markowitz Gallery, Boulder, CO 1991
Retrospective: McKissick Museum of Art, Columbia, SC 1990
Retrospective: The Art Complex Museum, Duxbury, MA 1988
Pucker Gallery, Boston, MA 1981, 1984, 1988
Gibson Gallery, SUNY at Potsdam, NY 1987
Arlene McDaniel Galleries, Simsbury, CT 1986
Lyme Academy of Fine Arts, Old Lyme, CT 1985, 1986
Gallerie Obussier, Nantucket, MA 1985
New Acquisitions Gallery, Syracuse, NY 1983
Everson Museum of Art, Syracuse, NY 1983
COMMISSIONS:
Operhall Suite; [Series of 6 original works] Muskegon Museum of Art 1994
Symphony Suite; Gibbes Museum & Charleston Symphony Orchestra 1994
Gospel Suite in F; New England Conservatory of Music, Boston, MA 1994
Eroica; Morgridge Auditorium, University of Wisconsin, Madison, WI 1992
Balletté; Southworth Library, Canton College, Canton, NY 1991
A Une Passante; M. C. Wallace Library, Wheaton College, Norton, MA 1991
Festivale; K. B. K. Foundation, Boston, MA 1990
A Une Passante; SUNY Potsdam, Potsdam, NY 1989
Balletté; Ensign-Bickford Corp., Simsbury, CT 1987
Torus; Stratus Computer, Inc., Marlboro, MA 1986
Rondella; BNWC, Brandeis University, Waltham, MA 1985
Viole, Ayre; Asset Management, Inc., Essex, CT 1983
Cantata; Horne Library, Babson College, Wellesley, MA 1981
COLLECTIONS
Museums Art Complex Museum, Duxbury, MA
Ashmolean Museum, Oxford University, England
Asian Art Museum, San Francisco, CA
British Museum, London, England
Columbia Museum of Art, Columbia, SC
Currier Gallery & Museum, Manchester, NH
Danforth Museum, Framingham, MA
Davis Museum of Art, Wellesley, MA
DeCordova Museum, Linclon, MA
Delaware Museum of Art, Wilmington, DE
Denver Art Museum, Denver, CO
Detroit Institute of Arts, Detroit, MI
Everson Museum of Art, Syracuse, NY
Farnsworth Museum of Art, Rockland, ME
Fine Arts Center at Cheekwood, Nashville,TN
Fitzwilliam Museum, Cambridge University, England
Gibbes Museum of Art, Charleston, SC
Gibson Gallery & Museum, SUNY Potsdam, NY
Greenville County Art Msueum, Greenville, SC
Hara Museum of Contemporary Art, Tokyo, Japan
Johnson Museum of Art, Ithaca, NY
McKissick Museum of Art, Columbia, SC
Minneapolis Institute of Art, Minneapolis, MN
Munson-Williams-Proctor Institute of Art, Utica, NY
Museum of Fine Arts, Boston, MA
Museum of Fine Arts, Springfield, MA
Muskegon Museum of Art, Muskegon, MI
National Museum of American Art, Washington, DC
Nelson Museum of Art, Kansas City, MO
New Britain Museum of American Art, New Britain, CT
Portland Museum of Art, Portland, ME
Portland Art Museum, Portland, OR
Princeton University Art Museum, Princeton, NJ
Rose Art Museum, Waltham, MA
San Diego Museum, San Diego, CA
Smith College Museum of Art, Northampton, MA
Taylor Museum/CSFAC, Colorado Springs, CO
University of Michigan Museum of Art, Ann Arbor, MI
Victoria & Albert Museum, London, England
Wadsworth Athenaeum, Hartford, CT
Williams College Museum of Art, Williamstown, MA
Yale University Art Gallery, New Haven, CT
Institutions American Embassy, Tokyo, Japan
[selected] Arjo Wiggins/Arches S.A., Annonay, France
Bank of America, Boston, MA
Boso Yusi Company, Tokyo, Japan
Boston Ballet, Boston, MA
Canadian Foreign Ministry, Ottawa, Canada
Chase Manhattan Bank, Vietnam
Embassy of Japan, Abu Dhabi, United Arab Emirates
FIA Institute, Tokyo, Japan
Fidelity Ventures & Associates, Boston, MA
Frederik Meijer Sculpture Gardens, Grand Rapids, MI
Gauteng Legislature, Gauteng, South Africa
German Embassy to Vietnam, Hanoi, Vietnam
Helix Technology Corporation, Longmont, CO
Ito-En Company, Tokyo, Japan
JAFCO America Ventures, Boston, Palo Alto, Tokyo
Japanese Consulates: Boston, MA; Atlanta, GA; San Francisco, CA
Japanese Foreign Ministry, Tokyo, Japan
Japan External Trade Organization, New York, Tokyo
Kepner-Tregoe Company, Princeton, NJ
Kobe Steel, Ltd Tokyo, Kobe
Mochida Medicines, Inc., Tokyo
Monsanto, European Division, Brussels, Belgium
New England Conservatory of Music, Boston, MA
Nueva Set-Kei, Inc. Tokyo, Japan
Opinion Research Company, Princeton, NJ
PAR Associates, Inc., Boston, MA
Price, Waterhouse & Company, Greenwich, CT
Princeton Club of Japan, Tokyo, Japan
Saint Joseph's Heart Hospital, Lexington, KY
Spencer, Fane & Browne; Shugert & Thomson, Kansas City, MO
Temple Society of Concord, Syracuse, NY
T. Rowe Price, Inc., Colorado Springs, CO
University of Wisconsin School of Business, Madison, WI
Vietnam Embassy to Canada, Ottawa, Canada
Yankelovich, Skelly & White, Stamford, CT
COLLABORATIONS
Johannesburg, South Africa (& Artist Proof Studio) 1997
Duetts with: Kagiso Pat Mautloa, Durant Sihlali, Mmakgabo Sebidi, Dumisane Mabaso, Nhlanhla Xaba, Pepe Abela, Vincent Baloyi, Ntepe Osiah Masekwameng, Gordon Gabashane, Sokhaya Nkosi
Vietnam (& Indochina Arts Project) 1995
Fine Arts Associations, Saigon, Hue and Hanoi; Ecole des Beaux Arts, Hanoi
Duetts with: Do Minh Tam, Hoc Hai, Huy Oanh, Le Anh Van, Le Thong, Le Van Suu, Manh Tuan, Mai Khanh, Nghia Duyen, Thuc Ban, Tran Khan Chuong, Tran Luong
Studio Duetts 1995-2001
With: Yuji Kishimoto (Architect -- Japan/USA), Emi Tajima (Japanese master caligrapher), Nguyen Quynh Nhu (Vietnam), Eduardo Chavez & Arturo Miranda (Mexico), Kyi May Kaung (Burmese Poet), Patrick Moraz (Swiss/American composer/performer), Jingalu (Aboriginal Australian artist), Rungsak Dokbua (Thailand), and Americans Don Grusin (Composer/performer), Dave Grusin (Composer/performer), Harry Skoler (Composer/performer), Sarah Schneider (Dancer/choreographer), Sally Ranney (artist/humanist), Cleo Parker Robinson (Dancer/choreographer)
China (PRC) 2001-2004
Proposal for an Artistic Collaboration with China, 2001-2004 (38 pages). Involving ten Chinese Artists, streaming on the internet, development of 160 museum-quality Duett paintings for world-wide exhibition; budget 1.6 million USD.
HIGHER EDUCATION
Visiting Artist [Associate Professor One-year appointment] 1990/1991
Art Department, University of South Carolina
Adjunct Professor 1991-1994
Art Department, Rivier College, Nashua, NH
Fellow/Panelist
The Aspen Institute Aspen, CO 2000
Conference on World Affairs [Univ of Colo, Boulder] 1990-1998
Visiting Artist
Haverford School, Bryn Mawr, PA 1999
Clemson University, Clemson, SC 1997, 1998
African Institute of Art, FUNDA Soweto, South Africa 1997
Princeton University 1996
Williams College 1995
Bradford College 1994, 1998
College of Charleston 1994
University of Pennsylvania 1993
University of South Carolina 1990, 1994
SUNY Albany 1992, 1993
Pine Manor College 1987, 1989
Bentley College 1988
Simon's Rock/Bard College 1988
Brandeis University 1986
Lyme Academy of Fine Arts 1985, 1986
Emerson College 1985
Harvard University 1984, 1985
Mount Holyoke College 1984
Syracuse University 1983
Colorado College 1977
Director; Artist in Residence 1974-1977
Arts College House, University of Pennsylvania
Taught Drawing (figure & still-life) and Photography
Initiated Interdisciplinary Program: Dance, Music, Poetry, Theatre, Film, Architecture, Art
SCHOOLS & PROGRAMS
Instructor, Photography & Visual Arts 1974-1976
Adirondack Lakes Center for the Arts
Chair, Performing Arts Department 1971-1974
Purnell School
Instructor, Visual Arts Department 1970-1974
Purnell School [Taught (& developed syllabi for) 21 Studio arts courses]
Juror, College Entrance Examination Board Area: Fine Arts 1972
AWARDS
Selection Who's Who: in American Art; in the East; in the World
Grants Krasner-Pollack Foundation Emergency Grant, 1999
Indochina Arts Project (Ford Foundation) 1994
Individual Artist Grant, South Carolina Arts Commission 1991
K. B. K. Foundation, 1991, 1994
High Meadow Foundation, 1990
Ford Venture Fund Grant [Univ. of Pennsylvania] 1975-1977
Haas Memorial Fund Fellowship, 1976
GRANTS IN KIND
Kodak, Rochester, NY
Papeteries Canson & Montgolfier, Annonay, France; Royal
Talens BV Oil Paints, Apeldoorn, Holland
Takach Etching Press Corp., Albuquerque, NM
South African Airlines; American Airlines
Korean Airline;
Trans World Airlines
PUBLICATIONS
Film segmant Video Jukebox DeCordova Museum of Art, Linclon, MA 1999
Film David Chamberlain: Artistry in Motion {30 minutes} SC-ETV/PBS 1992
Book Melodic Forms: The Sculpture of David Chamberlain {75 pages, color} 1990
David Godine, Publisher Boston, MA
Videotape Search for Perfection; {16 minutes} FIS/Pucker Safrai 1982
Award: Red Ribbon Category: The Arts American Film Festival, New York
INTERVIEWS
All Things Considered, National Public Radio
Weekend Edition, Monitor Radio & Public Radio International
CNN Headline News, Atlanta, GA
International News Scene, Reuters Press International, New York/Hong Kong
Terra Infirma, Corp. for Public Broadcasting
BBC World, London
Art Scene, S. Carolina Public Radio
Jazz Times, Blue Lakes Public Radio, Grand Rapids, MI
Conversations with Jean Feraca, Wisc. Public Radio, Madison, WI
WBZ-TV Boston, MA
WCNY-TV Syracuse, NY
WNPE-TV Watertown, NY
WSBK-TV Boston, MA
WERS-Radio Boston, MA
RELATED EXPERIENCE
Designs Arts College House (Program) ; University of Pennsylvania, Philadelphia, PA 1975
Performing Arts Center (Architectural); Purnell School, Pottersville, NJ 1973
Fine Arts Center (Architectural); Purnell School, Pottersville, NJ 1971
Diplome Centre Audio Visuel Langues Modernes, Vichy, France 1973
School for International Training, Experiment in International Living, Putney, VT 1973
Graduate Credits Teaching Studio Art Institute, Colorado College, 1972
Consultant Sculpture Walk Project Univ. of South Carolina, Architectural Facilities Planning 1990/91
"How to create, fund and impliment a self-sufficient world-class sculpture collection"
Speaker "[Man] In The Arena" , Haverford School, Haverford, PA 2000
"Architecture & Painting" Clemson University Dept of Art & Architecture, AIA Lecture 1997 Reflections on Creativity" Am. Inst. of Architects Convention, Highlands, NC 1994
"Neurons, Notes & Sketches", Conference on Art & Mathematics Albany, NY 1993
"Music into Sculpture", Conference on Art & Mathematics Albany, NY 1992
"On the Creative Process", Empire State Plaza Art Collection Albany, NY 1993
"Creativity and Fullfillment", Conference on Health & Spirituality Boston, MA 1991
Vocalist & Cahoots (jazz a cappella quartet) 1974-present Album Recordings: "Released" (1993) ;
Arranger "Haven't We Met" (1991); All Good Children (octet) 1972-74 Album: "All Good
Children" (1980); Canto Ergo Sum (sextet) 1971-72; The Footnotes (double sextet)
1967-1971 Album: "Another Summer...
Category
Late 20th Century Abstract Expressionist Abstract Prints
Materials
Monotype
Summer Blues (abstract expressionist monoprint)
By David Chamberlain
Located in Wilton Manors, FL
Beautiful 1994 monotype painting by American artist, David Chamberlain (b.1950). Summer Blues. Oil on Arches paper, image measures 9.75 x 11.75 inches; sheet measures 22 x 30 inches. The subtle variations of the oil application are quite lovely. Titled and signed by the artist in pencil, lower margin and on reverse. Excellent, clean condition with no damage or restoration. Unframed: sheet is loose with no backing.
SHIPS ROLLED IN TUBE
David Chamberlain (American, b Canton, Ohio 1949) has been a full-time artist since 1977, and has created more than 2000 original works in both two and three dimensions. Over 100 of his works appear in the collections of recognized arts institutions and museums, worldwide.
A serious and passionate musician (a cappella jazz singer with three recording albums and over 700 concerts in this avocation), Chamberlain's artistic approach and imagery is inspired by studies of musical patterns and relationships. Other influences include topology, poetry, design and flying.
His sculptures are noted for their playful explorations of lyrical, melodic edges and harmonious spaces. The surfaces are all one continuous form; the insides become the outsides and vice-versa; the edges are all one line. Mediums include mahogany, bronze, titanium, gold, and ceramic/porcelain.
His paintings reflect an enthusiasm for composition and improvisation. Chamberlain has developed a way to create original oil paintings using methods adapted from monotype processes incorporating a light table and mirrors, an etching press, and a variety of hands-on tools (including fingers, rollers, static electricity and blowing)... but no brushes.
This method, sometimes called the Chamberlain Method, makes possible the intense collaborations he is known for, where he and another artist work on the same painting at the same time. Called Duett Painting, this mutual and simultaneous way for two artists to paint together attempts to involve the backgrounds of each, directly and profoundly. There are no rules, and there is no place to hide whoever the artists are appears in the composition. As each artist's marks influence the other's, the painting takes on a momentum of its own, compelling the artists toward a new direction neither would have pursued on their own.
Chamberlain has worked with over 100 artists, musicians, dancers, poets and creative people from the USA, Asia, Europe, South America and Africa. About half of his paintings are collaborative duetts; half are conventional solo works using these techniques.
His studio is based near Boulder, Colorado. He is married, with two children, a dog and three cats.
EDUCATION
MLA University of Colorado 2002
Landscape Architecture
MFA University of Pennsylvania 1977
Sculpture & Printmaking
BA Princeton University 1971
Architecture & Design
SELECTED
EXHIBITIONS
Consulate of Japan, San Francisco, CA 1999, 1998
Major Shows Muse a Muse' Gallery, Tokyo, Japan 1997, 1999
Retrospective: "Solos, Duets & Concertos" Muskegon Mus. of Art, MI 1996
"Duets" Delaware Museum of Art, Wilmington, DE 1995
MacLaren/Markowitz Gallery, Boulder, CO 1991
Retrospective: McKissick Museum of Art, Columbia, SC 1990
Retrospective: The Art Complex Museum, Duxbury, MA 1988
Pucker Gallery, Boston, MA 1981, 1984, 1988
Gibson Gallery, SUNY at Potsdam, NY 1987
Arlene McDaniel Galleries, Simsbury, CT 1986
Lyme Academy of Fine Arts, Old Lyme, CT 1985, 1986
Gallerie Obussier, Nantucket, MA 1985
New Acquisitions Gallery, Syracuse, NY 1983
Everson Museum of Art, Syracuse, NY 1983
COMMISSIONS:
Operhall Suite; [Series of 6 original works] Muskegon Museum of Art 1994
Symphony Suite; Gibbes Museum & Charleston Symphony Orchestra 1994
Gospel Suite in F; New England Conservatory of Music, Boston, MA 1994
Eroica; Morgridge Auditorium, University of Wisconsin, Madison, WI 1992
Balletté; Southworth Library, Canton College, Canton, NY 1991
A Une Passante; M. C. Wallace Library, Wheaton College, Norton, MA 1991
Festivale; K. B. K. Foundation, Boston, MA 1990
A Une Passante; SUNY Potsdam, Potsdam, NY 1989
Balletté; Ensign-Bickford Corp., Simsbury, CT 1987
Torus; Stratus Computer, Inc., Marlboro, MA 1986
Rondella; BNWC, Brandeis University, Waltham, MA 1985
Viole, Ayre; Asset Management, Inc., Essex, CT 1983
Cantata; Horne Library, Babson College, Wellesley, MA 1981
COLLECTIONS
Museums Art Complex Museum, Duxbury, MA
Ashmolean Museum, Oxford University, England
Asian Art Museum, San Francisco, CA
British Museum, London, England
Columbia Museum of Art, Columbia, SC
Currier Gallery & Museum, Manchester, NH
Danforth Museum, Framingham, MA
Davis Museum of Art, Wellesley, MA
DeCordova Museum, Linclon, MA
Delaware Museum of Art, Wilmington, DE
Denver Art Museum, Denver, CO
Detroit Institute of Arts, Detroit, MI
Everson Museum of Art, Syracuse, NY
Farnsworth Museum of Art, Rockland, ME
Fine Arts Center at Cheekwood, Nashville,TN
Fitzwilliam Museum, Cambridge University, England
Gibbes Museum of Art, Charleston, SC
Gibson Gallery & Museum, SUNY Potsdam, NY
Greenville County Art Msueum, Greenville, SC
Hara Museum of Contemporary Art, Tokyo, Japan
Johnson Museum of Art, Ithaca, NY
McKissick Museum of Art, Columbia, SC
Minneapolis Institute of Art, Minneapolis, MN
Munson-Williams-Proctor Institute of Art, Utica, NY
Museum of Fine Arts, Boston, MA
Museum of Fine Arts, Springfield, MA
Muskegon Museum of Art, Muskegon, MI
National Museum of American Art, Washington, DC
Nelson Museum of Art, Kansas City, MO
New Britain Museum of American Art, New Britain, CT
Portland Museum of Art, Portland, ME
Portland Art Museum, Portland, OR
Princeton University Art Museum, Princeton, NJ
Rose Art Museum, Waltham, MA
San Diego Museum, San Diego, CA
Smith College Museum of Art, Northampton, MA
Taylor Museum/CSFAC, Colorado Springs, CO
University of Michigan Museum of Art, Ann Arbor, MI
Victoria & Albert Museum, London, England
Wadsworth Athenaeum, Hartford, CT
Williams College Museum of Art, Williamstown, MA
Yale University Art Gallery, New Haven, CT
Institutions American Embassy, Tokyo, Japan
[selected] Arjo Wiggins/Arches S.A., Annonay, France
Bank of America, Boston, MA
Boso Yusi Company, Tokyo, Japan
Boston Ballet, Boston, MA
Canadian Foreign Ministry, Ottawa, Canada
Chase Manhattan Bank, Vietnam
Embassy of Japan, Abu Dhabi, United Arab Emirates
FIA Institute, Tokyo, Japan
Fidelity Ventures & Associates, Boston, MA
Frederik Meijer Sculpture Gardens, Grand Rapids, MI
Gauteng Legislature, Gauteng, South Africa
German Embassy to Vietnam, Hanoi, Vietnam
Helix Technology Corporation, Longmont, CO
Ito-En Company, Tokyo, Japan
JAFCO America Ventures, Boston, Palo Alto, Tokyo
Japanese Consulates: Boston, MA; Atlanta, GA; San Francisco, CA
Japanese Foreign Ministry, Tokyo, Japan
Japan External Trade Organization, New York, Tokyo
Kepner-Tregoe Company, Princeton, NJ
Kobe Steel, Ltd Tokyo, Kobe
Mochida Medicines, Inc., Tokyo
Monsanto, European Division, Brussels, Belgium
New England Conservatory of Music, Boston, MA
Nueva Set-Kei, Inc. Tokyo, Japan
Opinion Research Company, Princeton, NJ
PAR Associates, Inc., Boston, MA
Price, Waterhouse & Company, Greenwich, CT
Princeton Club of Japan, Tokyo, Japan
Saint Joseph's Heart Hospital, Lexington, KY
Spencer, Fane & Browne; Shugert & Thomson, Kansas City, MO
Temple Society of Concord, Syracuse, NY
T. Rowe Price, Inc., Colorado Springs, CO
University of Wisconsin School of Business, Madison, WI
Vietnam Embassy to Canada, Ottawa, Canada
Yankelovich, Skelly & White, Stamford, CT
COLLABORATIONS
Johannesburg, South Africa (& Artist Proof Studio) 1997
Duetts with: Kagiso Pat Mautloa, Durant Sihlali, Mmakgabo Sebidi, Dumisane Mabaso, Nhlanhla Xaba, Pepe Abela, Vincent Baloyi, Ntepe Osiah Masekwameng, Gordon Gabashane, Sokhaya Nkosi
Vietnam (& Indochina Arts Project) 1995
Fine Arts Associations, Saigon, Hue and Hanoi; Ecole des Beaux Arts, Hanoi
Duetts with: Do Minh Tam, Hoc Hai, Huy Oanh, Le Anh Van, Le Thong, Le Van Suu, Manh Tuan, Mai Khanh, Nghia Duyen, Thuc Ban, Tran Khan Chuong, Tran Luong
Studio Duetts 1995-2001
With: Yuji Kishimoto (Architect -- Japan/USA), Emi Tajima (Japanese master caligrapher), Nguyen Quynh Nhu (Vietnam), Eduardo Chavez & Arturo Miranda (Mexico), Kyi May Kaung (Burmese Poet), Patrick Moraz (Swiss/American composer/performer), Jingalu (Aboriginal Australian artist), Rungsak Dokbua (Thailand), and Americans Don Grusin (Composer/performer), Dave Grusin (Composer/performer), Harry Skoler (Composer/performer), Sarah Schneider (Dancer/choreographer), Sally Ranney (artist/humanist), Cleo Parker Robinson (Dancer/choreographer)
China (PRC) 2001-2004
Proposal for an Artistic Collaboration with China, 2001-2004 (38 pages). Involving ten Chinese Artists, streaming on the internet, development of 160 museum-quality Duett paintings for world-wide exhibition; budget 1.6 million USD.
HIGHER EDUCATION
Visiting Artist [Associate Professor One-year appointment] 1990/1991
Art Department, University of South Carolina
Adjunct Professor 1991-1994
Art Department, Rivier College, Nashua, NH
Fellow/Panelist
The Aspen Institute Aspen, CO 2000
Conference on World Affairs [Univ of Colo, Boulder] 1990-1998
Visiting Artist
Haverford School, Bryn Mawr, PA 1999
Clemson University, Clemson, SC 1997, 1998
African Institute of Art, FUNDA Soweto, South Africa 1997
Princeton University 1996
Williams College 1995
Bradford College 1994, 1998
College of Charleston 1994
University of Pennsylvania 1993
University of South Carolina 1990, 1994
SUNY Albany 1992, 1993
Pine Manor College 1987, 1989
Bentley College 1988
Simon's Rock/Bard College 1988
Brandeis University 1986
Lyme Academy of Fine Arts 1985, 1986
Emerson College 1985
Harvard University 1984, 1985
Mount Holyoke College 1984
Syracuse University 1983
Colorado College 1977
Director; Artist in Residence 1974-1977
Arts College House, University of Pennsylvania
Taught Drawing (figure & still-life) and Photography
Initiated Interdisciplinary Program: Dance, Music, Poetry, Theatre, Film, Architecture, Art
SCHOOLS & PROGRAMS
Instructor, Photography & Visual Arts 1974-1976
Adirondack Lakes Center for the Arts
Chair, Performing Arts Department 1971-1974
Purnell School
Instructor, Visual Arts Department 1970-1974
Purnell School [Taught (& developed syllabi for) 21 Studio arts courses]
Juror, College Entrance Examination Board Area: Fine Arts 1972
AWARDS
Selection Who's Who: in American Art; in the East; in the World
Grants Krasner-Pollack Foundation Emergency Grant, 1999
Indochina Arts Project (Ford Foundation) 1994
Individual Artist Grant, South Carolina Arts Commission 1991
K. B. K. Foundation, 1991, 1994
High Meadow Foundation, 1990
Ford Venture Fund Grant [Univ. of Pennsylvania] 1975-1977
Haas Memorial Fund Fellowship, 1976
GRANTS IN KIND
Kodak, Rochester, NY
Papeteries Canson & Montgolfier, Annonay, France; Royal
Talens BV Oil Paints, Apeldoorn, Holland
Takach Etching Press Corp., Albuquerque, NM
South African Airlines; American Airlines
Korean Airline;
Trans World Airlines
PUBLICATIONS
Film segmant Video Jukebox DeCordova Museum of Art, Linclon, MA 1999
Film David Chamberlain: Artistry in Motion {30 minutes} SC-ETV/PBS 1992
Book Melodic Forms: The Sculpture of David Chamberlain {75 pages, color} 1990
David Godine, Publisher Boston, MA
Videotape Search for Perfection; {16 minutes} FIS/Pucker Safrai 1982
Award: Red Ribbon Category: The Arts American Film Festival, New York
INTERVIEWS
All Things Considered, National Public Radio
Weekend Edition, Monitor Radio & Public Radio International
CNN Headline News, Atlanta, GA
International News Scene, Reuters Press International, New York/Hong Kong
Terra Infirma, Corp. for Public Broadcasting
BBC World, London
Art Scene, S. Carolina Public Radio
Jazz Times, Blue Lakes Public Radio, Grand Rapids, MI
Conversations with Jean Feraca, Wisc. Public Radio, Madison, WI
WBZ-TV Boston, MA
WCNY-TV Syracuse, NY
WNPE-TV Watertown, NY
WSBK-TV Boston, MA
WERS-Radio Boston, MA
RELATED EXPERIENCE
Designs Arts College House (Program) ; University of Pennsylvania, Philadelphia, PA 1975
Performing Arts Center (Architectural); Purnell School, Pottersville, NJ 1973
Fine Arts Center (Architectural); Purnell School, Pottersville, NJ 1971
Diplome Centre Audio Visuel Langues Modernes, Vichy, France 1973
School for International Training, Experiment in International Living, Putney, VT 1973
Graduate Credits Teaching Studio Art Institute, Colorado College, 1972
Consultant Sculpture Walk Project Univ. of South Carolina, Architectural Facilities Planning 1990/91
"How to create, fund and impliment a self-sufficient world-class sculpture collection"
Speaker "[Man] In The Arena" , Haverford School, Haverford, PA 2000
"Architecture & Painting" Clemson University Dept of Art & Architecture, AIA Lecture 1997 Reflections on Creativity" Am. Inst. of Architects Convention, Highlands, NC 1994
"Neurons, Notes & Sketches", Conference on Art & Mathematics Albany, NY 1993
"Music into Sculpture", Conference on Art & Mathematics Albany, NY 1992
"On the Creative Process", Empire State Plaza Art Collection Albany, NY 1993
"Creativity and Fullfillment", Conference on Health & Spirituality Boston, MA 1991
Vocalist & Cahoots (jazz a cappella quartet) 1974-present Album Recordings: "Released" (1993) ;
Arranger "Haven't We Met" (1991); All Good Children (octet) 1972-74 Album: "All Good
Children" (1980); Canto Ergo Sum (sextet) 1971-72; The Footnotes (double sextet)
1967-1971 Album: "Another Summer...
Category
Late 20th Century Abstract Expressionist Abstract Prints
Materials
Monotype
You May Also Like
Mondhaubentanz - Male and Female Clowns Dancing (Edition 59/150)
Located in New York, NY
Alfred Finsterer (1908-1996, German), "Mondhaubentanz - Male and Female Clowns Dancing", Abstract Figurative Etching numbered and signed in Pencil, 27 x 19.50, Late 20th Century
Col...
Category
Late 20th Century Abstract Abstract Prints
Materials
Etching, Aquatint
"Senses' Exile" set original engravings by Krauze Viskin Escobedo F.C. Leñero
By Manuel Felguérez
Located in Miami, FL
"El Exilio de Los Sentidos", 2005
Poem by Alberto Blanco, and works by Manuel Felguérez, Helen Escobedo, Perla Krauze, Francisco Castro Leñero, and Boris Viskin...
Category
Early 2000s Abstract Abstract Prints
Materials
Paper, Ink, Archival Paper, Engraving, Etching, Aquatint
Large Italian Aquatint Etching Francesco Clemente Neo Expressionist Avant Garde
By Francesco Clemente
Located in Surfside, FL
Francesco Clemente (Italian b. 1952),
'This side up / Telemone #2,
1981
Medium: Intaglio hard ground etching, color aquatint, drypoint, and soft-ground etching with chine collé (ha...
Category
1980s Abstract Expressionist Abstract Prints
Materials
Drypoint, Etching, Aquatint, Intaglio
The Hand (La Main) - Limited Edition Red Abstract Etching Print
Located in East Quogue, NY
Bright red, blue, and white abstract etching print on paper by Moroccan artist Malika Agueznay. Limited edition. Edition 12/20. Signed. Offered framed.
Malika Agueznay (1938) is a p...
Category
1990s Abstract Abstract Prints
Materials
Etching, Aquatint
Divinite de l'Enfance ( épreuve d'artiste )
By Juan Valladares
Located in New York, NY
Juan Valladares (Peru, b. 1938) "Divinite de l'Enfance" (épreuve d'artiste), Abstract Etching/Aquatint signed and titled in Pencil, Late 20th Century, 1977
Colors: Black, Brown, Gre...
Category
1970s Abstract Abstract Prints
Materials
Etching, Aquatint
Nu Algue - Red abstract limited edition etching by Malika Agueznay
Located in East Quogue, NY
Bright red, blue and green abstract etching on paper by Moroccan artist Malika Agueznay. Limited edition. Edition 9/20. Signed. Offered framed.
Malika...
Category
Early 2000s Abstract Abstract Prints
Materials
Etching, Aquatint
Recently Viewed
View AllMore Ways To Browse
Passion And Jesus
Mid Century Shadow Box
Suite Nyc
Etoile Gold
Vintage Tell Watch
Gold Cross With Jesus
Vintage Watches Mans
Vintage Religious Cross
Wanders Plate
Shipwreck Gold
Shipwreck Plate
Wall Plates Jesus
Will Martyr
Etoile Heart
Mid Century Copper Wall Etching
Religious Shadow Box
Pilgrim Box
Vintage First Aid Box