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Daniel Richter
Daniel Richter, Untitled (Die Welt) - Signed Print, Contemporary Art

2022

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Christopher Wool, Untitled - Abstract Art, Contemporary, Signed Print
By Christopher Wool
Located in Hamburg, DE
Christopher Wool (born 1955 in Chicago) Untitled, 2018 Medium: Archival pigment print on cotton vellum paper Dimensions: 40 x 32 cm Edition of 100: Hand-signed, numbered and dated Pu...
Category

21st Century and Contemporary Abstract Abstract Prints

Materials

Pigment

Peter Halley, Cartoon Explosion - Abstract Art, Minimalism, Signed Print
By Peter Halley
Located in Hamburg, DE
PETER HALLEY (American, b. 1953) Cartoon Explosion, 1999 Medium: 5-part leporello, digital pigment print on handmade rice paper (folded, as issued) Dimensions: 49.21 x 12.60 in (125....
Category

21st Century and Contemporary Abstract Abstract Prints

Materials

Digital Pigment

Paris-Moscou 1900-1930, Centre Pompidou: Original Exhibition Poster from 1979
By Roman Cieslewicz
Located in Hamburg, DE
Vintage poster for the exhibition "Paris-Moscou 1900-1930" at Centre Pompidou from 31 May - 5 November 1979 in Paris. Designed by Roman Cieslewicz (French/Polish, 1930 - 1996).
Category

20th Century Abstract Abstract Prints

Materials

Offset

Günter Fruhtrunk, Zwischen Grün - Screenprint, 1970, Op Art, Signed Print
By Gunter Fruhtrunk
Located in Hamburg, DE
Günther Fruhtrunk (German, 1923-1982) Zwischen Grün (Between Green), 1970 Medium: Screen print on cardboard Sheet dimensions: 62 x 83 cm Image dimensions: 58.5 x 79 cm Edition of 150...
Category

1970s Abstract Geometric Abstract Prints

Materials

Screen

Victor Vasarely, Kandahar I - Screenprint from 1955, Op Art, Signed Print
By Victor Vasarely
Located in Hamburg, DE
Victor Vasarely (Hungarian-French, 1906-1997) Kandahar I (from "Album I" by Galerie Denise René), 1955 Medium: Screenprint in colors, on paper Dimensions: 26 × 20 1/10 in (66 × 51 cm...
Category

20th Century Abstract Abstract Prints

Materials

Screen

Allan D'Arcangelo, Untitled - Screenprint from 1969, Abstract Art, Pop Art
Located in Hamburg, DE
Allan D'Arcangelo (American, 1930-1998) Untitled, 1969 Medium: Screenprint on paper Dimensions: 35.6 x 29.9 cm Outside the edition of 125: Not signed, not numbered
Category

20th Century Abstract Abstract Prints

Materials

Screen

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Three Circles/ Print/Limited/ Signed
By Sandra Salamonová
Located in Slovak Republic, SK
Fine Art Print, limited edition of 10, photographed in Slovakia, synagogue ceiling.
Category

21st Century and Contemporary Abstract Interior Prints

Materials

Archival Pigment

Bruce Nauman at Leo Castelli
By Bruce Nauman
Located in New York, NY
Bruce Nauman Bruce Nauman at Leo Castelli, 1978 Offset Lithograph Poster 18 1/4 × 36 inches Unframed This Bruce Nauman poster was created on the occasion of his exhibition at the Leo...
Category

1970s Abstract Abstract Prints

Materials

Lithograph, Offset

Hothead - Contemporary Art, Abstract Art
By Frank Bowling
Located in London, GB
Hothead, 2016 Giclée print on 330gsm Somerset Velvet cotton rag paper with an embossed publisher stamp 82 x 78 cm - Framed 80 x 75 cm - Sheet Edition of 250 It comes with COA from t...
Category

2010s Abstract Abstract Prints

Materials

Giclée

Bicentennial Dawn Lithograph and gold foil, Louise Nevelson sculpture signed/N
By Louise Nevelson
Located in New York, NY
Louise Nevelson Bicentennial Dawn, 1976 Photolithograph, silkscreen and gold foil on white wove paper hand signed, dated and numbered 15/100 with incised signature on the front 35 × ...
Category

1970s Abstract Abstract Prints

Materials

Foil

Howard Hodgkin Early Evening in the Museum of Modern Art: abstract black white
By Howard Hodgkin
Located in New York, NY
Large scale black and white abstract interior scene with dots, lines, brushstrokes, and hand painting in grey, to hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, emotional, expressionist, and abstract. Early Evening in the Museum of Modern Art, by Howard Hodgkin. Signed by the artist, numbered 47/100, and dated 79 lower center in red crayon. Soft-ground etching printed from the same plate as 'Late Afternoon in the Museum of Modern Art', with hand coloring in black gouache on Grey BFK Rives mould-made paper. This print depicts an abstracted scene, perhaps a sculpture in front of a window in the Museum of Modern Art, Oxford, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Wide areas of deep black pigment contrast urgent swipes of ink. Always seeking greater richness in his prints, Hodgkin layered ink and hand coloring in this print, rendering each impression in the edition unique. Part of a series of four prints reflecting on a visit to...
Category

Late 20th Century Abstract Interior Prints

Materials

Gouache, Etching

Thinking Aloud in the Museum of Modern Art, Hodgkin, abstract black and white
By Howard Hodgkin
Located in New York, NY
Large scale black and white abstract interior scene with dots, lines, brushstrokes, paint daubs, fingerprints, squares and rectangles, and hand painting in grey. Hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, expressionist, and abstract. Paper: 30 x 40 in. / 76.2 x 101.5 cm. Thinking Aloud in the Museum of Modern Art by Howard Hodgkin. Soft-ground etching on yellowish grey Hodgkinson hand made paper. Signed by the artist, dated 70, and numbered 21/100 lower center in red crayon. Printed from the same plates as 'All Alone in the Museum of Modern Art'. While All Alone features dark pools of hand coloring, the lighter image field of Thinking Aloud reveals how Hodgkin used his entire hand to create lines and textures. This print depicts an abstracted scene, perhaps a window and a door, in Hodgkin's signature painterly style. The expressive brush marks and fingerprints in this print are an example of the artist’s movement in the late 70s towards pronounced gestures. Howard Hodgkin was introduced to the etching technique used in Thinking Aloud in the Museum of Modern Art at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s. Part of a series of four prints reflecting on a visit to the Museum...
Category

Late 20th Century Abstract Abstract Prints

Materials

Etching

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