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Donald SultanOriginal "Lilies" by Donald Sultan1998
1998
About the Item
Donald K. Sultan
(b. 1951)
"Lilies"
Screenprint in colors on arches 88 wove paper, 1998
Sheet size 24 x 20 inches
Ed. 47 of 70
Initialed, numbered, dated, and titled in pencil along edges
Published by Har-El Printers and Publishers, Jaffa, Israel
After receiving an MFA degree from the Art Institute of Chicago, Donald Sultan moved to New York in 1975 to begin his career as an artist. At first he was supporting himself by helping other artists construct lofts during the day and painting at night. In 1979, Sultan won a $2,500 Creative Artists Public Service Grant from the New York State Council on the Arts, and that money enabled him to work full-time on his art. “By then I had started to show at a couple of places and to sell enough work to keep going,” he said.
Donald Sultan rose to prominence in the electrified atmosphere of New York’s downtown renaissance in the late 1970s as part of the “New Image” movement. His first solo exhibition was mounted in 1977 at Artists Space in New York, followed by group shows at Mary Boone Gallery in 1978 and Whitney Biennial at the Whitney Museum of American Art in 1979. As Sultan’s work started to attract media attention and receive critical acclaim, prominent galleries and museums around the world, such as the Indianapolis Museum of Art and the New York Museum of Modern Art in 1981, and the Houston Museum of Contemporary Art also in 1981, began to include his paintings in their exhibitions. In 1987 alone, impressive solo exhibitions were mounted at the Chicago Museum of Contemporary Art, the Los Angeles Museum of Contemporary Art, the Modern Art Museum of Fort Worth, the Brooklyn Museum, and the Blum Helman Gallery in New York. Reviewing these exhibitions for the New York Times, art critic Roberta Smith wrote, “Mr. Sultan is nothing if not a master of physical density, of the well-built image and the well-carpentered painting. He seems particularly to love the way an implacable slab of material can be made to flip-flop into classically perfect, illusionistic form…” In 1988, Sultan accepted a commission for an Absolut Vodka iconic art ad campaign, which began in the early 1980s when Andy Warhol created Absolut’s first commissioned artwork. Sultan’s ad shows a rough square filled with a screenprint of pimiento stuffed green olives, with a black and white aquatint image of the Absolut bottle boldly superimposed over the venter of the artwork. In 1999, Sultan was invited to have a permanent exhibition of his works in various media at the trendy new hotel in Budapest, Hungary. Aptly named Art’otel Budapest Donald Sultan, in was practically turned over to Sultan with a carte blanche to design everything from the fountains to the carpeting.
He has exhibited in New York, London, Paris, Chicago, Tokyo, and Berlin, among other cities. Sultan’s work belongs in the collections of the Art Institute of Chicago, the Museum of Modern Art, the Tate, the Guggenheim Museum, the Whitney Museum of American Art, and the Museum of Contemporary Art, Tokyo, among others. Sultan is also well known for his prints and sculptures, which embrace the same motifs as his paintings.
- Creator:Donald Sultan (1951, American)
- Creation Year:1998
- Dimensions:Height: 31.75 in (80.65 cm)Width: 27.25 in (69.22 cm)Depth: 1 in (2.54 cm)
- More Editions & Sizes:Impression 47 of 70Price: $4,950
- Medium:
- Movement & Style:
- Period:
- Condition:This beautiful piece is in a brand new custom frame and has UV protective plexiglass.
- Gallery Location:Hinsdale, IL
- Reference Number:Seller: 23911stDibs: LU138429901262
Donald Sultan
Donald Sultan is a distinguished painter, sculptor, and printmaker who rose to prominence in the late 1970s as part of the “New Image” movement in New York City.
Sultan has a unique artistic method and innovative approach to traditional subject matter. Known as Abstract Representation, Sultan’s paintings, prints and other art are characterized by the use of geometric black forms set against organic areas of bright color, thus bringing an abstract sensibility to his iconographic images of still life. Throughout his career he has revisited and reinvented still life, using images of lemons, poppies, playing cards, fruits, flowers, and other objects. Sultan’s lemons, a recurrent theme in his artworks, have in fact become an iconic image all over the world.
“All of the images of those dark pictures are really about the architecture in the paintings; they seem so massive and strong and permanent, but nothing is permanent,” Sultan has said. “The image in the front is very fragile, but it conveys the loaded meaning of everything that is contained in the painting.”
Sultan is considered to be at the forefront of contemporary art. Although his paintings are often classified as landscapes and still lifes, Sultan states that they are first and foremost abstracts. Besides paintings, drawings, and sculptures, he has created many editions. Sultan’s prints are unique: he uses specific materials like “flocking” to create expressive and powerful prints that are reminiscent of his forceful paintings. Since his first solo exhibition in 1977, Sultan’s artistic career has progressed rapidly; his works are part of the most prominent public and private collections to be found across the globe.
Find original Donald Sultan art on 1stDibs.
(Biography provided by Weng Contemporary — ArtXX AG)
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