Items Similar to Lyrical Abstract Expressionist Lithograph Cleve Gray Lithograph Silkscreen Print
Want more images or videos?
Request additional images or videos from the seller
1 of 12
Cleve GrayLyrical Abstract Expressionist Lithograph Cleve Gray Lithograph Silkscreen Print1976
1976
About the Item
Cleve Gray, American (1918-2004)
Composition, (1976)
serigraph or lithograph
Hand signed lower right, and editioned 9/50
Dimensions: 19.25 X 23.75 inches sheet.
unframed
Cleve Gray (1918 – 2004) was an American Abstract expressionist painter, who was also associated with Color Field painting and Lyrical Abstraction.
Gray was born Cleve Ginsberg, the family changed their name to Gray in 1936. Gray attended the Ethical Culture School in New York City (1924–1932). From the age of 11 until the age of 14 he had his first formal art training with Antonia Nell, who had been a student of George Bellows. From 15 to 18 he attended the Phillips Academy, in Andover, Massachusetts; where he studied painting with Bartlett Hayes and won the Samuel F. B. Morse Prize for most promising art student. In 1940 he graduated from Princeton University summa cum laude, with a degree in Art and Archeology. He was a member of Phi Beta Kappa. At Princeton he studied painting with James C. Davis and Far Eastern Art with George Rowley, under whose supervision he wrote his thesis on Yuan dynasty landscape painting. Best known for his calligraphic abstractions which melded elements of Abstract Expressionism, Color Field painting, and traditional Chinese scroll painting. After graduation in 1941 Gray moved to Tucson, Arizona. In Arizona he exhibited his modernist landscape paintings and still lifes at the Alfred Messer Studio Gallery in Tucson. In 1942 he returned to New York and joined the United States Army. During World War II, he served in the signal intelligence service in Britain, France and Germany, where he rose to the rank of sergeant. After the liberation of Paris he was the first American GI to greet Pablo Picasso and Gertrude Stein. He began informal art training with the French artists André Lhote and Jacques Villon, continuing his art studies in Paris after the war. Gray returned to the United States in 1946. In 1949 he moved to the house his parents had owned on a 94-acre property in Warren, Connecticut, and lived there for the rest of his life. In the 1960s he formed a close friendship with Barnett Newman. It was during this time that he experienced an artistic metamorphosis, dissolving his earlier cubist compositions in a sea of distilled color. This dramatic body of work marked the beginning of an artistic meditation that would last for over 40 years. The rigors of French modernism, the ethos of Abstract Expressionism and the meditative restraint of Chinese and Japanese scroll painting commingle with astounding affect. The atmospheric, subdued tones of his 1960s paintings gradually gave way to bright, monochromatic fields of color, hazily washed onto the canvas in stain like swathes. Much of his work from the last three decades of his career feature striking graphic brushwork that conjures the influence of Japanese and Chinese calligraphy. He married the noted author Francine du Plessix on April 23, 1957. They worked in separate studios in two outbuildings with a driveway in between. Gray was a veteran of scores of exhibitions throughout his career, as listed below, from the early days Tucson, through to postwar Paris and New York, and most recently in 2002 at the Berry-Hill Gallery in New York City. His paintings are held in the collections of numerous prominent museums and institutions. In 2009 the art critic Karen Wilkin curated a posthumous retrospective of his work at the Boca Raton Museum of Art, Florida, and other posthumous exhibitions have been held.
Museum collections
Addison Gallery of American Art, Phillips Academy, Andover, MA
Albright-Knox Art Gallery, Buffalo, New York
Boca Raton Museum of Art, Boca Raton, Florida
The Brooklyn Museum, New York City
Columbia University Art Gallery, New York City
Columbus Museum of Art, Ohio
The Corcoran Gallery of Art, Washington, D.C.
Grey Art Gallery and Study Center, New York University, New York City
Solomon R. Guggenheim Museum, New York City
Honolulu Museum of Art, Honolulu, Hawaii
The Jewish Museum, New York City
The Metropolitan Museum of Art, New York City
Museum of Art, Rhode Island School of Design, Providence
Museum of Fine Arts, Boston
Museum of Fine Arts, Houston
Museum of Modern Art, New York City
The Neuberger Museum, State University of New York at Purchase
New Britain Museum of American Art, Connecticut
The Newark Museum, New Jersey
Norton Gallery of Art, West Palm Beach, Florida
Oklahoma City Art Center, Oklahoma
The Phillips Collection, Washington, D.C.[14]
The Art Museum, Princeton University, New Jersey[6]
Rose Art Museum, Brandeis University, Waltham, Massachusetts
Sheldon Museum of Art, University of Nebraska, Lincoln
Smithsonian American Art Museum, Washington, D.C.
The Wadsworth Atheneum, Hartford, Connecticut
Whitney Museum of American Art, New York City
Yale University, New Haven, Connecticut
Williams College Museum of Art, Williamstown, Massachusetts
Yale University Art Gallery, New Haven, Connecticut
He was included in the show 1977, Group Exhibition, Betty Parsons Gallery. Mino Argento, Calvert Coggeshall, Minoru Kawabata, Richard Tuttle, Ruth Vollmer, Robert Yasuda, Helene Aylon and Cleve Gray (among others).
1978, Group Exhibition, Betty Parsons Gallery. Ruth Vollmer, Mino Argento, Cleve Gray, Calvert Coggeshall Abstraction: 1950-1970 at Taylor Graham, Greenwich CT. A survey of post-war abstract art movements including Abstract Expressionism, Color Field, Hard Edge, Minimalism and Op-Art. Adolph Gottlieb, André Cottavoz, Carl Robert Holty, Cleve Grey, Friedel Dzubas, Ilya Bolotowsky, James Hiroshi Suzuki, Norman Bluhm, Ralph Della-Volpe, Theodore Appleby and more.
- Creator:Cleve Gray (1918-2004, American)
- Creation Year:1976
- Dimensions:Height: 19.25 in (48.9 cm)Width: 23.75 in (60.33 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38214528972
Cleve Gray
Cleve Gray was an American Abstract Expressionist painter. He was born on September 22, 1918, in New York. His works are displayed in various museums including, The Brooklyn Museum, The Metropolitan Museum of Art, The Smithsonian Institute, The Whitney Museum of American Art, Museum of Modern Art, The Guggenheim Museum, Museum of Fine Arts, Boston and The Phillips Collection. Gray died on December 8, 2004, in Hartford.
About the Seller
4.9
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 1995
1stDibs seller since 2014
1,744 sales on 1stDibs
Typical response time: 2 hours
- ShippingRetrieving quote...Shipping from: Surfside, FL
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllCalifornia Abstract Expressionist Linocut Lithograph Sepia Print Edition of 6
By Hans Burkhardt
Located in Surfside, FL
Untitled, 1983, lithograph printed in sepia ink,
Hand signed and dated lower right, numbered in pencil with the artist's chop mark lower left, inscribed
by artist. From a series o...
Category
1980s Abstract Expressionist Abstract Prints
Materials
Lithograph, Linocut
California Abstract Expressionist Linocut Lithograph Ronald Reagan Political Art
By Hans Burkhardt
Located in Surfside, FL
Untitled, 1983, lithograph printed in sepia ink,
Hand signed and dated lower right, with the artist's chop mark lower left, inscribed
by artist. From a series of experimental abst...
Category
1980s Abstract Expressionist Abstract Prints
Materials
Lithograph, Linocut
1960's California Pop Art Abstract Expressionist LA Lithograph "About Women"
Located in Surfside, FL
John Altoon (American, 1925-1969)
From the 'About Women' Series.
Color lithograph
1965/66,
Hand signed and editioned in pencil with the chop mark of Gemini G.E.L. publishers
John Altoon (1925 - 1969), an American artist, was born in Los Angeles to immigrant Armenian parents. From 1947–1949 he attended the Otis Art Institute, from 1947 to 1950 he also attended the Art Center College of Design in Los Angeles, and in 1950 the Chouinard Art Institute. Altoon was a prominent figure in the LA art scene in the 1950s and 1960s. Exhibitions of his work have been held at the Museum of Contemporary Art San Diego, Whitney Museum of American Art, New York, Corcoran Gallery, Washington D.C, Fine Arts Museums of San Francisco, The Baxter Museum, Pasadena, and The Los Angeles County Museum of Art (LACMA).
Altoon's work was influenced by the Abstract Expressionism Movement although he is best known for his figurative drawings of the 1960s, with as Leah Ollman describes "a vocabulary of vaguely figurative, botanical and biological forms that he pursued until his death." He was part of the "Ferus group" of artists so called for their association to the Ferus Gallery that operated in Los Angeles in 1957–1966. Some of the other artists included in this group are Edward Kienholz, Larry Bell, Robert Irwin, Billy Al Bengston. He was featured in the Cool School documentary, a film about Altoon and other Ferus Gallery artists such as Walter Hopps and Ed Kienholz...
Category
1960s Abstract Expressionist Abstract Prints
Materials
Lithograph
Large Abstract Expressionist Lithograph SIlkscreen Robert Motherwell St Michael
By Robert Motherwell
Located in Surfside, FL
Robert Motherwell, American, 1915-1991
St. Michel III
1979
Lithograph and Screenprint
On handmade paper
Hand signed in white pencil and numbered 71/99.
Dimensions: Sight 40 3/4 x 32 ...
Category
1970s Abstract Expressionist Abstract Prints
Materials
Lithograph, Screen
Bright Vibrant Pop Art Silkscreen Lithograph Print NYC Abstract Expressionist
By William Scharf
Located in Surfside, FL
Red Angel, intensely and seductively colored: swooning purples and reds, ecstatic lemon yellows, and black construction paper. Jostling shapes, geometric and biomorphic, lyrical and hard-edged, refuse to resolve neatly Assemblage, a bold strategy to keep viewers unsettled and curious, the reward for which are profuse and luscious details: varied incidents of refinement, suggestive signs, most in a private code, not merely ornamental but integral to the overall message.
William Scharf (born 1927, Media, PA) is an American artist from New York, he teaches at The Art Students League of New York. Painting with acrylics, he was a member of the New York School movement. Often categorized as a late generation Abstract Expressionist, Known for producing paintings with abstract compositions incorporating biomorphic and geometric forms in vivid colors, the artist was influenced by Surrealism, the Color Field painters, and symbolism.
He apprenticed with Mark Rothko and was influenced by his color field paintings. The surrealist painter Arshile Gorky and the Abstract expressionism style found in 1950s New York City also influenced Scharf. His exhibits include San Francisco Art Institute (1969), the Pepperdine University's Frederick R. Weisman Museum of Art (2001), and Richard York Gallery in New York City (2004).
In the heyday of Abstract Expressionism, being serious meant following the tenets of the New York School, which required abstract paintings to be spontaneous improvisations, the messier the better. At once hedonistic and disciplined, his brazen paintings are nothing if not promiscuous. The best ones mix the dynamism of gestural abstraction with sensual rhythms of decorative patterning, sometimes souping up the stew with cartoonish symbols and flourishes so ripe they belong in a dandy's fantasies. His exhibits include San Francisco Art Institute (1969), the Pepperdine University's Frederick R. Weisman Museum of Art (2001) and Richard York Gallery in New York City (2004).
Scharf's work has been exhibited in a number of galleries, including the Anita Shapolsky Gallery, Meredith Ward Fine Art, and Hollis Taggart Galleries in New York City.
Scharf has been an instructor of art at various institutions including The Art Students League, the San Francisco Art Institute, and the School of Visual Arts in New York. He is a member of the Society of Illustrators and the Artists Equity Association.
EDUCATION
1944-49 The Pennsylvania Academy of the Fine Arts — Philadelphia, PA (1948 Cresson Scholar)
1949 The University of Pennsylvania — Philadelphia, PA
1948 The Academie de la Grand Chaumiere — Paris, France
1947 The Barnes Foundation — Merion, PA
1939-41 Samuel Fleisher Memorial School— Philadelphia, PA (also known as Graphic Sketch Club)
TEACHING HISTORY
Instructor: Painting & Drawing
1987-Present Art Students League, New York, NY
1989, 74, 69, 66, 63 San Francisco Institute of Fine Arts, San Francisco, CA
1965-69 he School of Visual Arts, New York, NY
1964 Art Center of the Museum of Modern Art, New York, NY
Guest Lecturer
1979 Pratt Institute, New York, NY
1974 Stanford University, Palo Alto, CA
1974 California College of Arts and Crafts, San Francisco, CA
Recent Solo Exhibitions:
2005 Meredith Ward Fine Art, New York, NY
2004 Richard York Gallery, New York, NY
2002 P.S.1/MOMA, Queens, NY
2001 The Frederick R. Weisman Museum of Art, Malibu, CA
2000-2001 The Phillips Collection, Washington, DC
Selected Group Exhibitions:
2005 National Academy of Design, New York, NY
2005 Peter McPhee Fine Arts, Stone Harbor...
Category
1970s Abstract Expressionist Abstract Prints
Materials
Lithograph, Screen
Beat Artist "Double Witness" Lithograph Etching Lakeside Studio Chicago
Located in Surfside, FL
Will Petersen, a painter, master printer and a poet, was born in
Chicago. (Amer. 1928-1994) created this limited edition Etching on Arches paper at
the Lakeside Studio.
The LITHOGRAPH PRINT is from a limited edition of 25 (Roman Numerals),
printed in black on Arches Cover White (archival paper).
with chopmarks and blindstamps. published by The Lakeside Studio
(chopmark lower right). THE LITHOGRAPH IS SIGNED TITLED AND ANNOTATED
BY THE ARTIST in pencil EXCELLENT condition.
Will's formal art education began with classes at the Chicago Academy
of Fine Arts. As a student at the city's Steinmetz High School,
Petersen succeeded Hugh Hefner (of Playboy magazine fame) as the HS
newspaper cartoonist, the Steinmetz Star. During this time, Petersen
recovered from polio.
In 1947 Petersen enrolled at Chicago's Wilbur Wright College. While
there, he painted with oils for the first time. Two years later he
enrolled at Michigan State University where he developed a strong
interest in literature and writing and began printmaking. By 1951 he
had begun to exhibit paintings and prints nationally. A year later he
completed his master's degree.
Petersen served in the United States Army from 1952-54, spending one
year as an education specialist in Japan. This encounter with the
Japanese culture affected his entire life. He became interested in
calligraphy and Noh, classical Japanese Buddhist performance that
combines elements of drama, music and poetry. Upon completion of his
military service in Japan in 1955, Will Petersen settled in Oakland,
California, where he met some of the most active poets of the Beat
Generation: Gary Snyder, Allen Ginsberg, Jack Kerouac, Phil Whalen,
Mike McClure and others. Petersen was attracted to the group by their
intelligence and belief in Zen Buddhism.
In 1956 in his small studio in Oakland, he printed the poems of Jack
Kerouac. He attended for the first time, the reading of Ginsberg's
Howl at Six Gallery. His relationship with Gary Snyder had begun when
both were in Kyoto, Japan; later Snyder wrote for the Plucked Chicken.
Petersen returned to Japan in 1957, pursuing painting, printmaking and
writing for eight years while living in Kyoto. In 1965 he accepted a
faculty appointment at Ohio State University, teaching drawing,
painting and printmaking. Four years later Petersen took his teaching
skills to West Virginia University in Morgantown, where he
concentrated on printmaking. He taught there until 1977 when he began
publishing Plucked Chicken, a journal of art and poetry. In 1978 in
Morgantown, Petersen and his wife, Cynthia Archer, established Plucked
Chicken Press, which they later moved to Chicago and then Evanston.
Petersen operated the Press until his death on April 1, 1994.
From 1955-57 Petersen along with Mel Strawn founded the Bay Printmakers Society. He resumed exhibiting: International Color Lithography, Cincinnati Art Museum; Gravures Americaines d’aujourd’hui, Paris; & received an MFA on the GI Bill (with Nathan Oliveira) from the California College of Arts and Crafts where Richard Diebenkorn was on the faculty. Petersen meets Kerouac, Gary Snyder, Phil Whalen, Allen Ginsberg, McClure, and Rexroth. Petersen’s now famous “Stone Garden” essay is published in Evergreen Review.
1956 In storefront studio in Oakland, California, creates serigraphs
and lithographs. Prints poems of Jack Kerouac.
1961 Back in Japan, acquires a lithography press and stones and
resumes printing lithographs. Exhibits regularly with Kyoto
Printmakers.
1969 Resident lithographer at the Lakeside Studio, Lakeside, Michigan.
Prints for the first time Richard Hunt lithographs.
1978 Establishes Plucked Chicken Press in Morgantown, West Virginia.
Resident lithographer at Lakeside Studio in Michigan.
1980 Plucked Chicken Press moves to Chicago. Publishes lithographs by
Don Crouch and Art Kleinman.
1982 Publishes Blossom, a lithograph/collage by Tom Nakashima.
1983 Series I of Plucked Chicken Press is published with work by
Archer, Duckworth, Godfrey, Heagstedt, Himmelfarb, Hoff, Hunt, Martyl,
Miller, Nakashima and Petersen.
1984 Plucked Chicken Press moves to Evanston. Series II of Plucked
Chicken Press is published with works by Croydon, Ho, Archer, Torn,
Osver, Middaugh, Roseberry, Petersen, Spiess-Ferris and Hoppock.
1985 Series III of Plucked Chicken Press is published with works by
Driesbach, Hunt, Trupp, Gregor, Pattison, Conger, Evans, Weygandt,
Archer, Ho and Petersen. Prints Suite I, Northern Illinois University
Collectors Series, with lithographs by Renie Adams, David Bower, David
Driesbach, Carl Hayano and Ben Mahmoud...
Category
20th Century Abstract Expressionist Abstract Prints
Materials
Etching, Lithograph
You May Also Like
Kimber Smith (Hand signed and inscribed) hand signed and inscribed rare print
By Kimber Smith
Located in New York, NY
Kimber Smith (Hand signed and inscribed), ca. 1974
Offset Lithograph Poster. Hand Signed. Inscribed.
Hand signed and inscribed on lower recto (front). Inscription reads: "Greetings to Alan from Kimber"
22 3/8 × 14 7/8 inches
Unframed
Kimber Smith is a leading American Abstract Expressionist artist who gained early fame in Europe where he befriended Joan Mitchell and Sam Francis when he moved to Paris. He later returned to the US, settling on Southampton. This print is from a Swiss exhibition in the mid 1970s at Galerie Ziegler in Zurich, which, by the way, still sells Smith's works. Kimber Smith signed in pencil and inscribed to his friend and Hampton's neighbor Dr. Alan York. It is extremely rare to find a print like this with an authentic signature and warm inscription by Kimber Smith, with such fine provenance - which makes this such a collectible piece. Optometrist Dr. Alan York of East Hampton a renowned art collector who befriended many of the artists in the area. In a tribute to Dr. York, the East Hampton star writes, "He counted among his patients the artist Willem de Kooning, with whom he spent hours discussing the old masters while watching him paint. Understanding how de Kooning painted helped him make glasses suitable for both his close-up and faraway work..." We don't know if York made Kimber Smith's glasses -- but we do know that he knew him personally, hence the warm inscription. The inscription on the print reads:
"Greetings to Alan from Kimber"
About Kimber Smith:
Kimber Smith (USA; born 1922 Boston, MA; died 1981...
Category
1970s Abstract Expressionist Abstract Prints
Materials
Lithograph, Offset
Frank Stella Hand Signed 93/100 Whitney Museum Lithograph Abstract Expressionist
By Frank Stella
Located in New York, NY
Frank Stella
Large Limited Edition Hand Signed Whitney Museum Print, 1985
Offset Lithograph
Hand signed, dated and numbered 93 from the edition of 100, lower left front
75 7/10 × 52 ...
Category
1980s Abstract Expressionist Abstract Prints
Materials
Lithograph, Offset
Tree and Bindu - Original handsigned lithograph - 150 copies
By Sayed Haider Raza
Located in Paris, IDF
RAZA Sayed Haider
Tree and Bindu
Original lithograph
Hand signed in pencil
Numbered / 150
On vellum 43 x 22" (110 x 55 cm)
Editor stamp on the backside
Excellent condition
Category
Late 20th Century Abstract Expressionist Abstract Prints
Materials
Lithograph
El Santuario de Chimayó, large lithograph, signed, numbered 1/40 renowned artist
By Gregory Amenoff
Located in New York, NY
GREGORY AMENOFF
El Santuario de Chimayó, 1986
Lithograph in Colors on wove paper
37 × 38 inches
Edition 1/40
Hand Signed, titled, dated, and numbered in pencil 1 from the edition of ...
Category
1880s Abstract Expressionist Abstract Prints
Materials
Lithograph
Experiment and Change, rare NSU Art Museum poster (Hand signed by Frank Stella)
By Frank Stella
Located in New York, NY
Frank Stella
Experiment and Change (Hand Signed), 2017
Offset Lithograph
Hand signed by the artist i ink on the lower right front
22 × 27 4/5 inches
Unframed
This offset lithograph ...
Category
2010s Abstract Expressionist Abstract Prints
Materials
Lithograph, Offset
Untitled (LBJ Murderer), Artists and Writers Protest Against the War in Vietnam
By Mark di Suvero
Located in New York, NY
Mark di Suvero
Untitled (LBJ Murderer), from Artists and Writers Protest Against the War in Vietnam, 1967
Lithograph on wove paper with deckled edges
Signed and numbered 22/100 in ma...
Category
1960s Abstract Expressionist Abstract Prints
Materials
Lithograph
Recently Viewed
View AllMore Ways To Browse
French China Service
Yuan Dynasty
Dynasty 1950
Carl Rose
Alfred Parsons
Rowley Design
Roy M Steinberg
Roy Wilhelm
Rupert Alexander
Saint Laurent Jerry Box
Sally Hepler On Sale
Salvador Dali Daum Nancy Glass Plate
Salvador Dali Divine Comedy Canto 26
Salvador Dali Icarus
Salvador Dali Jesus On The Cross
Salvador Dali Lincoln
Salvador Dali The Alps
Salvador Dali The Businessman