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Didier Mayés
Binomio (Mexican Contemporary Art)

2015

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Dan Flavin, Untitled (Triptych): 3 Aquatint Prints, Abstract Art, Minimalism
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Dan Flavin (American, 1933-1996) Untitled (Triptych), 1996-98 Medium: Set of three aquatints on handmade rag paper Dimensions: each 50 x 40 cm (19.75 x 15.75 in) Edition of 60: Each ...
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Late 20th Century Abstract Abstract Prints

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Georg Baselitz, Winterschlaf I: Etching and Aquatint, Abstract Art, Signed Print
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Georg Baselitz (German, born 1938) Winterschlaf I, 2014 Medium: Line etching and sugar lift aquatint on wove paper Dimensions: 69 x 82 cm Edition of 10: Hand-signed, numbered and dat...
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Joseph Kosuth, L’Essence de la rhétorique est dans l’allégorie IV - Signed Print
By Joseph Kosuth
Located in Hamburg, DE
Joseph Kosuth ( American, b. 1945) L’Essence de la rhétorique est dans l’allégorie IV, 1998 Medium: Set of three heliogravure and aquatints, on BFK Rives rag paper Dimensions: each 4...
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21st Century and Contemporary Contemporary Abstract Prints

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Dan Flavin, Untitled (Sheet 10 from Projects 1963-1995), Minimalism, Abstract
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Located in Hamburg, DE
Dan Flavin (American, 1933-1996) Untitled (Sheet 10 from Projects 1963-1995), 1997 Medium: Etching and aquatint on rag paper Dimensions: 52.1 × 66 cm (20 1/2 × 26 in) Edition of 36: ...
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20th Century Minimalist Abstract Prints

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Günther Förg, Hora - Etching, 1999, Abstract Art, Minimalism, Signed Print
By Günther Förg
Located in Hamburg, DE
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21st Century and Contemporary Abstract Abstract Prints

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Howard Hodgkin Early Evening in the Museum of Modern Art: abstract black white
By Howard Hodgkin
Located in New York, NY
Large scale black and white abstract interior scene with dots, lines, brushstrokes, and hand painting in grey, to hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, emotional, expressionist, and abstract. Early Evening in the Museum of Modern Art, by Howard Hodgkin. Signed by the artist, numbered 47/100, and dated 79 lower center in red crayon. Soft-ground etching printed from the same plate as 'Late Afternoon in the Museum of Modern Art', with hand coloring in black gouache on Grey BFK Rives mould-made paper. This print depicts an abstracted scene, perhaps a sculpture in front of a window in the Museum of Modern Art, Oxford, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Wide areas of deep black pigment contrast urgent swipes of ink. Always seeking greater richness in his prints, Hodgkin layered ink and hand coloring in this print, rendering each impression in the edition unique. Part of a series of four prints reflecting on a visit to...
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Late 20th Century Abstract Interior Prints

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